I Need New Hobbies

I received a small mailday from a new trade partner last week. Scott at I Need New Hobbies (@INeedNewHobbies) noticed me mention not having any 1971 Senators or Brewers cards for my moves and expansions project and suggested he could send me some extras.

We messaged a couple times. Found out that he’s familiar with our local record shop (a very good one that the boys love to go to to find cheap kid DVDs). I sent him some set-build needs and he sent me four 1971 Topps.

Three Brewers which are better than most of Topps’s first-year cards because in 1970 Topps printed them as Pilots. Where most of Topps’s new team cards are hatless wonders like the Carl Taylor, Phil Roof and Dick Ellsworth show the original Brewers uniforms with the residual Pilots trim on the sleeves.

And one Senator in a typical 1971 action image. I kind of love this card. It’s just a shame that Brewers, Senators, and Giants are all white team names. I have about 50 cards from this set and I have twice as many white team names as I have team names in any other color.

Very fun though. It’s nice to have a handful of these now. I’m not sure how I avoided getting any of these before. Thanks Scott!

His house is a museum…

Cliff/@oriolesrise is one of the all-time greats on Card Twitter. He lives out in Amish country where there seems to be no end to cheap antique finds and auctions. Every weekend or so he’s finding boxes of cool stuff and showing photos of them on his Twitter feed.

As a result he not only has a massive collection, he has a massive number of duplicate items. He’s very generous with these and offers them as trade bait. Many of us now have piles at his house that are waiting for a proper mailday (or for those of us closer to him, to visit the “museum”).

He’s also been using a lot of his duplicates for TTM requests and has been getting a number of great returns. A couple weeks ago he asked a bunch of the rest of us if we were interested in some guys. I was and last weekend I received my first mailing.

First stack of cards are players I’ve explicitly expressed an interest in getting autographs of. A decent number of former Giants on here (Schofield, McDaniel, McDowell, Ontiveros) but the others are players that for whatever reason stuck out to me.

Quite a few of these I’ve already sent out. I’ll keep writing letters too since Cliff sent these to me with the express purpose that they be used for TTM requests (although I did grab the 1954 Schofield for the colorwheels page).

Cliff though didn’t stop with just the small stack of cards I’d asked for for TTM stuff. He sent a big additional pile of TTM guys. That so many of these are older cards is especially cool. I don’t have a lot of old cards in general and the one I do have I have for specific reasons. As a result I’m not likely to send them out TTM.

In this batch I especially like the Dave Chalk just chilling photo and the Larry Gura traded card that shows him with a team he never played for.

Last batch of potential TTM cards includes a bunch of guys I’ve already gotten but a couple like Reichardt who are interesting to learn about.

One thing I have to figure out for myself is how I’ll feel about sending out the 1967, 1971, and 1977 cards with facsimile signatures since I generally avoid getting those signed.

There was a lot more stuff in the package beyond cards for TTMing. Cliff didn’t clear out my pile but he took a serious dent out of it. Let’s start off with a dozen pocket schedules including a couple from 1986 to 1988 which correspond to the beginning of my fandom.

I saved some of these from when I was a kid but did not collect them in general. This is a bit of a shame since the schedules, especially the promotions, are a lot of fun to see and other details like who the announcers and sponsors are are a great blast from the past.

Cliff included a ton of off-grade vintage Giants, most of which is going to go the boys. I didn’t get my first 1950s card until a couple years ago. I’m kind of jealous that they’ll get theirs before becoming teenagers. I’m going to have to figure out how to split up the Cepeda and McCovey since I can see those causing some sibling trouble.

Most of these however are cards I need. This is my second Laughlin World Series card and the first Giant. The team set of 1976 SSPC is great and gives me some duplicates I can use for TTM. The near-set of 1986 Fleer is great too since I only had like two Giants.

A couple Fleer updates complete those team sets as does a similar batch of Score Tradeds. For whatever reason while I was totally familiar with Topps Traded as a kid I got very few Fleer Updates and absolutely no Score Tradeds. Never too late to rectify that oversight.

