A couple small maildays arrived in my mailbox last week. Yes it’s fun getting a big box of cards but the small maildays almost always represent something special which fills a specific hole in a search list.
A couple comments on the 2020 design. First, I generally like even though it feels more Bowman or National Baseball Card Day than what I expect from Flagship. The photos have been more interesting than previous years and putting the design on the side creates more interesting croppings than the previous three years of transparency effects on the bottom.
It looks best with colored uniforms like in these two cards. The Edman in particular looks especially nice since those blue Cardinals away uniforms are fantastic. With the regular grey and white uniforms this design has a tendency to go monochrome in a bad way It would’ve been interesting to see, instead of the white transparency effect, a solid team color in that section of the card instead.
And I wish the name and position text was rotated 180° so that they weren’t upside down on the horizontal cards. I was worried that Topps was going to have this happen as soon as I saw the mock-ups last year. This is one of those cases where it feels like no one at Topps collects cards and thinks about how people are going to store them.
Also, for some reason Nico Hoerner’s card back lists his 2019 cumulative Minor League stats but doesn’t include his Major League stats. I don’t get it.
Finally, Hoerner’s card is appallingly printed. There’s some weird purple/magenta toning going on which results in his uniform going all splotchy. I know that’s a tough color to print but this is more than just running one ink too heavy. One thing modern cards usually have over older cards is that they’re manufactured much much better. In this case though something went wrong on the press.
Speaking of things going wrong on press. Lanny came back a me with yet another off-condition WillieMays card. Instead of surface damage, paper loss, or disintegrating corners, this time we’ve got a trimming fiasco. Not just a mistrim, this is also slightly diamond cut.
Aside from the trimming though this is possibly the best-conditioned 1969 Topps card I have. Color is great. Surface is great. Corners are great. Printing is on-register and sharp. Of all the flaws a card can have, centering is the one I care least about so this is an awesome addition to my Giants binder which takes me to needing only one more 1969 card for the team set.
Who do I still need? The high-number Bobby Bonds rookie. It’s not ridiculous but it’s not cheap either.
Anyway, thanks guys, all three of these are great additions to the collection!
First off, Focustheframe sent me another 1990 Upper Deck card which I needed. Not much to say about this card but every little bit helps.
Then I got a package from another new trader. Adam (@amhlaw63) has a bunch of junk wax and is doing the dad thing of looking for cards that his son wants. I was able to find a bunch that worked and apparently made his son pretty happy with some shiny Cubs inserts. In return Adam killed my 1991 Donruss set build.
This is a random selection of last cards and I don’t have anything good to say about any of them aside from noting that Quinones is a former Giant who confused me when I first started collecting by having Giants cards in 1987 despite not being on the team.
Adam also included almost two-dozen Upper Deck cards. I needed thirty at the beginning of the year, this takes me down to needing only eight.* Very very cool to be this close to finishing.
*72 Juan Gonzalez, 75 Bo Jackson, 105 Bo Jackson, 146 Brian Downing, 201 Terry Puhl, 254 Paul Molitor, 325 Benito Santiago, 499 Dale Sveum
I really like this set too. Photos are a lot brighter than in 1989 and the design is the kind of photo-centric design I prefer. The Grissom is a nice portrait. Whitaker shows some good action. Boggs action card isn’t as cool as a lot of the other once but it’s never a bad thing to cross another Hall of Famer off the list. And it’s nice to finally get one of the three Bo Jacksons in the set.*
*I ripped a box and couldn’t even turn up one of them.
Nothing daunting in the remaining eight cards. The Juan Gonzalez rookie is likely the biggest one left. But now it looks like there’s a real chance for me to finish this this year.
Football has moved on, but we haven’t. And on social media, on Barça Twitter, we bicker and squabble, more worried about being right than what any of it means for the team. It’s wanting Valverde to lose so that he could be fired so that a new, more correct coach could be hired. It’s harassing players on social media, and turning every post by the official club account or any club official into a shit trench of bile. Everything is wrong. What we aren’t stopping to acknowledge, maybe, just maybe, is that it won’t be right again until we understand what is possible now, what the game demands from its champions in the here and now.
I haven’t blogged about Barcelona and soccer in a long time. A long long time. I’ve still been following the team but it’s not a priority like it used to be. I used to follow streams and conversations during matches. Twitter was awesome. I wore jerseys all the time. It wasn’t my life but I was as die hard a fan as you could be in the United States.
