Unfortunately I got skunked. The break ended up being wildly unbalanced. Some teams got all kinds of duplicates while many were shut out. Very much how things used to be when I was a kid where I’d run into the same cards over and over and never see others.
Anyway, yesterday I found an envelope from Kerry in my mailbox and inside was one of the duplicate Joey Gallo cards. It doesn’t look like anyone even grabbed the Rangers in the break so I gather that Kerry was glad to get them sent out to anyone who’d take them.
This is a set of cards which my kids would’ve loved if they had a card store anywhere near where we lived. The idea is that you would bring your report card into a shop and get a pack of five cards. I wish they had this kind of thing when I was a kid and had access to like three different card shops.
If this was happening last year I’d’ve felt a little weird about where these packs came from. But a year after the promotion means these were just sitting in a forgotten pile. Which is great since it reminds me of the 1990 Donruss Learning set that I never saw when I was a kid but would totally have been all over.
Kerry can fit six cards in an envelope so he packed a handful of Giants in for me. The Brandon Belt is a Diamond Anniversary Limited Edition stamped parallel of his base 2011 card. No idea what that means in terms of distribution but I definitely know I don’t have it already.
The Willie Mays is a Spring has Sprung insert from 2020 Opening Day—a set I’ve seen all of one card from to-date. I can’t tell if the border is trying to be old-looking or if it’s supposed to be a nice pastel yellow color. I’m hoping the latter since it triggers a bit of “mismatched white point dissonance” in my brain. Nice to add this one to the collection as well.
The 2009 Turkey Red of Bengie Molina is another card I don’t have. A lot of the Topps Turkey Reds have appalling artwork but this one’s pretty nice. I will never understand why Topps preferred to use the modern-looking shiny black jerseys on these vintage-looking cards though.
The 2019 Joe Panik is a pink Chrome parallel which will add a bit of color to the album. And the foil 2020 Donruss Mauricio Dubon—about as nice an unlicensed card as you can hope to see with the angle of the picture obscuring the logoless cap—makes this a nice 5 for 5 on getting Giants cards I don’t have yet. An impressive percentage for a random unlooked-for plain white envelope.
Kind of funny. For the past month I’ve not gotten any mail on Saturdays. It’s weird when that happens since I keep thinking mail is arriving super late instead and end up checking every hour until it gets dark. I began to think that Saturdays were only for packages and that regular letters and junk mail would wait until Monday.
Then last Saturday I got a regular delivery. And then on Sunday I woke up to find another delivery in my box which suggests that I was both correct to check for late deliveries and that of course the one day I didn’t check for a late delivery is the day I left packages on my doorstep overnight.
Anyway one of those packages was a box from Marc Brubaker. Yeah, a box. I’ve gotten boxes from Marc before but between the complete absence of baseball and much-decreased access to product the past couple months have been all about surprise plain white envelopes—something at which Marc excels.
So I opened it up and found that it wasn’t a box of cards. Yes there were cards inside but also two rolls of film and a jar of loquat jelly from his recent bounty. Film is much appreciated though I haven’t had a chance to go out for a photowalk in a long time. Heck I’m still working my way through a roll of 220 from my last mailing of film. I’m pretty sure it’s Portra 400 and at this point I hope it is since I’m exposing it as if it is.
And the jelly will be great. We’ve been making lots of pancakes and it’s great to change things up with different toppings. As someone who grew up with loquat trees in his backyard this will be a great taste to introduce to the kids as well. I’d love to be able to find them out here in New Jersey but they don’t seem to be able to survive our winters.
And yes there was also a surprising amount of cards—three team bags worth—in the box. The usual assortment of Giants, Stanford, and randoms so let’s start with the Giants. I’m continuously amazed at how I can discover new sets that were released in the 1990s and 2000s.
With the 1980s at least the sets I’ve never heard of are regional releases. In the 1990s and 2000s though there are so many big releases that I just can’t keep track. The 2000 Metal cards here are one such set that I’d just never seen. Not as over-the-top as the earlier Metal cards which remain some of the craziest cards I’ve ever seen but still an interesting finish to the card surface which remains unlike anything being produced now.