Moving on to more-recent cards. The deck of Giants playing cards is fantastic. Not sure if I should open it or if I should just keep it sealed. Studio 95 meanwhile sure is something else with that credit card design. The hologram detail on the front facsimile signatures on the back are nice touches but overall this is a wild change of pace for a set that was originally about quality studio photography.

The Upper Deck Legends  and Legendary Cuts cards are interesting. This looks like one of those sets where the cards are just filler for the hits but the base cards are kind of nice. The Legends cards look good with both color and black and white photos—something not all designs succeed at—while the sepia toned Legendary Cuts cards nicely combine an old school photo treatment with a modern design.

Another fun item is this near-complete set of the first series of 1992 Crackerjack minis. I pulled a handful of these out of boxes when I was a kid so this is totally the kind of oddball I love. I also have to point out that Donruss used different photos than in its regular cards on this which is an extra level of attention to detail that I wish Topps did now with its endless design reuses.

A half-dozen Stanford cards made it in to the mailer too. A couple more Studio 95s, a fun 1994 All Star I didn’t have yet, and two 1996 Extra Bases. The Extra Bases are the most exciting cards here, partly because they’re an odd size and partly because I never come across them. These two may take me up to six in my collection. Nice to be able to finally fill a page.

It’s not just the size difference that I like, it’s the aspect ratio that I really dig. These are close to a tobacco card ratio but by being so huge they can get away with a nice photo. Most cards feature squarish photos. I love seeing how Fleer crops things to fit the something much more eccentric.

And finally a few cards that don’t fit the rest of the themes. That’s a complete set of Quaker Granola cards. Very very cool. That’s also a stack of 1990 Fleer which was intended to complete my set (most of those needs were filled by other trading partners even though I had those cards marked as “in progress” in my need list). The other six cards here though are a bit of a surprise and make me wonder if they were intended for a Braves or Red Sox collector and made it into my stack by mistake.

Anyway, very very cool. It’s going to be fun for the boys to go through and I’m going to have a lot of fun writing letters. Thanks Cliff!

A White Whale

Mike Mandel’s Baseball Photographer Trading Card set has been one of my favorite things for a few years. It’s the venn diagram intersection of my interests on baseball cards, printing, and photography but is unfortunately frequently priced as Art™ in the few instances when cards are even available.

I don’t even want to collect the set (although I’m kicking myself over missing the window on buying the catalog to his Good 70s show which included a complete second-edition set). It’s just that there are a handful of cards in it that I kind of love.

Last week though I landed one of those cards. I wasn’t internet stalking it or anything, I just randomly check ebay like I do a couple times a year and lo and behold this was available.

For the last five years or so if I had to pick a favorite photographer I would’ve answered Lewis Baltz. It’s not just that he was a photographer’s photographer whose work I can look at all day,* but the fact that his work taught me how to see.

*I wish I could say I own all his books but, alas, I only have Industrial Parks.

Baltz’s photos are transformative, beautiful images of buildings and places that most people deride as ugly and uninspired. As a child of the suburbs who learned to drive in deserted industrial parks, these places speak to me as “home” just as much as any photo of the natural beauty of the American West does.

Looking at his work trained me own eye in noticing what’s interesting about industrial buildings and the way their façades interact with light. There’s a surprising amount of texture and going out through an Industrial park to go “baltzing” is one of my favorite ways to take a photo walk.

While the photos start off being very much in his style, like anything artwise if you stay on that path you eventually end up someplace more personally interesting. In my case, one of my favorite projects I’ve been working on is a mix of color and black and white photos of the locations where my kids attend birthday parties.

These are frequently in warehouses and other nondescript buildings but of all the things in New Jersey they are by far what I’ve enjoyed photographing the most.

I’m very happy to have this. It’s the first card I’m considering putting in a one-touch and keeping on my desk. …well…keeping on my desk on purpose.

Another colorwheel mailday

So Commish Bob saw my post about Lumberjack’s mailday and wanted to get in on the colorwheels fun. One week later I found a plain white envelope with a unch of 1959 and 1969 Topps cards inside.

The three 1959s complete my 1959 page. I only needed light blue and orange but since Bob did an entire blog on 1959 Topps he pointed out that there are a couple different shades of orange. I was vaguely aware of this and had planned to treat this the same as with the multiple shades of light green and just pick one for the album page.

