A couple weeks ago Marc sent me a cryptic note on Twitter that I should be expecting a package in a few days and that I shouldn’t leave it in my mailbox. I’d said something that inspired him earlier this summer but had no idea what to expect. Marc’s packages are frequently surprising but one which could spoil? I was so clueless that I couldn’t even begin to guess.
When I opened the package a week ago, it all made sense. Marc and I, in addition to being into cards, are also photographers. Much in the same way that Robby and I talk shop with cards and printing, Marc and I discuss cards and photography—and sometimes just photography itself.
That I’ve been shooting film and posting my on-the-go contact sheet scans* this summer means I’m the recipient of some of Marc’s over-stocked freezer. Everything here is expired—often long so. But that’s not stopped me in the past.
*Why yes I do have a post about the workflow.
It’s been a long time since I had bunch of random expired film to try. Keeble has been shuttered for a few years and even before then the bargains had dried up. This looks like a lot of fun. Four emulsions I’ve never tried plus one that I’ve not shot in eight years*
*And looking through my notes suggests I may actually have shot Portra 160VC, not Portra 400VC.
Two of these rolls look perfect for toy cameras. The ORWO looks to be all kinds of nutso since it’s the only one that’s not from Marc’s freezer. I’m currently thinking that I’ll run it through the flipped lens camera but obviously things might change. The TMax100 meanwhile is calling for me to start shooting my Pony again—though putting the 105mm lens on my Nikomat is also a possibility.
The slide film is also all kinds of exciting. Even my good cameras are kind of junk in that I don’t exactly trust the shutter speeds anymore. They’re fine for color negative film. They’re totally fine for Tri-X. But I’ve wanted to try slides for a long time. Especially 120 slides.
I’ve already loaded the Provia in my Yashicamat and am working my way through that roll. Hopefully I’ll get it done before I go back to New Jersey since I have no idea where to get it developed in New Jersey.
The Ektachrome? I don’t know yet. It’s tungsten balanced so it’s already going to be kind of wack since I have literally no tungsten lights around me anymore. Part of me wants to shoot it straight and embrace the blues. Part of me wants to take it out at night with a tripod. Part of me wants to cross-process it so I don’t have to worry about finding a place that processes E6.
Anyway this is good. I’ve been in a bit of a photography rut for the past five years. A lot of this is just not getting Princeton. When I’m in California in the summers I see photos everywhere. I’ve yet to reach that way of seeing things in New Jersey. Some of this is because things are just too pretty and picturesque. I’ve taken all those photos to get them out of my system but haven’t felt many of them. But I’ve also just gotten out of the habit of going out and taking photos.
I used to go shooting as part of my lunch break. Get out of the office. Clear my head. Go outside. Now I’m often trying to get as much done before the kids get back and I need a bit of kick in the pants to go out. Trying new gear or film has always been one such kick for me. Those years when I was always trying out some new junk camera or expired film were a lot of fun.
While the gimmick of the new gear was often not the winning shot, getting outside and looking for photos was the recipe that worked. I’m excited to have an excuse to get back to that.
Oh, and of course there were cards in there as well. Lots of these are for the kiddos as they represent junk wax that I have already but which they will happily add to their “old cards” binder. Yes, that’s what they call all their cards from the 1980s and 1990s. Yes it makes me feel really really old.
I’ll probably hang onto that Trevor Wilson card though. And I need to fogure out what to do with the Tom Herr card since it’s technically a Cardinals card even though it features a Giant and was shot at Candlestick. Also that photo is the kind of thing which made my jaw drop when I opened my first pack of Score back in 1988.
Marc managed to fill a hole in one of my searchlists with that Roger Craig Glossy All Star. Where in 1990 I bought a ton of packs of Topps even though I’d been getting a factory set for Christmas each year since 1987, in 1991 I saved my money and bought no packs of Topps. Unfortunately that meant I missed out on all four Giants in the Glossy All Stars set. It’s nice to have all four of them now.
The rest of these 1991 cards are also likely to end up in the “old cards” binder. Though I’m pretty sure that I never had those 1991 Fleers since I did not buy many packs of those back in the day.
The last of the junk wax cards includes a fantastic Topps Stadium Club Ultra Pro Barry Bonds oddball. I was unaware of this set. I’m not sure if I should be glad or mad about finding out about it.
And a handful pf 2015 Topps cards. Some of which I need. Some of which I don’t. It’s nice to slowly work backwards and backfill team sets from the 2010s since this team is very much one that’s close to my heart.
Marc also sent a wonderful sample of 2018 cards. The handful of Series 2 Giants is especially appreciated. The pair of Stadium Clubs are beautiful. And I’m really digging the handful of Big League. For a modern release it just feels like cards from when I was kid. Not physically, but the photography and backs are closer to what things used to be like. Things aren’t as aggressively cropped. Action images don’t emphasize exertion. Borders give everything a chance to breathe. Substantial stats on the back are great (although I wish they were complete instead of cutting off at 15 years).
these are also the first Gypsy Queen and Allen & Ginter cards I’ve seen this year. I’m still not a convert to either of these sets. Gypsy Queen still gives me the HDR hives although this year’s set is doing some interesting things printwise in terms of its GCR handling. Ginter meanwhile continues to be Ginter. I like the non-sport cards (most of the time) and am very happy to have representative samples of the baseball cards. It’s just not my thing.
On to the weirder stuff. First some early Mother’s Cookies cards. The 1985s in particular are brand new to me. It really weirds me out to see so much action photography. I’m used to the more-sedate posed photos which the 1986s feature here (I love that Greg Minton pose) and which they never moved away from until the mid 90s.
By the mid-90s the Mother’s Cookies poses were tighter head and shoulders images like these. I don’t enjoy them as much or the change to having borders. The 1986 Topps and 1990 Fleer cards are for my set builds and are much appreciated. It’s always fun to get a Sportflics card. I only have four from 1987 too so this one is doubly awesome. That Swell set sure is yellow. I already know that my kids are going to be ecstatic receiving Willie Mays and Christy Mathewson cards.
Holy moly how great is that 1975 SSPC Roger Craig. He looks the same in 1962, 1975, and 1989. The handful of Stanford guys is also great. I know I don’t have three of them and the other two are part of sets which are in binders in a box on a shelf in my parents’ converted garage. In other words, having duplicates that I can actually put in my Stanford albums is super useful.
Thanks Marc! I’ll post again when I get my film back and scanned. And it looks like I’m going to have to write about my kids’ reactions to getting huge stacks of Giants cards.