Brodie PWE

About a week ago I found a PWE from Mark Hoyle in my mailbox. Mark’s been selling a bit on Twitter over the past month or so* and he’d had a card that no one was claiming but which I had been tempted to claim many times. When I finally claimed the card he told more me not to worry about it and sent it to me anyway.

*Presumably to both finance something amazing and to clear up some space. I’d previously gotten the McCovey Stand Up from him.

The card I’d claimed was actually another standup, this time John Brodie from 1968 Topps Football. Brodie is part of the massive mission creep on my Stanford project and, while I’m not trying to get all his cards, it’s a lot of fun to get the weird ones as I build a type collection of sorts of vintage football and basketball cards.

Mark tossed in the 1971 Topps card as well even though I didn’t claim it. I only had one card from that set and it’s nice to add a two-color border version of the design to the all-blue Gary Pettigrew that I had.

This takes me to eleven John Brodie cards. The Stand Up goes really well with the Topps Game card from 1970. Most of the base designs that aren’t present here are in other parts of the binder (Chris Burford, Steve Thurlow, and Gene Washington) but Brodie could cover almost all of them just by himself. He even has 1961 Post and Fleer cards which would be fun to add for variety’s sake too.

Brodie’s an interesting player to learn about too. He’s kind of forgotten despite having played the most games as a 49er quarterback but I suspect he’s overshadowed by the guys on both ends of his career since YA Tittle and Joe Montana are both big name QBs.

Brodie is also one of four Stanford guys to quarterback for the Niners. He and Frankie Albert were both the starters for many many years, Jim Plunkett had the job for a couple of years, and Steve Stenstrom had a few starts in 1999. I didn’t think of him much Sanfordwise either but that’s a combination of Plunkett and Elway becoming the big names as well as how, for me, I didn’t really learn any football history which pre-dated the Super Bowl when I was a kid.

Anyway thanks a lot Mark!

1955 Topps Doubleheaders

I’ve tried to limit my “so look what I got” posts to pre-war pickups but it’s become obvious to me over the past few months that grabbing my first (optimistically speaking) sample of notable 1950s and 1960s oddballs is also something I like to write about.

The 1955 Topps Doubleheaders fit this category to a T. They’re a weirdly-sized relatively unknown set which I’ve never seen in-person. They’re also an art style which is unlike anything else Topps has made* and, in many ways the coolest thing about them is how the backgrounds tile to create a panoramic stadium image.** Also the picture is an expanded version of the black and white images on 1955 Topps.

*There’s some speculation that they were intended to compete with the Red Man Tobacco cards.

**While it would be amazing to put together a panorama that there’s zero way it will ever happen.

I’d obviously love to have a Giant here but the Jack Shepard was an easier card to focus on since he’s the only Stanford guy in the set. Shepard was the captain of the first Stanford Baseball team to make it to the College World Series. The 1953 team went 1–2, losing in its first game to eventual champion Michigan before getting bounced in the second game of the elimination bracket.

Since the card itself is kind of fragile I went ahead and folded it digitally to show what the other side looks like. At one level, that the only shared part of the image is a single foot feels like cheating. At another level it’s a lot of fun to see it turned into a completely different style of pose plus it offers a nice view of Yankee Stadium (I think) in the background.

Unlike some of the other oddballs where I enjoy having a  sample in the binder but don’t particularly feel the desire for more of them, I’d like to get a few Giants samples of this too. Some day.

A Treat

Every once in a while I come across a card that, despite not fitting any of my identifiable collections, I just can’t resist acquiring. I try not to do this too often and as a result, the cards which do manage to make me break my discipline are usually worth writing about.

This is definitely such a card. I’ve kind of been amazed and in awe of the 1967 Kabaya Leaf cards ever since I found out about them. They’re my go-to example of how small a change you can make to a design and end up with something magically different and better.

The design is, of course, 1959 Topps. I’ve always liked this design as being quintessentially Baseball Card™ while also offering multiple directions to take it.* The Kabaya Leaf approach is essentially just a language swap but the graphic nature of the Kanji characters turns the text into something completely different which works perfectly with the solid bright colors.