The interesting thing with these two orange cards is that under a loupe the screens look very close. So close that in this case I’m inclined to think that they’re actually a function of how the cards were printed rather than being something intrinsic to the design.

The completed page is very nice. Magenta in the top left corner. Yellow on both the top and right edges. Cyan on the bottom right corner. There’s no Magenta and Cyan mixing in this set though so there’s nothing connecting Hal Smith and Jim Hegan.

Five 1969s bring me to having nine out of the thirteen (I think) colors this year. Enough to fill a page but not the nine colors I want. Of these five the Abernathy chaw photo deserves special mention. Also that Dock Ellis is a lot of fun.

My page now looks like this. Two mustaches remain. Abernathy and Siebert slide into place. I’ll eventually grab a Senator card to replace Davenport. And I just need a Dodger or Yankee for the red slot.

Not as vibrant a page as the 1959 page but the colored spots still look nice. I’m now super-close to finishing a bunch of these. In addition to 1969, 1968 needs to replace a Giant with a Twin. 1967 is just missing yellow (Angels or Phillies) and needs a vertical-orientation light blue (Indians or Cardinals).

1958, 1963, 1965, and 1966 though still all need a lot of work. Plus I have to figure out what I want to do about 1960 and 1964.

Anyway it’s a lot of fun to see this take shape. Thanks Bob!

Lumberjack Surprise

I made a small Sportslots order from Lumberjack Cards last month. When he saw that some of the cards I’d gotten were intended for my colorwheels project, he got excited and looked through his “too beat up to list” pile to see if he had anything I needed.

This was very nice of him. Free mailings like this, even when expected, are always surprises when they show up. Sometimes they don’t get sent. Sometimes the cards get lost in a box. Stuff happens. So it’s always fun to get a package and it’s even more fun to dig into it and see what’s there.

We’ll start off with two 1959 colors I was missing. I’d filled in a bit since my original post but both of these are quite welcome. Jim Hegan replaces a Giants card and Wally Post will anchor the center square.

These give a bit of a flavor of the condition. Hegan has a corner that’s about to fall off and Post is written on in red crayon* Both work just fine for my page though.

*Actually looks like the red grease pencil used to mark contact sheets.

Five 1969s bring a lot of color here too. Dave McNally is a bit beat up even for my taste. Thankfully I already have a light green. The other four are all colors I need.They’re also in pretty good shape too. Some kid added big V-shaped mustaches to the four of them only to think better of it later and try to erase the markings. Some erasings look better than others.

It’s worth highlighting the Mel Queen card in particular here since it’s got one of the more unique baseball card backs ever made. Queen was a two-way player who converted from outfielder to pitcher in 1966. His 1967 card lists him as a Pitcher/Outfielder bot only has batting stats on the back. His 1968 has a lot of text about his transition but only lists his two years of pitching stats. his 1969 card back though is a treasure.

Complete batting stats for his time as an outfielder. Complete pitching stats for his time as a pitcher. Off the top of my head I can’t think of any other cards like this. It’s a shame Topps couldn’t fit his hitting totals on as well. I also can’t help but wonder if his 1966 hitting stats include his hitting while he was a pitcher.

Two more well-loved 1969s could’ve fit in the colorwheel page but are a much better match for my small collection of do-it-yourself traded cards. Literally one of my favorite things. I don’t seek them out but I very much love to come across them. So these will be going into a different album with all the other cards I’ve found.

All of which means that it’s time to post updated images of the 1959 and 1969 pages. 1959 is coming along very well. I only need orange and light blue. The images are all nice baseball-looking ones without any capless weirdness. I’ll probably want more team variety than three Phillies at some point but that’s something to tackle much later. I can already see how nice the finished page will look too.

1969 needs a little more work. I left the orange Niekro in the scan so show what it’ll look like when I get an orange card. Mike Ryan is a good placeholder but the image isn’t what I want to have on the finished page.* And I suspect that, as with all the Phillies in 1959, I’m going to be looking to swap out some of the erased mustache guys at some point much further down the line.

*Yes I know it’s not a fair representation of 1969 to not have capless wonders and blacked-out logos but I want a page that actually looks nice here.