Then five years ago I just sort of stopped. Some of this was baseball taking over but it was really a combination of things. Kevin’s post covers a lot of it but at the most basic level it wasn’t fun anymore. It got harder to find clips. Discourse about the team went into the toilet. Everything became about trying to reclaim an impossible ideal rather than acknowledging what was possible with the team at hand.
This wasn’t even about winning or not. It was about a team going through the motions with one foot in the past and the other unsure about the future. It was about a fandom that was vicious and cruel about tearing down anyone and anything that wasn’t “good enough.” It was about a club operating as a business fully content to milk a cash cow as long as possible.
I didn’t want a piece of any of that. Not something I want to associated with nor something I wanted to have to weed through in order to get my soccer fix. Which is a shame because I miss soccer an awful lot. It’s one of my favorite sports to watch and I love how it connects me to a global community.
Compared to my conscious decision to drop football I just passively stopped following soccer. For whatever reason Kevin’s post was a bit of a wakeup call. I’m not stuck in the past but I also haven’t made a decision about anything. Listing so much of what’s made the sport not fun also means I can consciously try avoiding just those things rather than aimlessly casting about like I have been doing.
So I’m trying to get back on top of the schedule and standings and be more aware again of when there’s a game and who’s playing who. It’s not turned fun yet—the team is indeed sleepwalking—but I’ll give it some time.
Oh look a new trading partner! Every new year seems to spawn some “so what sets are you working on” threads. The result is always a couple new trading partners who are also working on junk wax sets. In this case @Focustheframe reached out to me and a couple days later we each made significant progress on some set builds.
Yeah I only got three cards but that Gary Wayne represents 25% of my 1991 Donruss searchlist and the Nolan Ryan completes my 1991 Studio build. Yup. It’s always nice to slide that last card in and finish the set. Especially one as nice as Studio 91.
I’ve mentioned it on here before but this set is one of my favorites from when I was a kid. The photography in this set completely transformed my understanding of what a baseball card could be and they still look unlike any other cards.
That they’re printed with three spot colors plus black instead of process inks is also pretty distinct. Things were going off the rails in the 1990s as brands tried anything and everything to out-fancy each other. Three spot colors would count as that except that I think it’s too subtle for most people to notice. It works really well for this design though, especially the warm metallic grey duotone that gives the black and white photos a lot of tonality.
That my last card is Nolan Ryan is fully appropriate for a 1991 set. He was at the top of the hobby that year and is a much more memorable last card than any of the guys who will finish my 1991 Donruss set.* I’m not close enough on 1990 Upper Deck, 1994 Topps, or 2014 Topps to know who will be last but the other builds have been somewhat memorable. My last 1990 Fleer card is Carlton Fisk. My last 1986 Topps card was Eddie Murray. And my last 1978 Topps card will be either Murray or the Trammel/Molitor rookie card.
I’ll start off with the last returns to arrive in 2019. It was a good, fun first year of sending out requests. I sent out 131 requests and received 90 successful returns. My 2019 TTM folder has 173 scans in it so I consider that a resounding success.
A lot of those requests involved custom cards and sending to guys I remember from my youth. I still prefer in-person autographs and the way they’re part of a larger experience, but letter writing and customs creation has been extremely rewarding. I love it when someone keeps the extras or sends a nice note back.
Anyway, to the returns, both of which are stragglers that were out for a quite a while and had been sitting a my parents’ for a couple months.
I sent to Rich Schu while he was the Giants Assistant Hitting Coach. By the time his card came back 183 days later the Giants had completely revamped their coaching staff with three hitting coaches including one called the “Director of Hitting.” I don’t know what’s going on over there now.
Schu is also one of those guys I remember from my youth. He moved to the American League in 1988 but even though I had only been a fan for one of his years in the National League I think of him as a Phillie. Basically, whatever team a guy is with in his 1987 Topps card is likely to be the default team in my mind because that was my first set and the only one I truly studied every single card in.
Mike Kingery took even longer to get back. At 211 days this is now my longest return. I enjoyed writing to Kingery because I remember him coming to my local park as one of the instructors in the Giants Community Clinics.