*for example

I also especially like this card because instead of the more-common headshots it has a fantastic posed action image where you can get a real sense of the ballpark and bleachers in, presumably, Osaka where Nankai played at the time. While the more famous cards in this set are Yomiuri Giants (whose cards also feature wonderful facsimile signatures) getting a Nankai card is a good fit for me given how Nankai is the team that had a relationship with San Francisco in the mid 1960s and sent three players, including Masanori Murakami, to the Giants minor league system.*

*The Hawks are also under consideration for which Japanese team I’d consider supporting. The Giants of course are an obvious choice since I grew up with Nikkei San Francisco fans embracing Yomiuri gear. But both the Lions and Hawks are also in play due to my ancestors being from Kyushu with the Lions originally playing in Fukuoka while the Hawks are playing there now. 

Anyway the card features Taisuke Watanabe whose short English bio is an interesting read. Watanabe also played baseball in the 1964 Olympics in an exhibition against a US team which ended in a 2–2 tie.

As a 1967 release this card captures his 1966 season* in which he won 16 games and partnered with Murakami as one of the aces of the team which lost the Japan series to the Giants. Since Google Translate is incapable of translating this** I asked for some assistance on Twitter and Kenny was very helpful.

*A quick note here that all years are Shōwa Era years so S40 is 1965 and S41 is 1966.

**Among other things it hilariously translated “earned runs” to “blame yourself” as well as “Nankai Hawks” to “South Sea Water Person.”

The first bullet point talks about how he teamed with Murakami and Toshihiro Hayashi (who only pitched 4 games in 1966) to form a promising trio of young pitchers. Watanabe doesn’t panic or fuss and just executes one pitch at a time, relying primarily on a palmball. The second bullet point mentions how he won 16 games the previous season to became an ace and now the team is expecting that quality again in 1967.

I found myself interested in the stats because one of the columns made zero sense to me. Things like ERA and Innings Pitched were obvious. A few others got translated correctly. But the column before IP which contains 500, 696, and 645 took me way too long to figure out that it was winning percentage to three decimals but without a decimal point.*

*Interestingly it appears that there is a decimal point for Batting Average on the cards featuring batters. 

Anyway, the list of column headers is as follows:
Year | Team | G | CG | W | L | W% | IP | H | HR | BB | K | ER | ERA

I really like that the kanji for strikeout is 三振 (literally three swings).

And yeah a very fun very cool addition to the collection that’s currently paged with my Calbees on a very nice binder page.

Johnny’s Trading Spot

Johnny’s Trading Spot has been one of those fun bogs to follow for many years now. I was never able to commit to being available to his Big Fun Game series* that he was running every Friday but I enjoyed reading the recaps. He also manages to both collect really a interesting range of items so I frequently see things I’ve not seen elsewhere.

*basically a mini Secret Santa slash White Elephant sort of game of picking a freebie or stealing someone else’s freebie.

Recently he’s been giving 9 cards away to a random reader who comments on the day’s post before midnight. Since my blog reader often doesn’t catch new posts until like 12 hours after the post I often miss the midnight deadline.* Plus I only comment when I have something to say so sometimes I don’t even enter even if I do see the post in time.

*This happens with most contests and giveaways in the card blogosphere. This is a little frustrating but I also am not in this just to be a prize hound.

Anyway, a couple weeks ago I not only commented in time but also won the random drawing so earlier this week I found a PWE with 9 cards inside.

A fun mix of cards. Six Giants and another three stars. The middle row are all cards which count as “needs” of which the Fleer Cloth Sticker is the most interesting to me. First off, I totally mis-identified it as being an early 1990s insert since I was completely unaware  of Fleer releasing these from the late 1960s to early 1970s.* But it’s in really good shape and I didn’t catch that it was missing the ® or ™ symbols that such logos would have in the 1990s. Anyway it’s I really like it since it’s one of those things that was completely off my radar and those are always fun to be surprised by.

*The Fleer Sticker Project blog of course is the go-to here with posts about the 1972 and 1974 uncut sheets as well as a comparison of different Giants stickers.

The 2004 Donruss Barry Bonds is the first 2004 base Donruss card I have. I have a few Super Estrellas Spanish-language cards which look very similar but yeah none of the base flagship sets. It’s a nice-looking design even if not particularly memorable. Very cool to add a new set and especially cool to have the Bonds as my first sample.

The 2008 Heritage Lincecum is the last new one for me. It’s always nice to see the 1959 design in use even though Topps kind of messed things up by using photos which use clearly-modern materials. This is another set which I have very few samples of so a Giants card featuring one of the key players from those teams is always welcome.

Of the other cards the Donruss Learning Series Kevin Mitchell does deserve special comment. It’s one of those things which perfectly demonstrates how embedded baseball cards were in everyday life when I was a kid. I’m kind of annoyed that I never saw these when I was in school—how cool would that have been—but it’s great to have them now.