A couple other cards to note are the Pinnacle Steve Hosey and Silver signature Barry Bonds which both fill holes in sets that I only ver purchased a single pack of as a kid. The 1992 John Patterson meanwhile fills a nice hole since I have that card in my autograph binder.
There was also a lot of Gypsy Queen. I’m happy other people buy this product and send me Giants because I will never spend money on these. Same goes with Gallery. They add a bit of variety to the binder but a little bit goes a long long way. And that the Brandon Belt card is one of those fancy framed variants that always interests me from a production point of view.
The super-sparkly (or whatever this is called) Tyler Beede is a similar addition. I don’t chase these cards either and kind of hate all the insert variants. But I do enjoy adding the splash of interest to a binder page.
I do like the Wilhelm Distinguished Service card. Military service is an interesting and different way to build a checklist. Where my parents’ generation grew up seeing military service listed in the statistics of many players, by the time I was a kid that was all a thing of the past.
The Pinnacle Tim Lincecum is kind of nice too. It’s weird. 2013 Panini had a bunch of one-year-wonder sets that are more interesting than most of what has become their standard releases. My understanding is that sets like Pinnacle and Hometown Heroes caused collectors to take Pinnacle seriously yet neither of those sets were ever released again.
To the 2020 cards. Marc’s been surprisingly active acquiring cards this year. We’ve got Heritage, Opening Day, Stickers, Flagship, and Donruss all represented. Meanwhile it’s been over two months since I even set foot in a store which stocks cards.
This completes my Heritage team set (well except for the Yastrzemski shortprint) and gives me my first taste of Opening Day, Stickers, and Donruss. I can see why people like this year’s Donruss set. Logolessness aside it’s come into its own and has a clean, generic 1990sish design. Still a little too reminiscent of the Donruss designs from 2014 to 2017 for me but it at least knows what it’s doing now.
A batch of Stanford guys which features some more 2000 Metal as well as a couple other cards I don’t have yet. Some of those, like the 1989 Score Traded Mike Aldrete, are sort of surprising omissions. Others such as the Appell, Hutchinson, and Mussina are the kind of things I never search for but love to add to the binder.
Marc also went ahead and attacked some of my smaller projects. A handful of Scott Erickson cards. Four 2014 Topps for the setbuild. Two Sportflics cards for the action binder. All quite welcome and evidence of someone clicking down through the searchlists.
And finally the last handful of cards Marc includes are always a bit of a puzzle for me. Stanford Jenning is clearly a joke. Yes I laughed.
The rest though I’m not so sure about. I thought at first that the Ruth was for my photographer binder but there’s no photographer credited. The two Muñoz cards though I’m genuinely confused by. I’ll keep thinking about it ad maybe it’ll come to me.
This week brought another plain white envelope in my mail from Jason. This one was both pretty stiff and mysteriously marked with a big “open carefully” on the side. I did my usual thing and snipped an end off as if this were a policy envelope and was immediately very glad I did so.
Inside I found two super-thin, almost bible-paper quality that sticks together with static electricity, sheets of paper that had been cut out of a book. They’re in great condition but still feel incredibly fragile. Jason claims to have purchased a batch of clippings and denies being a book vandal so I had to do some research based on the back side of these.
The fronts are obviously John McGraw. On the left, a younger-looking McGraw in a starched, probably-detachable collar. On the right, McGraw as I’m used to seeing him as the Giants manager. In both cases his competitive nature is clearly visible despite the early halftone printing (which is actually very well done in gterms of keeping detail in both his dark suit and whte collar).
The backs suggest that the photo on the left is from 1911 (though I suspect it’s older than that) and the one on the right, 1913. In any case the backs are enough to date the book as being around 1914 or so.
Go I googled around and discovered that these are actually from two books. Or, well the same book but two different editions. The book in question is the Reach Official American League Base Ball Guide. The left page is from the 1912–1913 edition and I have pages 89 and 90. McGraw is actually on page 90 and so is technically on the back side of the sheet. The right page is from the 1914–1915 edition. I have pages 73 and 74 from this book and, being the same format, McGraw is again on the back of the sheet, this time occupying page 74.
I did not read the entire books but in flipping through to confirm I’d found the right ones I couldn’t help but notice that in each book the sheet before the McGraw sheet features a photo of the Giants president. 1912–13 depicts John T Brush, whose name remains on the only remaining part of the Polo Grounds, which was dedicated to him after his death in 1912. 1914–15 depicts the new president H.N. Hempstead.
