Before and After

So this didn’t fit in my general new SFMOMA comments but while I was there I found myself comparing the installations of some of the sculptures with their previous installations. In particular, I ended up comparing Richard Serra’s Sequence and Barnett Newman’s Zim Zum I.

Richard Serra—Sequence

Before the expansion Sequence was installed at the Stanford Art Museum. I visited it many times there. I also much much much prefer it there. Outside it does much more interesting things with light, weather, and sound. In bright sun it casts wonderful shadows. On overcast days you get a real sense of the texture of the steel. Late in the afternoon the color glows as the sun sets. On rainy days there will be dry spots where the sculpture has protected itself, or the floor, from the drops. And because there’s no enclosing space, the sounds of talking or footsteps change as you walk through. You truly feel inside and enclosed when you’re in it.

Inside, you’re always conscious that you’re in a museum. There’s noise from the ticketing lobby that echoes in. You’re on a tiled floor instead of poured concrete. There’s tracklighting above you. The light is flat but not strong enough to see details. The shadows are weak and multi-directional. It’s still an interesting piece to walk around in and explore but yeah…it’s not what it used to be either.

2011 at Stanford

Sequence
sequence-wet-4
Sequence

2016 at SFMOMA

DSC_0375
DSC_0381

Barnett Newman—Zim Zum I

Zim Zum I used to be in the fifth floor sculpture garden where it received full sun and framed both the Pacific Telephone Building and the sky when you were inside it. Now it’s in the new third floor garden, protected by an overhang and framing the living wall. I liked it where it was but the way it interacts with the wall is nice.

2012

Inside Zim Zum I

2016

DSC_0382

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