I was prepared enough to bring a Mike Sadek card but since I had no idea who the players in attendance would be, I never got Kingery’s autograph. Where Sadek covered fielding, Kingery taught hitting. I really wish I could remember who the pitcher was that year (probably 1990).
Moving on to 2020 returns, I don’t expect to send as much out this year but things have already started off nicely. I’m still working through my stack of customs and am enjoying writing those letters.
My first return of the new year was Ron Cey who responded in 8 days. I created a Cey custom for Greg/Night Owl* and liked it so much that I decided to send it off to Cey as well. I included a couple Cey cards to get signed and am happy to have them back.
It’s flattering that he kept all three customs. It would look nice signed in silver but all that black in the photo doesn’t lend itself well to any other ink. I do really like his 1978 Topps card* but by the time I was collecting I knew of him as a Cub (or an A) so it was fitting for me to send one of each. It’s clear that Cey thinks of himself as a Dodger first though since he includes his uniform number only when he signs Dodger cards.
*Note, this is actually an O Pee Chee card.
I didn’t send him a custom but as with my Bill Lee request last year, Al Hrabosky is one of those guys who I grew up reading about and am very happy to add to my collection. No Mad Hungarian inscription but still very very cool.
I’ve been getting a lot of these non-Giants autographs on 1978 cards. Part of this is that as I build that set I’ve come into duplicates, but I’ve also come to like the design and its photo-centric nature as one that is enhanced by a signature. Most of the head shots aren’t too tight and the design is so minimal that it doesn’t distract from the signature.
Former A’s pitching coach Dave Duncan came back in 8 days. I was not a fan of the Tony LaRussa A’s when I was a kid. Respected them but I just never liked them as a team. As I got older I realized that most that was about LaRussa, his school of over-management, and the weird chip on his shoulder which would get him upset about all kinds of stupid little things.
Amidst all the Bash Brothers stuff and everything else I was in awe of the A’s starting pitching and the way Dave Stewart and Bob Welch became some of the best pitchers in the game during those years. Dave Duncan played a huge part of that and I’m very happy having his autograph to commemorate those A’s teams of my youth.
This 1969 card is another simple design like 1978 which I’m liking a lot for signatures. Unfortunately 1969 suffers from the player boycott and the resulting images are all old. Duncan’s is from 1967 (or earlier) and so the KC logo on the cap has been blacked out. I’ve been louping various blacked out caps (my childhood 1969 Mota is another) and have found that they’re achieved in different ways. Some are stripped in while others are airbrshed onto the artwork that’s photographed. Duncan’s is in the second category.
Jim Rice was a fun 8-day return. He’s another Hall of Famer to add to that section of my binder. After my first Giants game in 1986 my parents pulled the TV out* for the World Series. As a result, most of the players on both teams are still memorable to me but since we were rooting for the Red Sox I do find myself especially happy to get signatures from guys on that team.
*Long story. TL;DR version is that my family kept our TV in the closet and only pulled it out for special occasions.
I especially love how this card turned out. I looked at my available Rice cards and selected this one because I saw the potential for the photo looking great with a signature. It’s an interesting image—a bit of baseball ma capturing a moment of non-static downtime*—and Rice signed it in the perfect location.
Another 1978 card. This time Cy Young Award Winner Ron Guidry whose return took 19 days. As before, I like the way this design works with signatures but in this case the 1978 card is especially appropriate because Guidry’s 1978 season was awesome. He not only deservedly won the Cy Young award but also came in second to Jim Rice in the MVP voting.
This is a fun one. Last summer my mom and I were talking about the Hawaii Islanders and how she followed baseball when she was a kid.* I pulled up the rosters and we started to go through names. I recognized a decent number of them—e.g. Bo Belinsky, Jack Hiatt, Diego Segui, and Dave Marshall—but for her the name that triggered her memory was Bob Duliba who she referred to as the Dennis Eckersley of the team.
*She wrote a letter to Harry Kalas about this back in 1989 which resulted in us getting tickets to a Giants–Phillies game during our trip to Philadelphia.
Looking at his stats for the 1963 season he spent in Hawaii confirms that he was indeed the Islanders’ relief ace, appearing in 53 games and having one of the best WHIPs on the team. I can see why he would make an impression since that’s a lot of appearances for a pitcher to make and a good reliever is one of those things that fans remember.