For now though things look great. Not as bright as the 1959s but that colored spot is still very distinctive. I’m just looking for red, orange, and dark green.* Light pink, light purple, light orange, light blue, and brown look like they’re going to be the colors that get cut but maybe I’ll need a couple pages here instead.

*I really should shove a Giant in to the dark green pocket for the time being.

Very cool. Binder is looking super nice. I’ve updated the searchlist at the bottom of my original post to reflect my current status. Thanks Lumberjack!

Grey Areas (and Mission Creep part 2)

While I’m writing about mission creep I may as well cover my Stanford Project and how it’s creeping into never-ending project territory. This isn’t an explicit expansion of the scope of the project—it remains focused on Stanford alumni who played in the Majors—but rather a reflection of how much grey the borders have and how I’m pushing into that greyness.

I’ve mentioned some of this before. Bobby Brown and Bill Wakefield are both examples of how even something as tightly-defined as my base project description has some grey. Bobby Brown didn’t graduate from Stanford but did play for the baseball team. Bill Wakefield meanwhile is the opposite. He graduated from Stanford but went pro before he could play for the team.

I initially ruled Brown out but I’ve come to accept that I should be more inclusive in general with my binder. Something tightly is nice but I found myself enjoying the random out-of-spec cards that I had also included.

Minor league cards of guys who played in the majors but never got major league cards are less of a grey area but one which pushed me out of my Major League cards only initial concept. I felt it was better to be inclusive here as well and enjoyed the resulting variety.

This of course pushed me into finding assorted cheap signed cards of alumni who didn’t make it to the majors. I’m probably also on the look out for minor league cards of these guys as well now. Not in the sense of have to get them but it’s cards like these that give a bit of variety to the binder and remind me of players I watched when I was kid.

This also meant that I started to look into cards of baseball players who went on to play football and never got a baseball card. With these cards I’ve tried to get cards that mention their baseball playing on the backs. I’m also happy just getting a card to two of each player rather than mapping a career.

Nevers is an interesting case in this group since he does have some baseball cards (I actually have his Conlon card) but they’re mostly unattainable Zeenuts. And his only vintage football card is one that’s out of my price range but it’s one I like since it shows him with Stanford.

There are also cards of non-baseball alumni that show up in baseball sets. This is mostly an Allen & Ginter phenomenon but the Tom Watson First Pitch insert shows that things aren’t limited to that. I don’t feel the need to get both regular or mini versions here, it’s really just a function of what I find.

I do however like this sort of organic creep. These are all technically baseball cards still, just not of baseball players. (Yes Jessica Mendoza counts as baseball now due to her stint as an advisor for the Mets). I don’t claim to have everyone in Ginter either since I haven’t gone over the whole checklist or insert sets with a fine toothed comb.

The Ginter cards also take us into Olympian territory. While I don’t feel any desire to get cards of players in the NBA or NFL, I do find myself liking the cards of Stanford Olympians.

Stanford’s rich Olympics history has been especially fun to research since Guys like Pete Desjardins show up in sets from the 1930s and Bob Mathias is in sets from the 1950s. While there are a lot of 1980s and 1990s Olympic history sets, it’s great to be able to throw some old cards into the binder too.

In the old card theme, sometimes I just can’t pass one up. I love Exhibits so Jack Palance was an obvious addition. There have been a bunch of Presidents sets but I like this 1956 Topps Herbert Hoover as one of the earlier ones.

And the Sportscaster Hank Luisetti was a nice solution to the “what Sportscaster should I get” question I was stuck on. With an old or weird set, finding something that fits in the grey area of my collection interests is how I choose my example card.

With more-modern weird sets, this sometimes manifests itself as a “what the hell I’m already doing this project” acquisition. Again, not something I actively seek out but fun to grab as I come across them. The non-sports ones are ones I’m more likely to grab too since they represent an interesting category of people who I don’t always expect to find on trading cards.

And finally there are the regular sports cards that I’ve just come across. Some of these have shown up in trade packages. Others just in piles of cards I’ve had access to. Again not anything I’m searching for or intentionally expanding the scope of the project to include. But they’re all fun additions which make the binder more interesting.

