So I was back in the Princeton Museum and found that when they changed the galleries they hung more photographs related to their Revealing Pictures show. the show itself is the same, but there are more photos in the surrounding galleries which are now part of it. The new photos are almost all by non-white or non-western photographers and completely change—on a good way—my reaction to the show.
Initially I had mixed feelings. I convinced myself to like it but still found a lot of it to emphasize trauma as being the easiest context in which to understand photographs. It’s nice to see photos from the non-western world but a main narrative of poverty or trauma or suffering indulges Western stereotypes about the rest of the world.
The additional photos are much more representative, both in terms of their subject matter and in terms of the contexts they exist within. They’re photographers photographing themselves and their own communities and, while they require us to understand what else is going on, challenge the western gaze in ways that the original set of photos did not.
I especially liked Deana Lawson and Leonce Raphael Abbodjelou here in terms of how their images feel like inside jobs where the connection between the photographer and the subject is one of being a trusted member of the community. Through this trust we’re allowed to learn about the conditions of the photo and that context is an additional educational experience.
Abbodjelou in particular stood out to me because he reminded me of color Keïta or Sibide work. I realized that I hadn’t made the Vlisco connection with Keïta’s work and, while still in awe of the beauty in his photographs, I kind of want to know what color they were now. Also, knowing the stories behind the fabrics in his backdrops makes me appreciate them even more.
A lot of the new photos also reminded me of Ragnar Kjartansson in how they’re both the evidence of performance or conceptual art pieces and photos which are their own works of art by themselves. Sheng Qi and Zhang Huan* stand out here in how their photos both document their performances and make us viscerally react to the concepts once we read about the context.
*Whose work I saw in San José years ago too.
Also at the Princeton Museum
While not part of the Revealing Pictures show, the Princeton Museum was also showing off its recent acquisition of Susan Meiselas’s Life of an Image. I blogged about is a few years ago and I’m so happy I got to see it live. I don’t have much to add over my Itinerant Languages post but it is indeed very cool to see a collection which shows how a photo has basically become a meme. We live in a remix culture and the more museums and artists embrace this and bring it into the galleries the better our visual literacy will get.