When I looked up his cards I saw that they were pretty cheap. I wanted one which had his Hawaii stats on the back but no luck, so instead I grabbed one from 1963—the year he was in Hawaii. I also noticed that he’s a reliable TTM guy so I wrote him a note and mentioned how my mom had told me about listening to him pitch. I did not expect him to write me back.
Notes like this are what Make TTMs so fun. In this case it was nice to see that he enjoyed being reminded of his time in Hawaii but also sent me on a bit of a search to find out about the Hawaii Major League. It comes up as different types of local semi-pro ball over the years but by the 1950s it appears to be a military league.
Former Giant and current Padres broadcast Mark Grant came back in 14 days. Mark Grant is one of those guys who was part of the first team I really paid attention to. Even though he got traded halfway through the season he’s still someone whose name triggers memories of my first year of truly paying attention to baseball.
The last return to make the publishing deadline for this post is this 19-day Don Demeter return. Demeter is not the kind of guy I’d usually send to since he’s not a player I have any familiarity with. But in this case my hand was forced since I wanted to confirm the hive mind’s conclusion about the Al Kaline mystery player.
Mystery solved! Or well… Assumed solution confirmed! Demeter used the index card to answer my question about whether he was indeed the mystery non-Kaline player. Do I still feel sheepish about the Kaline mistake. A little. But the mistake has also resulted in more-interesting requests and returns and this kind of response makes my autograph album a lot of fun.
A decent start to the year for sure. I haven’t been sending out too many so far so it’s been nice to have a surprise in my mailbox every couple of days.
Earlier this week I found a fun bubble mailer from Shane Katz in my mailbox. Shane’s been on an oddballs binge for a couple years now and it appears that he’s spreading the wealth in terms of sending extras to people who can use them.
Two such extras are this Mike Sadek from the 1979 or 1980 KNBR/SFPD* Giants set and Steve Buechele from the 1988 Smokey Bear Rangers set. Both of these sets are from the heydey of 1980s (plus or minus a few years) oddballs where teams and sponsors would print out photos on some sort of card stock and issue them as baseball cards without any consideration as to the traditional baseball card size.
*I don’t have the ganas to look this up. Both years look nearly the same with the only difference being that one has a bold font and the other uses an octothorpe with the uniform number. Oh. Wait. The Sadek matches the Joe Strain which I previously identified as a 1980 release.
Yup. Both of these are oversized. KNBR/SFPD is like 2¼”×4″ and Smokey Bear is 3½”×5″. Makes these a pain to binder but I like all the weird sizes and the reminder that the Topps standard we’ve had since 1957 was something we played fast and loose with even when I was a kid.
The Sadek is a lot of fun. I like Sadek for nostalgia reasons and Dennis Desprois’s team photos are always good for a view of Candlestick as well. Also despite my not liking facsimile signatures I do like the way this one works. The overprinted black signatures frequently bother me but when they become more pronounced—whether foil stamped, reversed, or in cyan like this—I end up treating them more as a design element than a facsimile.
Buechele meanwhile makes a great type card for the Stanford binder. I love oddballs but chasing ALL of them is madness. That the Stanford Project gives me an excuse to pick one from the set is one of the reasons I like the project. I can add all kinds of odd cards and stay on topic.
Two more highlights from the mailer are this 1979 Hostess Vida Blue and 1997 Fleer signed Rod Beck card.* I’ve been slowly getting into Hostess cards. I was hesitant about them for a long time due to their handcut and grease-stained natures but I’ve come around to loving the fact that they existed at all.
*The Hostess is obviously smaller than the Fleer in real life but here on the web images can be sized to the same dimensions and create an alternate reality.
It’s great that cards were part of the boxes of junk food in the 1970s. As a parent* now I’m glad that this no longer exists but I look at those janky edges and can’t help but smile. I don’t want these to be perfectly trimmed. I want to see the evidence of a child in the 1970s lovingly, carefully cutting out the card and squirreling it away.
*And as a 40-year-old card collector with a sweet tooth.
The 1997 Rod Beck is awesome. I’ve discussed Shooter on here in the past but it’s worth reiterating how much I miss closers whose strikeout pitch was also a double-play inducing pitch. Aside from Beck being a fun guy and deserved fan favorite where ever he went, he never scared me like other closers do because I knew he could get double plays with that splitter.