Jason also included two cards in the envelope. Two very similar poses and lots of color but the similarities mostly stop there. The Stanley Hack is a 1935 National Chicle Diamond Stars card. I’ve long admired this set with its carefully drawn portraits placed in front of colorfully abstract backgrounds. The three Giants legends in it (Terry, Ott, and Hubbell) are on the top of my list of cards I’d love to get but never will.
This Hack has a nasty crease across the middle but presents really nicely since the crease never actually breaks the surface of the paper. It’s now one of only a half dozen baseball cards I have from before 1940* and is the only one with super-vibrant color.
I thought at first that Jason had gotten the wrong end of the stick when I mentioned that I was looking for a 1955 Doubleheader of Hack and Jack Shepard but it turns out that he’d just noticed me expressing my admiration for Diamond Stars and rueing the fact that I’d probably never acquire one.*
*I’m pretty much incapable of buying a card of a player who’s not a specific collection or team interest of mine.
The other card is a 1975/1976 SSPC Frank Robinson card. This one is notable because it’s the first card of an African American manager. Topps at this time was not releasing manager-specific cards so it’s a very good thing TCMA/SSPC’s wildcat release was around to commemorate the historic first season in cardboard form.
Thanks Jason! A small envelope but a good one. Always fun to be forced to do a bit of research to figure out what something is too.
Not a lot of big trades going on but it’s been nice to receive random envelopes with just a couple of cards inside. I’ve also sent out a couple of these. I think we all like getting mail and maintaining some connection to the outside world.
Erskine, legend that he is, turned this around in 11 days and included a bunch more in his return. Those will be part of this month’s TTM round up since they has nothing to do with Jason’s mail.
Jason also included two Topps stickers. I don’t actively pursue these but they’re fun to add to the binder. The Dave Holland is particularly cool because his jacket is amazing with the Warriors Cable Car number graphic on the left sleeve.
Shane Katz has been making themed binder pages and is partially responsible for inspiring my colorwheels project. So it’s only fitting that he would be the first person to actively contribute to it. I was missing an orange 1967. Now I’m not.
The foil 2020 Brandon Belt is pretty nice. Scans badly but of all the shiny cards I think the foils are the only ones I like. Something about them still being printed on paper appeals to me.
Shane also included a couple Stanford guys. The Frank Duffy is his last pro card and it doesn’t surprise me that Shane, as a Red Sox collector would have duplicates here. The Mark Davis though is an obscure card of an obscure player who only has one MLB card that I’m aware of. Yes I have it (1992 Topps MLB Debut) but it’s very cool to add a second.
One of the best things about Card Twitter is its ability to transform stuff that doesn’t interest me into stuff that does. In this case, my stack of 1967 Topps Football cards has been sitting in a box for months. I don’t really feel like selling things but I figured it was only a matter of time before I found someone building the set.
About a month ago Jeff Katz turned out to be that someone. I almost blew the trade by overthinking things* but I eventually realized that if I had a magic wand that could simply transform my football cards into baseball cards I’d be perfectly happy. So that’s what we ended up doing. After like 10 days of watching my package bounce between Pittsburgh and Jersey City it finally arrived yesterday.
*The downside of having a focused searchlist is that I can get hung up on just focusing on the list of what I “need.” 95% of the time this is a good instinct but this was an instance where it got in the way.
Two Hall of Famers in the stack. Stargell is a little beat up (I knew this before Jeff sent it) but the Drysdale is in good shape for my collecting grade that doesn’t care about softish corners, centering, or diamond cuts.*
*I won’t comment on the registration.
1967 is a design I’ve never really cared for since I don’t like facsimile signatures. I’ve come around to appreciating the photography though and the way it interacts with the design. This will be a larger post over on SABR some day but the short version of it here is that layering the text on top of the photo forced a looser crop that Topps usually does.