Thanks Johnny!

Momentous Maildays

A few recent momentous maildays to write about. I’ve not been getting many cards recently–combination of modern being blah, my vintage searchlist consisting of only the expensive cards left,* and the market just getting worse. But deals can be found and in many ways being patient and waiting for the extra-special cards is a lot of fun in its own way.

*Willie Mays, high numbered short prints, and Hall of Fame rookies.

Recently I found a couple cards that are extra-special for my collection needs. I don’t write about all of my purchases but pickups like these deserve it because of how they transform my collection.

The first is now the oldest Giants card I own. This is an S74 Silk. I’ve seen these dated anywhere from 1909 to 1911 but the 1911 dating makes the most sense to me especially given how these share the same artwork used on the 1911 T205 design.

I’ve been coveting T205s for a long time but their recent prices have been impossible for me to justify. This was a good deal less and I expect it to hold the oldest card spot in the Giants binder for a long time.

Arthur Devlin was the Giants third baseman for 8 years and even lead the league with 59 stolen bases in the Giants’ World Series winning 1905 season.* He looks to have been a reliably above average hitter but a quick Google doesn’t turn up much more about him.

*He was also a member of the self-proclaimed World Champions of 1904.

One reason this silk was so affordable is because it’s in bad shape. The tobacco advertisements have been trimmed off the top and bottom and as a result the fabric is fraying. There are also a couple threadbare spots on the bottom border as well as the top of his cap. I’m more scared of handling this than I am of handling any of my Zeenuts.

The seller had received it sandwiched between two toploaders held together with scotch tape. He wisely chose not to mess with something that was working and the whole contraption definitely got the silk to me safely. Unfortunately it was neither the most presentable choice nor one that would fit in my binder nicely.

I thought about it for a bit and decided to try a semi-rigid holder with one edge cut off. The silk isn’t that fragile and as long as I can open up the two sides easily I figured I could slide it in. I used an index card to slide it in and then flipped the whole thing over so I could slide the index card out again. Worked like a charm.

The result was a lot easier to scan and fits in the binder perfectly next to my matchbooks in a 4-pocket page.I can’t believe I have a 110+ year old card in the Giants binder now.

Another momentous mailday was this Mel Ott Exhibit Card. Unlike the handful of 1947–1966 Exhibits I have this is from the earlier 1939–1946 Salutation series. Always nice to add a new set to the collection. Even nicer to add my first playing-days Mel Ott card. My retired numbers page had three huge holes in it and this fills one of them.

One of these days I’ll get cards of Christy Mathewson and John McGraw but those are WAY far off.* Crossing Ott off the list fills the last plausible hole and it feels great to finally do it.

*I also don’t have Ott, Mathewson, or McGraw autographs but none of those are ever going to happen.

The last card here isn’t as transformative as the other two but it’s another one that’s a big deal. The 1962 Topps Standups are one of those sets that I never expected to have a card from—especially one where the yellow panel is still attached. This one is in delicate shape where it’s clearly been folded before but doesn’t feel like it’s about to fall apart.

This is a great-looking oddball which adds a lot of color to the 1962 portion of my album. It’s a good year to highlight as a Giants fan and it’s always nice to pick up an early-career McCovey card as well.

Mailday from Bru

About a week ago I received a small bubble mailer from Marc with the usual assortment of Giants, Stanford, and other cards that he thinks I’d be interested in. Marc has a good track record here both in terms of having a lot of cards from products that I’ve never actively acquired and being one of the only guys out there who keeps track of a lot of the players in my Stanford checklist.

I’ll start with the oldest Giants cards. This first batch is mostly cards I could have collected as a kid and as such are definitely the years where I could conceivably have everything covered. As it turns out though the only ones I had are the ones from after I stopped collecting. I only have O Pee Chees that work as Traded  cards so these are both new and welcome. I only have a handful of 1992 Leaf Black Gold cards. And I didn’t have any Giants from 1992 Bowman or 1993 SP.

Also the 1963 Al Dark buyback deserves a special mention. The 50th Anniversary stamp says this is from 2012 and suggests that Topps is up to its usual shenanigans where 2012 is the 50th Anniversary of something that happens in 1963 while 1951–2001 is “50 years of Topps.” Anyway while I have this card already, buybacks are definitely one of those things which are interesting to add to the binder even though the only way I’d seek one out is if it were cheaper than the non-buyback version.

