My top-ten list of best/favorite exhibitions I saw this year. These are shows which got me thinking and which I recommended, without reservation, to anyone (and everyone) I knew.
Looking at the Land by Flak Photo shows suburbia all grown up. The suburbia I know. The photos feel right to me. Also, this is the best example of our new world which recognizes curation as a creative act. The promise of more of these online exhibitions is very exciting.
The 1968 Exhibit at the Oakland Museum of California reminded me of how far we’ve come and provided me with context and information which helped me understand my parents’ generation better. This was a very ambitions show which came very close to achieving everything it set out to do.
Rineke Dijkstra at SFMOMA was a textbook example of a show which was more than the sum of its parts. And how art isn’t always supposed to be nice to look at. This was art which is hard to look at, but worth seeing. Very powerful. Very raw. Very true.
South Africa in Apartheid and After at SFMOMA was beautifully timed to open right after election day. This show was a gentle, but powerful, reminder of how what looks respectable and desirable can mask enormous injustice. And how mistreating a population of workers to achieve that society leaves long-lasting wounds.
6. Walker Evans
Walker Evans at the Cantor Arts Center showed all of Evans’s work and not just his FSA depression-era photos. It was great to see and a nice reminder of how talented Evans was. As a design major, Evans’s consistent search for the functional in his photography excites me. As a photographer, his crisp composition and eye still stand out.
Mark Bradford at SFMOMA was a bit of a surprise for me. I didn’t know what to expect and was very please to find fantastic work which revealed new things no matter how close or far away I stood. Individually they’re all great. Together, they’re even better. So many layers of history and personal reinvention in them.
Monuments of Printing at the Stanford University Library showed all kinds of rare/fine books. Catnip to this typography nut. A Kelmscott Chaucer? A Doves Bible? Excuse me while I geek out.
Dieter Rams at SFMOMA meanwhile was catnip for this design nut. While his products are starting to lose relevance, Rams’s design principles have not. It’s always great to see the actual objects when talking about good design.
Richard Misrach at the Oakland Museum of California presented photos which are powerful, beautiful, and personal. Ruin porn without being voyeuristic. That it was local images presented locally means everyone in the exhibition was probably affected somehow too.
Mexicanismo at the San José Museum of Art was my favorite of the year by far. Cool and obvious while also being smart and subtle. Extremely insider-friendly while also being accessible and descriptive of the culture to outsiders. I only wish there had been a catalog available so I could show it to other people.
Other notable artwork this year
Dora García’s Instant Narrative in SFMOMA’s Descriptive Acts exhibition was probably my favorite single piece I saw. I also gained a newfound appreciation for ceramic art through David Gilhooly’s work in San José’s Renegade Humor show and SFMOMA’s acquisition of Robert Arneson’s Portrait of George.