This is especially the case with the name and position text in the top of the frame. Mid-1960s portraits will be shot on, at smallest, medium format film and be composed in-camera with a lot of room for cropping downstream. That extra quarter inch of space at the top of the frame coupled with the extra half inch on the bottom results in a lot more background information than is typical for any other Topps set from 1957 to 1969.*
Another card in the batch gives a complete page of 1967 A’s cards. 1967 is the last year the A’s were in Kansas City and I’ve been trying to put a page together for each of the teams that moved. Not a major project just one I’ve enjoyed keeping an eye out for as I accumulate other cards.
Four horizontal cards including a pair of designs in the World Series and Thumpers cards I’ve not encountered before. I also need to mention that the ERA Leaders card is one of the rare instances of a player showing up in a set which he doesn’t officially appear in due to retirement. In this case, Koufax retired after 1966, has no 1967 card, but does show up in a couple of the Leaders cards.
The rest of the 1967s give me a good start on completing my new colorwheel project. One of the things I’ve found myself missing as a team collector is seeing all the different colors of cards in a set. This is especially something I miss in the more colorful sets but even something as minimally designed as 1967 the colors jump out at me and my Giants pages look like an awful lot of green.
1967 features team names in cyan, magenta, yellow, light cyan, green, red, purple, orange, and light purple. With this batch I’m over halfway to putting them into a page. Current plan is to colorwheel around the outside of the page with whatever color doesn’t fit in the center. Since most of these colors are printer-simple solid process colors this will be a fun way to see how so many of Topp’s colors come up year after year.
Jeff also included a signed copy of his book (making this a Split Season 1981 from @splitseason1981 mailday). I’ve been meaning to read this for a while and what better time to do so than when I don’t plan on leaving the house for two weeks.
A couple more items include a beat-to-hell-and-back 1967 McCovey poster that’s going to turn into a four-panel puzzle if I breathe on it and a kids book from 1982 about the Giants.
I love the poster and its photography. Pretty sure McCovey never took a bad photo when it came to baseball cards. There’s also some of the “turn the background into cyan-only sky” effect going on with how much of the bating cage is being printed in just cyan ink.
The book is pretty great and the boys have already grabbed it to look through. I especially like the bright colorful cover with the baseball as tennis ball photo treatment.
Back to cards. Two 1971 Topps cards take my 1971 team set needs down to missing only one for completion. Unfortunately it’s the high-numbered Willie Mays card. I’ll get it eventually. I just need to be patient until one drops into my price range.
Destined for the same binder as the 1967 Jim Nash card, here were five 1972 Rangers to take me to eight Rangers for my page of first-year Rangers cards. This is an ugly team set with most of the cards featuring the same up-the-nose photo coupled with blood-red airbrushed caps. Ted Kubiak is a nice change of pace as he gets the same hatless treatment that he got on his 1968 A’s card.
I should probably consider adding a page of 1973 Rangers (as well as 2nd year cards for the other new teams) just to show the new uniforms.
And finally, two Fleer Famous Feats and a panel of baseball stamps from back when it only cost 39¢ to mail a letter. I have yet to get into the Laughlin cards that Fleer released in the 1970s. I haven’t avoided them, I just haven’t gotten into them. I do like adding them to the binder though and they’ll keep Cy Young company.
Thanks Jeff. The hobby, and the community around it, is going to help me keep my sanity over these coming weeks. Stay safe and good luck completing your 1967 football build.
Catching up on a few maildays that came in over the past couple weeks. School being at home has meant we all have had to adjust and has left me with less time for other things. But it’s been too long now so it’s time to acknowledge a number of things that came in the mail.
We’ll start off with these two Carl Aldana Seals customs of the lesser-known DiMaggio brothers from Jason. These cards are in the 1950s Mother’s Cookies style but feature photos from the 1930s. Mixing the two eras works pretty well but for me draws the photos into looking more 1950s because of the colorization.
Two neat little objects. I’m apparently a sucker for rounded corners. And I enjoy seeing Vince in his Hollywood Stars uniform.
It’s also worth showing the backs of these cards. No stats but not blank either. The image used could be a bit higher-resolution but I appreciate making it a vintage dairy advertisement. Is a nice riff on something that should fit right in with cookies.
I also got a nice postcard from Mark Armour just wishing us safety and health in these strange times. Why bother with a PWE when you can just send a postcard by itself? Anyway this is making me think that I should start mailing small things out to people just as a way to say “take care.” It’s indeed a strange world out there but there’s also something wonderful about seeing 90% of us in agreement about what’s most important and trying to support each other in surviving.