The next group of cards are the more-recent Giants. Victory is definitely a set I don’t see much and the Bill Mueller is the kind of card that sneaks past any checklist checking since it’s not technically a Giants card. It is fun to add cards of guys still in the uniform to the binder though.

The Matt Cain relic is very cool. I’m not the hugest Ginter fan but I appreciate that their relics are thin enough to binder. Also the construction of the framed cards is pretty neat. A couple shiny Logan Webbs are also appreciated. He was a revelation last year and had another good season this year. Hes been a lot of fun to watch him emerge as a legit pitcher.

A good mix of Stanford guys including some early-career Shawn Greens to supplement all the Dodgers that I got from Night Owl. Also a few Jeffrey Hammonds cards I needed in here. While most of my Topps searchlist is complete* there are a lot of non-Topps cards from the 1990s and 2000s which I don’t have and haven’t even looked up.

*Aside from current year cards and grey areas like Green I think I’m just missing the 1962 Doug Camilli Rookie Parade card which I’ll never be able to justify the expense for and the 2013 Tampa Bay Rays Sam Fuld card which is impossible to find as a single and which I haven’t felt like spending $10 on the team set for.

And finally a pair of Scott Ericksons as well as a cool photo of Orel Hershiser and one of Marc’s customs. I should probably put an Erickson checklist together at some point but I’ve only been super passively collecting him recently. The Hershiser is indeed a fun photo; you only get light like this at rare moments during the season. And Marc’s custom is a menko design he’s been working on which I may consider stealing at some point.

Very cool, stuff thanks Marc!

 

Art Card PC

William Klein died on the tenth. As a photographer he managed to combine street photography with fashion and really nail down how a photographic glimpse can suggest movement and mood. He also has a bunch of photographs of 1950s kids in New York, of which “Gun 1” may be the most famous.

I wrote a little about “Gun 1” and how it represents how we grow up, absorb, and reenact crime stories a few years ago but it was another Klein photo that came to my mind first when he died.

William Klein, “Baseball Cards”, 1955

Much like “Gun 1,” “Baseball Cards” is a photo of kids hamming it up for the camera and indulging in American mythology. Only this time it’s not a mythology of violence. Instead it’s baseball, baseball cards, and the way you want to show off that you have a card of your hero.

While a lot of art sites date this photo as 1954–1955, any baseball card collector will immediately identify the cards as 1955 Bowman. A quick check through the couple dozen light-bordered cards shows that the featured card is Yankee Gil McDougald. This is perfect for a photo taken in New York City.

I tweeted out a RIP from the SABR Baseball Cards account and included an image of “Baseball Cards” because the number of times cards show up in art is pretty small. Then I promptly realized that for some reason I’d never considered getting a McDougald card despite being an art/photography junkie. Mark Armour promptly offered to send me a copy before I had a chance to even go to COMC.

The card arrived a week ago. Turns out that this was Mark’s only 1955 Bowman duplicate so there’s a certain amount of kismet involved here. It’s fantastic and you can see that it is indeed the card which is featured in the Klein photograph. McDougald is also not a player whose career I’m particularly familiar with but looking up his stats I can see that he’d absolutely be the kind of player a Yankees fan would be happy to have. A very good 10-year career, 6-time All Star, and a key part of 5 World Series championships and 8 Pennants.

I still need to identify the other card in the Klein photo* but this is joining a bunch of 1979 Topps cards in my Art Card mini-PC. This isn’t cards as art but cards that show up in art.

*The current leading candidate is Randy Jackson. That Jackson and McDougald are both pretty low numbers on the checklist also suggests that the kids might have their piles sorted by number. 

The 1979 Topps cards of course are the cards that show up in Jean-Michel Basquiat’s Anti-product Baseball Cards. I mentioned a checklist in my post where Marc set me a few of these but I may as well put everything here.

William Klein’s “Baseball Cards”

☑︎ 1955 Bowman #9 Gil McDougald
☐ 1955 Bowman #87 Randy Jackson

Jean-Michel Basquiat’s Anti-product Baseball Cards

☐ 1979 Topps #58 Bob Randall (JERK)
☐ 1979 Topps #82 Mets Team Card (checklist)
☑︎ 1979 Topps #196 Steve Kemp (HOT DOG)
☐ 1979 Topps #315 John Matlack (Wally)
☑︎ 1979 Topps #343 Ed Glynn (BUS PASS)
☑︎ 1979 Topps #445 Steve Henderson (JOE)

I currently can’t think of any other cards for this PC—maybe the pair of Pete Rose 1985 Topps cards even though Andy Warhol’s print doesn’t match either of them—but I’m hoping more will come to me. Until then this is a fun thing to have going on in the background.