Not as cool but great nonetheless. Shane finished off one of my team sets. The last 2000 Giants card I needed was this one of Barry Bonds. Topps printed five different variants of this card number* but I only wanted one.
*The other three: 40/40, 1990MVP, and 1993MVP.
I refuse to get drawn into all the variants crap that the modern hobby pushes and I’ll be damned if I’m going to be suckered into it where it began twenty years ago. One checklist number. One card. Set complete.
If the others show up then of course I put them in the binder. But the idea that Topps printed a flagship set consisting of fewer than 500 cards but had the time to create a bunch of variants for some of the cards is everything wrong with what Flagship should be. It’s the set of record and should strive to be as good a set with as many current players in their correct uniforms as possible.
The last couple odd cards are a pair of Japanese cards. Dave Hilton is a 1979 TCMA card which was released for the US market. I actually want to say I have it already and that it came with my Baseball Card Collecting kit. I have now idea why it would’ve come with that kit but I feel like it came with a dozen assorted TCMA cards that, instead of being pirnted as part of a team set were printed by, or for, Hygrade. Anyway this card is eerily familiar to me and there’s no good reason why it should be.
The Tadashi Kashima is interesting in that it’s a Japanese release. Slightly smaller than traditional cards at 60mm×85mm and I kind of love that it is. What I find interesting is that B8 paper (62mm×88mm) is almost the same size as a baseball card but instead we’ve rounded down to the nearest multiple of five.
I always like looking at the backs of these so I’ve gone ahead and scanned it event though I have nothing to say about it.
Last batch of cards are more-modern Giants cards. The Opening Day insert is new. So is the Heritage insert. It’s weird, these Then and Now inserts have very clear connections between the players—in this case Batting Average Leaders—yet somehow feels completely random.
The rest I think I have—yes even that green Logan Webb (I don’t have a base version but I do have two of these somehow)—but will go in the duplicates pile for the boys. Well except for that Triple Play Buster Posey which is the stuff of nightmares and which they won’t let anywhere near their collections.
Last week Kenny gave me a heads-up that he’d sent me a package. I was expecting a small bubble mailer or something and kept an eye out…especially after we realized that the package had been sent to my old address. Then on Friday though my old neighbor gave me a call and said that a box had arrived for me.
A box? That was unexpected. So last weekend I popped on by (we only moved down the street), said hello, and picked up a medium priority mailing box filled with a lot more than just Yankees prospect cards.
Assorted vintage and junk wax. I love the 1975 Len Randle and am looking into other Len Randle cards now since his 1978 is one of the best of the set. The more I see of 1981 the more I like about it even though I really dislike the floppy caps still. But the bright, solid border is great and the photography has character.
A pre-A’s Dave Stewart is always fun and I’m very happy to have the giant glove Mickey Hatcher. I don’t have all the classic fun Fleer cards* but every one I do add makes me smile.
*Still missing the 1984 Hubbard and Johnstone cards among others.
I’m also never going to be upset to add another Topps Gold card and while Collectors Choice was a set I barely collected due to 1994 reasons I like it more and more each time I see it.
Some more-modern cards starting off with a great photo on the Mark Bellhorn and then moving into more-expected territory with Yankees and Mets cards. Nice image on the El Duque card and it still weirds me out to see Derek Lowe as a Yankee.
A bunch of 2016 Archives in the 1979 design. Nice to get a couple Giants. Brandon Drury is also appropriate since I saw him rehab at Trenton. These cards all have pretty nice paper too, they just have some slightly weird photo processing especially the Billy Williams and Maz cards which feel like the backgrounds have been messed with a little.
It’s especially instructive to compare the Archives cards with the big batch of over 60 real 1979s in the mailer. Archives does a decent job at mimicking things but can’t quite get the photography right. This is partly because there’s been a standard Topps portrait setup used for all of Archives and Heritage recently and, while it’s fine for what it is, it’s not trying to capture the 1979 look either.
Some of this is the poses (the hands over head pitching posed windup is a thing of the past now). There’s also the slightly lower angle which, results in lots of sky-dominated, if not sky-exclusive, backgrounds. But it’s really cards with candid shots like the Garry Templeton which just no longer exist now. They’re not super-common in the 1979 set either but they’re there and tend to be my favorite shots of the set.