Does this go in a Giants binder? Maybe it does. Maybe it does. It is after all the closest I ever expect to get to a T206 Christy Mathewson.
Another mailing that came in was a handful of cards from Shane Katz which included my first 1981 Topps Scratch Offs. This is one of those sets that never appealed to me with its small photos and perforated edges.
Seeing them in panels helps a lot as the different colors make things more interesting. I can’t imagine filling 9-pocket (or even 10-pocket) sheets with these but picturing a full 4-pocket page appeals to me
Meanwhile my printing side appreciates that each photo is framed in a different process color. One of these days I’ll write the Topps and process colors post I keep saying I’ll write and the colors of 1981 Topps will definitely be a big part of that.
The backs of these are are great because they explain how the game is supposed to work. It’s actually something I can see my kids enjoying although I can already tell that the game has little replay value since you’ll quickly learn where to scratch for maximum run scoring.
The advertisement panels are also a ton of fun. I don’t know anyone who sent in for these things but that cap just screams its age/era and I do know a lot of guys who stored their cards in baseball card lockers like that.
Shane also included a couple other cards including a 2020 Heritage Willie Mays insert which takes my accumulated total for this set to six. Am I actively chasing and trying to build it? No. Is it something that I enjoy slowly adding to? Absolutely.
Thanks guys and take care in this season unlike any other.
It feels like years ago but it hasn’t even been two weeks since I made the trek out to Queens to check out a small exhibition that Ralph Carhart had put together at Queens College CUNY. I went partially to support another SABR member in my backyard but I would’ve wanted to see this show anyway since the hstory of baseball in New York is something I should know about.* Plus I hadn’t been out to Queens and have wanted to check out Corona Park** and the Queens Museum for a long time.
*Much to my chagrin I totally blew it and missed a show late last year about New Jersey baseball that was almost literally in my back yard.
**Irony not intended.
Initially this was looking like a possible meetup for a bunch of us on Card Twitter but between work, family, and virus concerns, only Mark Hoyle made it down from Boston. This also saved him a stamp since he was able to hand-deliver me a nice Gypsy Oak print of Marvin Miller before we even got to meet Ralph and start our private tour of the exhibit.
Having just sent Mark a set of my printed out Viewmaster scans I was unable to reciprocate. Still, it’s always great to put a face to a contact. I haven’t met many of my twitter contacts but on the rare times I do I’ve really enjoyed it even though there’s always a lot of apprehension due to meeting someone who you already kind of know even though you only know that small portion of their interests which you overlap with.
Ralph met us at the Library and opened up the exhibit for our tour. I’m not usually a big talker when I’m at a museum but we spent more time talking about the stuff on display than reading the descriptions that Ralph had worked so hard on (sorry!).
The show is laid out roughky chronoligically which meant we started off with vintage base ball. Which was great. Of course we’d all seen games and had paid enough attention to know some of the rule evolutions. Ralph though pointed out the differences between the New York game and the Boston game and suggested how a similar show in Boston would be very interesting.
My favorite part of the show was Jesse Loving’s Ars Longa cards which he had used to create and illustrate a timeline of New York (and its environs) baseball up to around 1920. The cards are all customs but the choice of design and the treatment of the photos* really works to make the whoel timeline come to life.
It’s not just an image of a player that jumps out but the style of the card and way things are depicted that adds so much more richness to just a simple timeline concept. I love a lot of these but my favorite is probably the Arnold Rothstein Pea·Nut custom since Zee·Nuts are one of my favorite things.
As we moved more into the 20th Century, the artifacts became a bit more standard. This isn’t a bad thing as it reflects the game becoming the game we all know and love. One of the best things about baseball is how it’s truly recognizable throughout the decades. Yes there are some equipment changes and things but at a base level the game is unchanged.
There was also a decent amount of art, specifically paintings, on display. They were nice, the Graig Kreindler in particular kind of glows and I certainly understand why people love his work. The paintings leave me a bit unmoved as art* but they certainly work well in this exhibit since they illustrate the history of the game and frequently lavish attention on the New York ballparks in the backgrounds.