Some Random Pickups

A short post of a few pickups that came in before I left for vacation. These are all cards I never expected to get since they’ve been generally out of my league pricewise but one day my phone lit up with multiple Twitter DMs linking to the same ebay auctions for these at actually-reasonable prices.

Y’all are bad influences. But let’s go through these in order from oldest to newest.

Starting off we’ve got a 1958 HiRes Rootbeer card of Darryl Spencer. I have mixed feelings on this design. I don’t really like it on a personal level. At the same time it’s so weird and goofy that it’s the perfect oddball card. I also love this particular image since the khothole gang design works way better with action photos than portraits and the outfield advertisements add a ton of visual interest.

This design is also especially noteworthy as being one of Bowman’s three 1956 prototypes. One reason I don’t like it is that it’s way too visually similar to 1955 Bowman’s wood-paneled TVs. But I can totally see it being the starting design for 1962 Topps’s peeling posters on wood design (and by extension 1987’s wood panel homage to 1962).

I always wanted one of these, never thought I’d get one, so having one in the binder now makes me super happy.

Next is a 1966 Topps Rub Off of Jim Hart.* Unlike the Hires cards these never really appealed to me. Besides the reversed image they’re also pretty flimsy and blurry. At the right price though I can obviously be convinced to get a sample.

*Which confuses me a little because so many of the letters in his name are symmetric and I can’t not read this as Trah Mil. 

It is indeed fun to get to know all the different things Topps tried in the 1960s and I’ve only scratched the surface with the Rub Off and this 1968 sticker of Mike McCormick. I’ve no stamps, decals, stand ups, or god knows what else but these are definitely fun to add to the binder even though I never search for them.

I think the McCormick sticker was peeled off and stuck to something at some point since it feels like the kiss-cut outline of a real sticker instead of a janky handcut. Plus the back could totally be no-longer-sticky adhesive. This set is more fun than the Rub Offs with it’s brighter colors and heavy black outlines and while I don’t feel it for these small stickers I absolutely feel he appeal for the full-size ones. Those however are definitely out of my price range.

Thanks goes to everyone who let me know about these. You troublemakers know who you are and my collection is definitely better and more interesting as a result.

Mailday from Bru

Found a nice PWE from Marc in my mailbox last week. School is over and summer has officially begun so it’s nice to start it off with some cards in the mail.

This isn’t the usual fare but as we’ve all stopped ripping new cards and sort of filled in the obvious collection items, I think we’re all casting about for other stuff to send each other. In this case, Marc has come into a good-sized lot of 1979 Topps cards and remembered that I had’t put together my Candlestick page for that set.

Being an Astros collector means that Marc has a decent number of cards feature The Stick in the background. These seven 1979s definitely complete my page and the 1980 Andujar doubles the 1980 Candlestick cards I own. Og these I like how the Lemongello shows off the black hole in center and how Cabell captures the left field bleachers and scoreboard.

All seven didn’t make my 1979 page but four of them definitely did. Once I get more than nine cards I try and spread things out to get different views and I definitely like how that page looks now.

The early-1980s needs work but I’ve not yet gone looking for cards here. It’s nice to have a complete page though even if it spans 1980–1985.

Marc also included two 1979 cards form the Jean-Michel Basquiat checklist. I enjoy the connection to the “real” art world and it’s a fun mini-PC to put together. Rather than digging through the comments of my SABR post I’ll list the checklist here.

  • Joe: Steve Henderson
  • Jerk: Bob Randall
  • Hot Dog: Steve Kemp
  • Wally: John Matlack
  • Bus Pass: Ed Glynn

These are the first two I own from that theme (I had a Steve Henderson but sent it out TTM a couple years ago and it never returned)

And yes even though we’re not ripping product Marc apparently is still. A handful of Donruss cards is very much appreciated, especially the Camilo Doval card since for whatever reason Topps isn’t featuring him. I’m not keen on this design but a least it’s very Donruss™ without being derivative.

Oh and the Diamond Kings card looks like a Diamond Kings card. I’m assuming it’s this year but I can never tell.

For a while I was considering only buying Donruss cards this year since boycotting MLB-licensed stuff is about the only way I can make a statement as a fan. But then I don’t buy anything anyway so it doesn’t really matter.