Vandal PWE

This week brought another plain white envelope in my mail from Jason. This one was both pretty stiff and mysteriously marked with a big “open carefully” on the side. I did my usual thing and snipped an end off as if this were a policy envelope and was immediately very glad I did so.

Inside I found two super-thin, almost bible-paper quality that sticks together with static electricity, sheets of paper that had been cut out of a book. They’re in great condition but still feel incredibly fragile. Jason claims to have purchased a batch of clippings and denies being a book vandal so I had to do some research based on the back side of these.

The fronts are obviously John McGraw. On the left, a younger-looking McGraw in a starched, probably-detachable collar. On the right, McGraw as I’m used to seeing him as the Giants manager. In both cases his competitive nature is clearly visible despite the early halftone printing (which is actually very well done in gterms of keeping detail in both his dark suit and whte collar).

The backs suggest that the photo on the left is from 1911 (though I suspect it’s older than that) and the one on the right, 1913. In any case the backs are enough to date the book as being around 1914 or so.

Go I googled around and discovered that these are actually from two books. Or, well the same book but two different editions. The book in question is the Reach Official American League Base Ball Guide. The left page is from the 1912–1913 edition and I have pages 89 and 90. McGraw is actually on page 90 and so is technically on the back side of the sheet. The right page is from the 1914–1915 edition. I have pages 73 and 74 from this book and, being the same format, McGraw is again on the back of the sheet, this time occupying page 74.

I did not read the entire books but in flipping through to confirm I’d found the right ones I couldn’t help but notice that in each book the sheet before the McGraw sheet features a photo of the Giants president. 1912–13 depicts John T Brush, whose name remains on the only remaining part of the Polo Grounds, which was dedicated to him after his death in 1912. 1914–15 depicts the new president H.N. Hempstead.

Jason also included two cards in the envelope. Two very similar poses and lots of color but the similarities mostly stop there. The Stanley Hack is a 1935 National Chicle Diamond Stars card. I’ve long admired this set with its carefully drawn portraits placed in front of colorfully abstract backgrounds. The three Giants legends in it (Terry, Ott, and Hubbell) are on the top of my list of cards I’d love to get but never will.

This Hack has a nasty crease across the middle but presents really nicely since the crease never actually breaks the surface of the paper. It’s now one of only a half dozen baseball cards I have from before 1940* and is the only one with super-vibrant color.

I thought at first that Jason had gotten the wrong end of the stick when I mentioned that I was looking for a 1955 Doubleheader of Hack and Jack Shepard but it turns out that he’d just noticed me expressing my admiration for Diamond Stars and rueing the fact that I’d probably never acquire one.*

*I’m pretty much incapable of buying a card of a player who’s not a specific collection or team interest of mine.

The other card is a 1975/1976 SSPC Frank Robinson card. This one is notable because it’s the first card of an African American manager. Topps at this time was not releasing manager-specific cards so it’s a very good thing TCMA/SSPC’s wildcat release was around to commemorate the historic first season in cardboard form.

Thanks Jason! A small envelope but a good one. Always fun to be forced to do a bit of research to figure out what something is too.

Candlestick Pages

In the tradition of my Colorwheels project, I have another project I’m passively working on as a way to get a page from multiple sets without going down the rabbit hole of set building. In this case I’m looking at getting a page of cards which show Candlestick park in the background. I grew up with The Stick and seeing it in cards always reminds me of going to games as a kid.

This project only really starts in 1972. From what I’ve been able to figure out, there aren’t really any cards take at Candlestick before this season.* I have most of the Giants cards now and there’s maybe one taken there.** Starting in 1972 though most of the Giants cards are at The Stick and there are a bunch of other cards in the set as well.

*There are cards from the late 1950s and early 1960s that feature Seals Stadium.

**1971 Gaylord Perry

That 1972 is the first year that cards depict Candlestick is fun because many of these cards show all the construction work that went into expanding and enclosing the park for the 49ers. This expansion is what turns Candlestick into the park that I knew and marks another reason for me to only worry about cards starting in 1972.