*This is probably not-that-latent art snobbery on my part but while I can appreciate the craft of the work there’s something about the palpable nostalgia that the paintings evoke coupled with the fact that large realistic oil paintings haven’t been my art museum jam for decades that leaves me with a “that’s nice” reaction. I do however love the idea of these paintings as postcards or trading cards so it’s possible that there’s something to the scale of the pieces that I’m also responding to.
The show finished up with a nice wall of trading cards depicting every New York player who was born in another country. Ralph detailed a lot of this collection already but it’s just a fun wall to browse over and see how different countries appear and how much more diverse the game has gotten in the past couple decades.
I was pleased to see that Adonis Rosa made the cut since he had only played one game for the Yankees last season. I also remarked that Ralph was lucky that Johnnie Williams played for the Tigers since he was born in the Kingdom of Hawaii and probably wouldn’t have been an obvious non-USA player. I love the research that went into putting the checklist together for the wall.
A shame that the last week of this show got stomped by a viral outbreak since it was well worth the visit. I’m hoping Ralph gets a chance to mount it again since I think my ids would really dig it too.
So it looks like either everyone’s New Years resolution this year was to help people out with completing sets or that my set builds all hit a point of no return where instead of slowly building things it became a challenge to actually finish them off. Anyway, after finishing 1991 Studio and 1991 Donruss I got two maildays last week which finished off 1990 Upper Deck and 1990 Fleer.
We’ll start with the first mailday from fellow member of the Twitter
Printing Clique Robby T.
Nine cards to kill off my 1990 Upper Deck needs plus three duplicates (Kevin Mitchell, Jeff Ballard, and Jack McDowell) that mean I don’t have to choose between whether I pull cards for my Giants and Stanford binders.
Yeah. Two Bo Jacksons. I wasn’t very luck with my initial batches. Anyway this is a nice batch which includes a decent number of photos that show why I like this set so much. Nice minimal design. Brightly printed photos. A good mix of action and candid head shots.
As is Robby’s usual MO, he sent me a decent stack of Giants cards from various other sets. A lot of these I have and so these are going to make their way into my kids’ collections. Many of them though I do not and so I was able to fill in a lot of holes.
I’ve come around to the conclusion that while the 1990s card designs were getting sidetracked by all kinds of design and printing gimmicks, the photography is kind of wonderful. Photo technology was good enough to get shots we’d never seen before but there was a commitment to picking interesting photos too.
Also the 2009 O Pee Chee set is one which I increasingly like. In an age of glossy foilstamped sameness, these feel like what cards are supposed to feel like. The photos aren’t bad either. I can see myself wanting more of these.
A few assorted Giants. Nothing really to note here except that I really like the Willie Mays set and am sad that I never saw any of these in 1993. These were always fun things to find in Upper Deck but I was either being priced out of the hobby in 1993 or my interests were starting to drift into other areas since I didn’t get many Upper Deck packs at all.
More modern Giants cards plus some weird stuff. The Holiday cards are kind of an amazing trainwreck which is so ridiculous that it ends up working for me. The Anderson is a glitter variation which is fun even though I’m worried the glitter will end up migrating to other cards.
A couple 2020 cards which show how Topps screwed up the horizontal design. The backs of these are all aligned together. The horizontal text though is upside down. Not a good look at all and suggests that there’s no one at Topps who is thinking about how people are going to store and look at these.
And three random cards finishes out Robby’s mailing. The Polio Vaccine card makes me laugh because I made some Penicillin customs that I’ve been mailing to guys who have everything. Also that photo of Salk makes him look like Larry David. The Pablo Sandoval World Baseball Classic card is awesome and the Hideki Okajima is a fun addition to my small Japanese baseball card collection.
A new trader to me, Todd Williamson, finished off my 1990 Fleer set. I just needed one card but now I ned none. Todd also included a few other set needs. Some Upper Decks that Robby beat him to and two 1994s that take me to only needing 37 left.
Todd asked what else I collected and pulled some weird stuff for me. The two Mussinas are ones I didn’t have so that’s always great. The two other cards looked super routine until I flipped them over.
The 1982 blank back is one of those quirks that’s fun to have a sample of but which I’d never go out and actually acquire. It doesn’t teach me anything about how the cards were made but it’s still cool.