I still don’t like the 1979 design but it’s growing on me. Very photocentric and the splash of color is great. The fact that it’s the base card for Basquiat’s anti-product baseball cards is an added bonus.
Some more 79s. Larry Cox is a great catcher card. Clint Hurdle has a wonderful cheekful of chaw. I will never understand why the Cubs team cards were the way they were in the 1970s with all those floating heads. Mike Lum is a key addition to the not-yet-official Hawaii-born players project I keep telling myself I should start. And Nino Espinosa is an addition to the Candlestick binder.
Almost done with the 1979s and I have to admit that the Ken Landreaux stopped me cold when I was flipping through the stack. I joked on Twitter by calling it Vermeer lighting but in all seriousness I’ve never seen a baseball card lit like this before.
Indirect windowish light is not a situation that occurs that often in baseball as it is. The fields are exposed. Dugouts are usually open. Photographers are usually shooting into dugouts or out into the field. So getting a side shot of a player looking back from an open window? Even if it’s just a grab shot it’s one of those moments and lighting situations that makes the photographer side of me look closely.
Last handful of 79s includes another Candlestick card with the Jamie Easterly. I’m slowly putting together a page from each set showing just cards taken at the Stick. No specific searchlist, just pulling cards as I come across them This batch took me to five 1979s of Candlestick and also pushed my non-set-building accumulation over 200 in general.
Kenny included a few Giants and Giants-related cards. The Panini Joey Bart is especially nice. It doesn’t look like I’m going to get to see him in Trenton since he’s projected to end up at Sacramento but I’m hoping he’ll start the season in Richmond and only move up after they visit Trenton.
Chrome Suarez is cool and I know that Yastrzemski is an Orioles card but it just looks like a Giants card to me. The bunch of Pence cards is also fun. It’s weird to see him looking so clean cut as an Astro and I’m glad he regained some form with the Rangers.
Moving to Stanford guys. I don’t actively collect relics but this is one where I can see why people do. Not just a half-inch square of material, this is instead a big swatch which shows off how well-done Stanford’s ink/fabric color matching is. The photo is small but legible. The autograph is on-card. I don’t like the red uniforms but the color really pops here.
I’m not super-collecting Quantrill but he’s the one guy who debuted this year who got a bunch of cards from Topps. As a result I’ve picked up a lot of them and this is arguably the nicest of them all.
Three more Stanford guys in the mix. Bleich is also a former Trenton player and I’m not sure Kenny realized Ramos and Osuna were Stanford. that Osuna card is fantastic though.
Girardi on the other hand is a Spanish-language card and so fits with another of my mini collections. I’ve written about this set before and while I only have a handful of these total it’s always great to add a new one.
Speaking of non-English cards, Kenny sent me a couple Japanese cards as well. From what I can tell on his blog, Kenny visits his family in Japan and comes back with all kinds merchandise, much of which he’s generous enough to send out to other people.
God help us all if he starts bringing back mid-70s Calbee cards since these Kanebo and Card Gens are cool enough as it is. The Kanebo Bonds card is a massive improvement over the regular 2003 Topps design* because it’s deleted the Topps logo. The logo is often intrusive as it is but in 2003 it’s doubly annoying because it’s bright red instead of being reversed, black or, as is the case today, foil stamped.
*Also it uses the Opening Day photo.
Sega Card Gen is something that really intrigues me because it’s part of a video game that really has to be seen to be believed. The card itself is pretty neat too: stiffer than a regular card and rounded corners. I actually have one on my Stanford Wantlist because San Fuld’s only 2012 card is a one of these but never expected to actually get one. Very very cool to have a sample in my collection.
Looking at the back of the Kanebo card is pretty wild. I appreciate that they translated his height and weight into metric. I also recognize that the team name is listed as “Jaiantsu” instead of “Kyojin” and am noticing the connection in voiced and unvoiced katakana syllabic pairs (in this case the BA in “Barry” and PI in “Pirates”).
Sticking with Japanese issues, There was a huge stack of close to 80 Japanese Panini Soccer cards. Even better, many of them were from 2010 to 2012 and so cover the years in which I was most interested in the game.*
*I’m still a fan but ever since Suárez came to Barcelona I’ve found myself less interested. Plus the inequality in the game itself has gotten worse and it’s become increasingly difficult to actually follow what’s going on as even highlights are going behind paywalls.