Unlike the colorwheels project, while I would like to get a nice colorful page, I’m biasing my choices toward interesting photos and between that and the fact that there are only a handful of teams with photos taken in San Francisco I’m finding myself with a lot of repeat teams on each sheet.

1973 and 1974 I’m only getting started with. Nothing much to note here except that it’s nice to see the mix of action and posed images and that Denny Doyle represents one of the rare American League cards that will be in this collection.

1975 and 1976 I have complete pages for. These aren’t set in stone but I went for a nice mix of stadium views. I especially like seeing the 49ers press box and the pre-Jumbotron scoreboard. The switch to wide angle lenses for the portraits in these years also results in fantastic stadium perspectives.

1977 and 1978 demonstrate how certain road teams like the Braves tend to have a lot of Candlestick shots. I’d like more team variety for these pages but since 1978 is a set I’m building I’m stuck with duplicates I come across.

A lot more headshots in these years also means that I don’t see as much of the stadiums in the background.

1979 is very much continuing from 1977 and 1978. I’ve also started putting a page of Hostess cards together since I’ve noticed that a lot of the Hostess cards are shot at Candlestick as well. I think I’m just going to Frankenset a page of Hostess together though unless I come across a big cache of them. And yes the Braves dominance on these pages continues.

Moving into the 1980s and 1990s and I haven’t broken out individual pages yet since there are more sets to consider. When I come across cards I put them in. But I haven’t even done a concerted dig through my piles of junk wax yet to find the undoubtedly dozens of cards that are relevant.

I’m also not sure how far I’m going to take this in the 1990s. Part of me is inclined to stop at the strike. Part of me likes the idea of going all the way until 1999 when the last game was. Might even be fun to see if any photos crept into the 2000 set. But those are longer term goals for now. I’m still learning about what was going on in general in the hobby after 1995.

Mission Creep

So while we’ve all been locked down the boys and I have been getting our baseball fixes in where we can. We’ve watched movies like Field of Dreams. We’ve watched recorded games. We’ve done some Sporcle quizzes. And we’ve looked at our baseball cards.

Not just looking at cards, I think we’ve all taken it upon ourselves to give things a re-sort. For my part I looked at my Giants albums. I’ve had my team sets in alphabetical order by last name. This has been fine, especially as I build the team sets, but it’s never felt right.

One of the things I’ve liked about Mother’s Cookies is how the first sets were ordered by star power. I like the idea of the set telling a story about the team and while paging cards by something like WAR would be an interesting way to do this I decided instead to page them by lineup.

This idea is stolen from some guys on Twitter but the basic idea is that the first page is the main starters for the season, the second are the pitchers, and the rest of the pages are everybody else.

More-specifically, page one is organized like a field:

LF | CF | RF
SS |    | 2B
3B |  C | 1B

Center Square is either the Manager or the Team Card. I really like this because it gives me a sense of what the team actually looked like that season. Both good and bad. Is it fun to see the most valuable players first? Yes. But it’s also important for me to see the “who the hell is that” players to be reminded of the team’s weaknesses as well.

Page two meanwhile is the top nine pitchers on the team. First the four or five starters, then the closer and the relievers.  Page three is the rest of the bench ordered by number of at bats. And page four ends up being players who didn’t play, all stars, league leaders, etc.

I’m already enjoying looking through things more. Now, this kind of sorting isn’t without its problems—the main one is being what season do I choose to represent. Do I sort the cards based on the team that existed the year the cards came out or do I go based on the previous year which is represented in the last line of stats?

There’s no good answer here. Going by the card year means that new players aren’t in the team set. Going by the stats year opens you up to missing guys who were traded late in the season or who changed teams before press time.

I chose to go by the card year. When I look at cards from 1960 or 1970 I’m thinking they represent 1960 or 1970. Stats on the back show me what the guy did last year but the cards stand in for the current season.

This choice means I miss some rookies but more importantly opens up a bit of mission creep with regard to the trades and free agents. Like with my 1968 team set which is basically complete except for the Mays/Mantle/Killebrew card, there’s no second baseman in the team set. When I looked up who played that year I found out it was Ron Hunt who played in almost 150 games at second but whose 1968 card features him with the Dodgers.*

*Note, if I had gone with the previous year I’d be in even more trouble since there’s no Tito Fuentes card in the set at all.

