Instead of the top-10 list I did last year, I’m just picking one favorite/best for different categories. Also, I haven’t done a writeup on everything yet so I’ll be updating this post well into 2014 with links to the relevant reviews.
Best exhibition overall: Jay Defeo
Jay DeFeo at SFMOMA was the first thing I saw in 2013 and set the bar so high that I’ve been comparing everything since to this show. Her work is all over the place. In the best way possible. It was fantastic and exciting to see how she jumped from medium to medium, constantly taking on new and different projects while at the same time referencing all her past work and never putting a foot wrong. She deserves to be treated as the master that she was rather than merely as the creator of The Rose.
Other non-photography* shows in the running here: James Turrell at LACMA which blew my mind by making me geek out on color more than I thought possible. Lebbeus Woods at SFMOMA—a show I’m still incapable of writing about because my brain exploded while viewing it. Flesh and Metal at the Cantor Center (by SFMOMA on the Go) which put photography, sculpture, and painting together to force me to see some of my favorite pieces in completely new ways.
*I’m splitting things up this way since I’m finding that I’m viewing them with different mindsets. While DeFeo and Flesh and Metal both involve photography, neither of them are photography exhibitions. I’m basically keeping three categories (photography, non-photography, online) running in parallel. If my best overall was a photography show, I’d have a best non-photography category listed later.
Best Photo Exhibition: Garry Winogrand
Garry Winogrand at SFMOMA, as obvious a choice as this is, is also my favorite photography show I saw this year. Part of this is because I love the photographs and slice of American history they show. But a large part is due to the fact that, more than any other show, Winogrand spurred a lot of discussion about photography, editing, ethics, etc. and anything which gets us all talking like that is a great thing.
Also in the running: Carrie Mae Weems at the Cantor Center providing a much-needed non-white perspective on art, photography, and representation. Itinerant Languages of Photography at Princeton addressing how photos change meaning as their context changes. Richard Misrach at the Cantor Center making us ask serious questions about our modern lifestyle.
Best Online Exhibition: Form and Landscape
The Huntington’s Form and Landscape project represents the kind of thing I’d love to see more of moving forward. The concept of unleashing multiple editors on a single archive and then collecting the results is what the web should be great at. That this exhibition also manages to tell the story of LA as well as explain a lot of the myths of the US is the icing on the cake.
Other noteworthy online exhibitions this year: Flak Photos Making Pictures of People is the latest foray into demonstrating how curation itself is a creative act. SFMOMA’s Rauschenberg Research Project shows how a museum can take its existing holdings online in a ways which not only enhances the collection but also keeps the museum relevant when the collection itself is offline.
Best individual artwork: Let’s Play Ancient Greek Punishment
Pippin Barr’s Let’s Play Ancient Greek Punishment was part of San José Museum of Art’s Swans, Swine, and Sirens show. It’s awesome. The only thing more fun than playing the game is watching other people play, fail, and not get it.
I also enjoyed Christian Jankowski’s Silicon Valley Talks as part of SFMOMA’s Project Los Altos. I don’t know whether to laugh or cry with it though. And sitting inside Turrell’s Breathing Light at LACMA is not an experience I’ll forget.