The biggest highlight in this batch is a Messi card from 2005–2006. Not technically a rookie card but pretty damn close. Messi debuted in 2004 and so probably only shows up on commemorative Campions Lliga type sets from that seasn. 2005–2006 would be the first time he’d be included from the beginning and what a season that was. A good time to be a Barça fan.
Two early-career Cristiano Ronaldo cards are also very nice. I also like seeing Keisuke Honda and Guiseppe Rossi. And even the Real Madrid and Atletico Madrid guys bring back good memories of that period of time.
More Soccer. Another Rossi. Diego Forlan. Bojan Krkic. Gianluigi Buffon, Shinji Kagawa. So many players who I watched play in Europe and int he World Cup. They won’t all make it into my album but it’s going to be difficult to cut things down to a couple pages.
Last bit of soccer takes us into current-year cards and stickers. These don’t resonate as much although Mathieu and Vidal are both players who’ve played at Barça. Rodrigo Taddei is also a former AS Siena player. I used to follow Siena when they were in Serie A but after going out of business and restarting in Serie D it’s been much harder for me to follow them. I do know they’re in Serie C now and doing well while not competing for promotion.
Also it‘s worth nothing that these cards are all mini-card sized and feel like the B5 equivalent to regular cards A4/letter size. I haven’t compared them to the classic Calbee size yet but it’s close and feels similarly satisfying to handle. Like the Card Gen cards these are part of a game and have backs that detail each player’s strength number within the game.
Okay now we’re getting into Kenny’s wheelhouse. Mostly Yankees. Mostly minor leaguers. These are from nationally-released minor league sets and as such I don’t really recognize many of the names. Jim Walewander may be the only one actually since the Melky Cabrera and Mike Stanton are part of the Major League side of Bowman.
A few more-modern Minor League issues with some Major Leaguers mixed in. Not much to say here except to note that while I like these Bowman designs they’re also some of the designs that I have the hardest time telling apart.
I also need to comment on whatever Topps did in that 2013 Heritage 1962 design. Design looks good but the photo processing looks like the black plate just didn’t print. At first I thought some of these were blackless variations but they all have the same look. It really weirds me out.
Sticking with minor league releases, Kenny included a dozen cards of guys I might see in Trenton at some point.* Most of these guys were in Tampa last year and can reasonably be expected to be in Trenton this year. The big name is Florial who I’m hoping won’t jump Trenton after a couple years in Tampa.
*Assuming there’s even minor league baseball in 2021 and beyond.
Another dozen or so cards related to Trenton. A handful shows guys who pre-date my time as a fan including three more which show the weird photo processing. Always fun to expand the Thunder collection though.
The rest show guys who I saw last season. Kyle Holder might be back though I expect him to move up to AAA.* It would’ve been nice to have had that Bowman card last year though. Same with the Jeff Hendrix although the fact that Hendrix was released early last season means I didn’t miss out much. Jhalan Jackson is another guy who didn’t make it through the season. And Casey Mize isn’t a Thunder player but was part of Erie’s excellent pitching staff which was impressive whenever I saw them play.
*Unlike Trevor Stephan who struggled with injuries last year and so I wouldn’t be surprised to see him at least start the season at Trenton.
It wouldn’t be a proper zapping from Kenny if there weren’t a bunch of Yankees minor league team set cards. I never properly appreciated how long he’s been Yankees prospecting but the first cards here are from 1992. I don’t like these cards individually but there’s something about seeing the progression of designs and the increased production quality which I find fascinating.
The 1992s are full bleed but the typesetting is an afterthought and the paper is super thin. By the time we get into the 2000s the cards feel and look like proper cards. I don’t know if the designs are used across all the different minor league teams the way that TCMA designs were consistent across all the teams in the 1980s but they increasingly look like national releases.
These show the 2000s and 2010s designs which are much less loving-hands customs and much more professional looking. They still don’t pass as Major League cards in part due to the print quality but they’re not bad. The stock and finish is much much better now though.
The last items in the box were three mini-binders. I’ve been intrigued by these for my Mothers Cookies sets since the four-pocket pages are perfect for 28-card sets. Unfortunately Ultra Pro seemed to have discontinued these right when I started looking. This is also probably part of why Kenny decided to dump these. I know he’s trying to condense his collection but these are a nice way to have some things on display without taking up too much space.