Most of Todd’s package though was a ton of 1992 Topps Gold. This was one of my favorite things back in the day. I never got too many when I was a kid—one scratched-off Winners batch and a bunch that came with my factory set. So it’s very cool to have most of a team set and this batch of 25 pretty much doubled my collection.
Ramos and Beck are also two of the guys who replaced checklists. I’ve mentioned this before but I’m down to needing just #366 Tony Perezchica in my question to build the larger 1992 Topps set.
Very cool guys. Four complete sets this year and February isn’t even done yet. Thanks!
A couple small maildays arrived in my mailbox last week. Yes it’s fun getting a big box of cards but the small maildays almost always represent something special which fills a specific hole in a search list.
A couple comments on the 2020 design. First, I generally like even though it feels more Bowman or National Baseball Card Day than what I expect from Flagship. The photos have been more interesting than previous years and putting the design on the side creates more interesting croppings than the previous three years of transparency effects on the bottom.
It looks best with colored uniforms like in these two cards. The Edman in particular looks especially nice since those blue Cardinals away uniforms are fantastic. With the regular grey and white uniforms this design has a tendency to go monochrome in a bad way It would’ve been interesting to see, instead of the white transparency effect, a solid team color in that section of the card instead.
And I wish the name and position text was rotated 180° so that they weren’t upside down on the horizontal cards. I was worried that Topps was going to have this happen as soon as I saw the mock-ups last year. This is one of those cases where it feels like no one at Topps collects cards and thinks about how people are going to store them.
Also, for some reason Nico Hoerner’s card back lists his 2019 cumulative Minor League stats but doesn’t include his Major League stats. I don’t get it.
Finally, Hoerner’s card is appallingly printed. There’s some weird purple/magenta toning going on which results in his uniform going all splotchy. I know that’s a tough color to print but this is more than just running one ink too heavy. One thing modern cards usually have over older cards is that they’re manufactured much much better. In this case though something went wrong on the press.
Speaking of things going wrong on press. Lanny came back a me with yet another off-condition WillieMays card. Instead of surface damage, paper loss, or disintegrating corners, this time we’ve got a trimming fiasco. Not just a mistrim, this is also slightly diamond cut.
Aside from the trimming though this is possibly the best-conditioned 1969 Topps card I have. Color is great. Surface is great. Corners are great. Printing is on-register and sharp. Of all the flaws a card can have, centering is the one I care least about so this is an awesome addition to my Giants binder which takes me to needing only one more 1969 card for the team set.
Who do I still need? The high-number Bobby Bonds rookie. It’s not ridiculous but it’s not cheap either.
Anyway, thanks guys, all three of these are great additions to the collection!
First off, Focustheframe sent me another 1990 Upper Deck card which I needed. Not much to say about this card but every little bit helps.
Then I got a package from another new trader. Adam (@amhlaw63) has a bunch of junk wax and is doing the dad thing of looking for cards that his son wants. I was able to find a bunch that worked and apparently made his son pretty happy with some shiny Cubs inserts. In return Adam killed my 1991 Donruss set build.
This is a random selection of last cards and I don’t have anything good to say about any of them aside from noting that Quinones is a former Giant who confused me when I first started collecting by having Giants cards in 1987 despite not being on the team.
Adam also included almost two-dozen Upper Deck cards. I needed thirty at the beginning of the year, this takes me down to needing only eight.* Very very cool to be this close to finishing.
*72 Juan Gonzalez, 75 Bo Jackson, 105 Bo Jackson, 146 Brian Downing, 201 Terry Puhl, 254 Paul Molitor, 325 Benito Santiago, 499 Dale Sveum
I really like this set too. Photos are a lot brighter than in 1989 and the design is the kind of photo-centric design I prefer. The Grissom is a nice portrait. Whitaker shows some good action. Boggs action card isn’t as cool as a lot of the other once but it’s never a bad thing to cross another Hall of Famer off the list. And it’s nice to finally get one of the three Bo Jacksons in the set.*
*I ripped a box and couldn’t even turn up one of them.
Nothing daunting in the remaining eight cards. The Juan Gonzalez rookie is likely the biggest one left. But now it looks like there’s a real chance for me to finish this this year.