A couple Match Attax Barça cards. No idea where these are sold or if anyone plays the game but they’re a fun add to the non-baseball sports album. Ansu Fati in particular is on the cusp of becoming something great and I hop he realizes his potential. That #10 shirt is really heavy and, while I think they gave it to him too soon, the fact he wears it now says a ton about how he’s perceived in the team.

And lastly a Safe Hit Texas Vegetables crate label. Marc got a big batch of these and has been selling/distributing them. Not the kind of thing I actively collect but with Marc being in Texas I totally understand why he jumped on this.* It’s a cool image with a local angle and even the concept of “Texas Vegetables” evokes a weird combination of the Texas Leaguer with a Can of Corn.

*I’d be much more tempted if I came across a Best Strike Apple label since Watsonville is borderline Bay Area. But even then I try really hard to to get sucked into too many different collecting interests. 

I also had the weirdest reaction to this piece as a physical object in that my gut felt that it was fake but there’s jut enough going on that I can’t trust that gut reaction plus I don’t know a thing about how labels like these were typically printed. The thing is that my gut wants the text to be nice and crisp and it’s not. No crisp edges anywhere. The blacks and reds are screen mixes. All of these things are frequently tells that something has been photographed and reprinted.

But if the entire label including the text was painted as a single piece, this is exactly how it would look. Especially if printed slightly out out register the way this one is. Plus the small vertical “INC” in the bottom right corner is printed as linework which suggests it was added in after the original artwork was photographed for press. And there’s no sign of being rescreened anywhere on here.

Also, the paper, while slicker than I expected, is only slick on one side. Definitely doesn’t feel like paper you’d get today and is probably way cheaper than what you’d get from Vintagraph.*

*Worth noting that this version of the label has been restored and I suspect has had all the type re-set as linework so it prints crisply. 

Very cool stuff Marc. I was half expecting a Shawn Chacon custom for Trenton but it’s great to fill out more Candlestick pages.

Cold War Cards

I tend to think of general-interest cards as the major thing that distinguishes the pre-World War 2 hobby from the much-more-familiar sports cards and pop-culture cards landscape which got rolling in the 1950s. Many of my pre-war sets serve as a way to teach people about the world and I love the way they serve as a way of documenting our understanding of things at the moment.

My thinking though is also wrong since general interest sets didn’t die out immediately after the war. I’ve come across a bunch of sets from the 1950s in particular which are wonderful to discover me. A lot of them function in similar veins to comic books—both in terms of being general action stories and, later, specifically super heroes—while others are doing the same kind of thing as the pre-war cards and documenting technology or explaining history.

The ones that fascinate me though are the ones that seem to function as state department propaganda. There are multiple sets in the 1950s which are dedicated at some level to the fight against communism. This first card is from  one such set.

Bowman’s 1951 Fight the Red Menace set is basically all about the evils of communism. The artwork is frequently amazing albeit over the top and the back text pulls no punches in terms of who the good guys and bad guys are. I can’t really imagine these being packaged with chewing gum and definitely don’t think they were popular with kids.

In America you can always find the party. In Russia, party always finds you.

Even though I grew up with the USSR as our main global antagonist the idea of just having stuff like this set around is completely foreign to me. Yes, I know that there are a lot of Americans still who freak out about the idea of communism but that fear wasn’t the background radiation of my youth nor is it the way I’m teaching my kids. We’ve had plenty of time to figure out the problems with capitalism since then as well. Anyway, I really liked the idea of having a sample of this set so I selected one that reminded of the old Yakov Smirnoff joke which spawned that early 2000s “In Soviet Russia” meme.

Another set I got a sample from is the very Dr. Strangelove named Power for Peace set that Bowman put out in 1954. This set is all about the current standard of US Military technology and how it needs to be so powerful in order to preserve the peace. This isn’t as much anti-Communism as it’s  anti-Russia and more-generically pro-military as the only thing keeping us from being bombed this very instant.

Since this set is so much like Dr. Strangelove I had to get the B-52 card as a sample. For a 1954 set, getting an image of the B-52 is kind of amazing since that was the first year that any were finished building, only three were made, and they were just test planes. And yes I kind of love that nowhere on the back of this card is the plane described as a bomber.

Not the prettiest card but another one which captures the time. I’m not going to be suckered into the 1950s/1960s non-sport cards the same way as I have been with pre-war but it’s great to have a few samples to remind me of how different this time was.