So I’ve gone ahead and added Ron Hunt to my searchlist and done this with a bunch of other players as well. Not everyone who’s missing. But if there’s a position player who started the overwhelming majority of the games or a pitcher who made up a large part of the rotation I feel like I should add him.

Through the 1970s this wasn’t even two dozen cards. I’ll get up to the 1994 strike eventually but with Topps Traded existing plus the existence of multiple brands things are going to get more complicated. I should have coverage with more brands but do I want to mix them? Don’t know yet.

Anyway what I’m currently missing is as follows. Not going to update this the way I’m doing the Colorwheels post since these aren’t priorities. Most are commons and pretty cheap. A couple Hall of Famers or short prints though will definitely be more of a reach. Still it’s nice to see where things started.

1956 Topps 165	Red Schoendienst	St. Louis Cardinals
1956 Topps 247	Bill Sarni		St. Louis Cardinals
1957 Topps 68	Ray Crone		Milwaukee Braves
1957 Topps 218	Ray Jablonski		Chicago Cubs
1957 Topps 271	Danny O'Connell		Milwaukee Braves
1959 Topps 75	Sam Jones		St. Louis Cardinals
1961 Topps 418	Ed Bailey		Cincinnati Reds
1965 Topps 205	Warren Spahn		New York Mets
1965 Topps 218	Dick Schofield		Pittsburgh Pirates
1966 Topps 26	Ray Sadecki		St. Louis Cardinals
1967 Topps 86	Mike McCormick		Washington Senators
1968 Topps 15	Ron Hunt		Los Angeles Dodgers
1970 Topps 103	Frank Reberger		San Diego Padres
1975 Topps 162	Willie Montanez		Philadelphia Phillies
1975 Topps 547	Von Joshua		Los Angeles Dodgers
1976 Topps 81	Darrell Evans		Atlanta Braves
1976 Topps 177	Marty Perez		Atlanta Braves
1977 Topps 47	Lynn McGlothen		St. Louis Cardinals
1977 Topps 76	Tim Foli		Montreal Expos
1977 OPC 56	Bill Madlock		San Francisco Giants
1977 Topps 209	Rob Andrews		Houston Astros
1979 Topps 668	Bill North		Los Angeles Dodgers

Two notes. 1967 Mike McCormick actually lists him as a Giant on the back. And while the 1977 Topps Bill Madlock would be a contender, that there’s an O Pee Chee showing him with the Giants means that’s the better choice for the binder.

A couple PWEs

Not a lot of big trades going on but it’s been nice to receive random envelopes with just a couple of cards inside. I’ve also sent out a couple of these. I think we all like getting mail and maintaining some connection to the outside world.

The first envelope came from Jason who, after upgrading his 1957 Dodgers Team set found himself with an extra Carl Erskine card. Erskine is a legend in the TTM community and when I mentioned that I’ve been meaning to send to him Jason popped his extra Erskine into the ail for me. I sent it out before I could write this post so I had to wait for it to come back with ink.

Erskine, legend that he is, turned this around in 11 days and included a bunch more in his return. Those will be part of this month’s TTM round up since they has nothing to do with Jason’s mail.

Jason also included two Topps stickers. I don’t actively pursue these but they’re fun to add to the binder. The Dave Holland is particularly cool because his jacket is amazing with the Warriors Cable Car number graphic on the left sleeve.

Shane Katz has been making themed binder pages and is partially responsible for inspiring my colorwheels project. So it’s only fitting that he would be the first person to actively contribute to it. I was missing an orange 1967. Now I’m not.

The foil 2020 Brandon Belt is pretty nice. Scans badly but of all the shiny cards I think the foils are the only ones I like. Something about them still being printed on paper appeals to me.

Shane also included a couple Stanford guys. The Frank Duffy is his last pro card and it doesn’t surprise me that Shane, as a Red Sox collector would have duplicates here. The Mark Davis though is an obscure card of an obscure player who only has one MLB card that I’m aware of. Yes I have it (1992 Topps MLB Debut) but it’s very cool to add a second.

Thanks guys! Take care out there.