One of the things that’s difficult about collecting pre-war cards is that I can’t ignore the content and context behind a lot of the cards. I mentioned that my South African cards, as beautiful as they are depict a state that was in the process of implementing apartheid. Things like the Garbaty cards meanwhile were printed right after Hitler took control of Germany and almost every single actress I look up has a section in her bio which details what happened to her during World War 2.
Of the Garbatys I got in my last batch, many, maybe even the majority, feature an actress who refused to collaborate with the regime. Some detail actresses who had to grapple with their continuing to work for the Nazis. A few though feature women did more than just continue to work.
We’ll start with the worst card in my collection. Yes I own Curt Shilling and Aubrey Huff cards but neither of them are literally the First Lady of the Third Reich. Hanna Reitsch is a close number two on this list since she remained a confirmed Nazi after World War 2 and totally overshadowed all her aviation accomplishments in the process.
Part of me feels guilty for even scanning these cards and wants to burn them immediately. It’s not like I would feel comfortable selling these to anyone and as much as the Ted Cruz chain letter was funny these are a step beyond that. But another part of me wants to keep them as part of the context of the set itself and the way that everyone it depicts had to make a choice and live with the consequences of that choice regarding what they did about fascism.
I would never seek these cards out specifically but the fact they came as part of a random lot of 100 cards is part of their context in my collection as well.
Leni Riefenstahl is probably the most-complicated card I have. Like my Hindenburg card, she simultaneously represents the Nazi state but also sort of transcends it. She was also extremely skilled as a filmmaker and Olympia is worth watching today as a sports movie.
I also recently grabbed this 1936 Muratti card of the 1934 World Cup Champions, Italy from one of Anson’s Twitter sales. This is a card which is both from a fascist state and depicts a fascist state. It also features a damn good soccer team with players like Guiseppe Meazza and Giovanni Ferrari who would go on to win an Olympics gold in 1936 as well as a second World Cup in 1938.
Since I explicitly purchased this card it’s obvious I’m much more lenient on cards like it. The political background of the World Cups is part of their history and as a soccer fan I’m especially interested in cards depicting the early years of the international game.
I don’t know the histories of the individual leagues well enough and the nature of card production is vastly different in each country. But the international stuff which can center on the World Cup is something I can handle.