Cliff/@oriolesrise is one of the all-time greats on Card Twitter. He lives out in Amish country where there seems to be no end to cheap antique finds and auctions. Every weekend or so he’s finding boxes of cool stuff and showing photos of them on his Twitter feed.
As a result he not only has a massive collection, he has a massive number of duplicate items. He’s very generous with these and offers them as trade bait. Many of us now have piles at his house that are waiting for a proper mailday (or for those of us closer to him, to visit the “museum”).
He’s also been using a lot of his duplicates for TTM requests and has been getting a number of great returns. A couple weeks ago he asked a bunch of the rest of us if we were interested in some guys. I was and last weekend I received my first mailing.
First stack of cards are players I’ve explicitly expressed an interest in getting autographs of. A decent number of former Giants on here (Schofield, McDaniel, McDowell, Ontiveros) but the others are players that for whatever reason stuck out to me.
Quite a few of these I’ve already sent out. I’ll keep writing letters too since Cliff sent these to me with the express purpose that they be used for TTM requests (although I did grab the 1954 Schofield for the colorwheels page).
Cliff though didn’t stop with just the small stack of cards I’d asked for for TTM stuff. He sent a big additional pile of TTM guys. That so many of these are older cards is especially cool. I don’t have a lot of old cards in general and the one I do have I have for specific reasons. As a result I’m not likely to send them out TTM.
In this batch I especially like the Dave Chalk just chilling photo and the Larry Gura traded card that shows him with a team he never played for.
Last batch of potential TTM cards includes a bunch of guys I’ve already gotten but a couple like Reichardt who are interesting to learn about.
One thing I have to figure out for myself is how I’ll feel about sending out the 1967, 1971, and 1977 cards with facsimile signatures since I generally avoid getting those signed.
There was a lot more stuff in the package beyond cards for TTMing. Cliff didn’t clear out my pile but he took a serious dent out of it. Let’s start off with a dozen pocket schedules including a couple from 1986 to 1988 which correspond to the beginning of my fandom.
I saved some of these from when I was a kid but did not collect them in general. This is a bit of a shame since the schedules, especially the promotions, are a lot of fun to see and other details like who the announcers and sponsors are are a great blast from the past.
Cliff included a ton of off-grade vintage Giants, most of which is going to go the boys. I didn’t get my first 1950s card until a couple years ago. I’m kind of jealous that they’ll get theirs before becoming teenagers. I’m going to have to figure out how to split up the Cepeda and McCovey since I can see those causing some sibling trouble.
Most of these however are cards I need. This is my second Laughlin World Series card and the first Giant. The team set of 1976 SSPC is great and gives me some duplicates I can use for TTM. The near-set of 1986 Fleer is great too since I only had like two Giants.
A couple Fleer updates complete those team sets as does a similar batch of Score Tradeds. For whatever reason while I was totally familiar with Topps Traded as a kid I got very few Fleer Updates and absolutely no Score Tradeds. Never too late to rectify that oversight.
Moving on to more-recent cards. The deck of Giants playing cards is fantastic. Not sure if I should open it or if I should just keep it sealed. Studio 95 meanwhile sure is something else with that credit card design. The hologram detail on the front facsimile signatures on the back are nice touches but overall this is a wild change of pace for a set that was originally about quality studio photography.
The Upper Deck Legends and Legendary Cuts cards are interesting. This looks like one of those sets where the cards are just filler for the hits but the base cards are kind of nice. The Legends cards look good with both color and black and white photos—something not all designs succeed at—while the sepia toned Legendary Cuts cards nicely combine an old school photo treatment with a modern design.
Another fun item is this near-complete set of the first series of 1992 Crackerjack minis. I pulled a handful of these out of boxes when I was a kid so this is totally the kind of oddball I love. I also have to point out that Donruss used different photos than in its regular cards on this which is an extra level of attention to detail that I wish Topps did now with its endless design reuses.
A half-dozen Stanford cards made it in to the mailer too. A couple more Studio 95s, a fun 1994 All Star I didn’t have yet, and two 1996 Extra Bases. The Extra Bases are the most exciting cards here, partly because they’re an odd size and partly because I never come across them. These two may take me up to six in my collection. Nice to be able to finally fill a page.
It’s not just the size difference that I like, it’s the aspect ratio that I really dig. These are close to a tobacco card ratio but by being so huge they can get away with a nice photo. Most cards feature squarish photos. I love seeing how Fleer crops things to fit the something much more eccentric.
And finally a few cards that don’t fit the rest of the themes. That’s a complete set of Quaker Granola cards. Very very cool. That’s also a stack of 1990 Fleer which was intended to complete my set (most of those needs were filled by other trading partners even though I had those cards marked as “in progress” in my need list). The other six cards here though are a bit of a surprise and make me wonder if they were intended for a Braves or Red Sox collector and made it into my stack by mistake.
Anyway, very very cool. It’s going to be fun for the boys to go through and I’m going to have a lot of fun writing letters. Thanks Cliff!