These came with pages inside too so that makes them perfect for me to give to the boys. They have plenty of big binders but I can see the small ones being great for the cards they want to show off the most.
It’s a good thing I opened the binders too since there were a dozen autographs in there. Bobby Brown is the big one and now forces me to make a decision about my Stanford Project. To-date I’ve not included him because he was only at Stanford for a year before enlisting in the Navy and finishing his education at UCLA and Tulane. Part of this is me preferring guys who ended finished off their collegiate careers with Stanford* and part of this is me not wanting to pay the Yankees tax on Brown’s cards.
*Or, in the case with Bill Wakefield, Stanford graduates who didn’t play college ball.
At the same time he’s in the Stanford Athletics Hall of Fame so it’s clear that he kind of should be part of the project at some level and I’ve added this to the binder to reflect that.
The rest of the autographs are all guys from the 2004 Battle Creek Yankees. I’m going to assume these were TTMs and, since none of these guys made it to the majors, Kenny’s willing to include them in his clean-out. Battle Creek was a low-A level team in the Midwest League and so demonstrates how hard it is to predict who’ll make it to the majors at that level. Only seven guys on the entire team made it al the way with Melky Cabrera the only real success story.*
*For my interests Stanford-wise, Jason van Meetren was also on this team but I’m not intentionally going into Minor League team issues for this project unless it’s the only way to get a card of a guy who eventually played in the majors.
Wow. That was a lot of stuff to get through and a lot of fun to look at. Thanks Kenny! I’m going to have to touch base after Spring Training as I prep for the Trenton season.
Last week I found a plain white envelope from Mark Hoyle in my mailbox. Mark’s been quietly sending out small, exceptionally cool maildays to people as he comes across all kinds of wonderful things in his search for super-interesting Red Sox collectables—making his envelopes always a surprise and treat to open.
Inside this one was this wonderful 1960 MacGregor card/photo. It’s just over 3.5″×5″ and is printed on card stock with a nice glossy finish. No back information or numbering makes it sit right there where it can either be a card or a card-adjacent item like Jay Publishing. I’m going to go ahead and call it a card though.
The card depicts manager Bill Rigney in his last Spring Training with the team.* It’s a nice crisp photo and the script name (it is not a facsimile autograph) is a wonderful throwback look that reminds me of many of the 1930s and 1940s mass-market cards or photos.
*After becoming the first San Francisco manager he would become the first Los Angeles Angels manager in 1961.
The best part though is that glove. Managers, if they’re given any action at all, are typically shown shorting or pointing. Coaches might hit fungoes or throw batting practice but managers don’t get involved. Here though Rigney looks like he’s about to play some long toss with a player.
So not only is this not a card I’ve ever seen before the photo is a side of baseball I’ve never seen on a card either. Very cool. Thanks Mark!
After my post last week about some Hollywood Exhibit cards I figured I should go back and post about an other set of cards I got last year. The 1938 Churchman’s Cigarettes Boxing Personalities set is another one I acquired after falling down the pre-warrabbithole. I’m not a boxing guy but I also recognize how important it was to American pop culture over most of the last century.
For a set of 50 guys* who were active over 75 years ago in a sport I’ve never really followed, I recognized a lot of the names. Some of them have had movies made about them. Others are truly legends of pop culture which hearken back to an age when boxing in general and the heavyweight title in particular was of national interest.
*Actually 39 since the last 11 cards are of referees and promoters.
Having Jack Johnson and Jack Dempsey cards are very cool. My favorite card in the set though is the Joe Louis card because this is a 1938 set so it represents the year that Louis won and solidified his Heavyweight Championship.
I also really like that these are photos. While I love the artwork on a lot of pre-war cards, it’s always nice to be able to see real photographic images of these legends.
The backs of these are great in that they mention each fighter’s key matches and titles won. The Louis and Schmeling cards are especially noteworthy since they show that this set came out late enough in 1938 to mention the results of their fight in June.
While that fight isn’t what won Louis the title, the implications of it beyond boxing put this Louis card in a similar category as my Jesse Owens card as cards that are much much more than just sports. They don’t just involve race relations in the United States, they also touch on World War 2 and stick their thumb in the eye of Nazis and white supremacy.