Every holiday season I’m surprised by a few PWEs from other card bloggers and people out there. Sometimes these can be kind of amazing but most of the time they’re assorted randomness which consists of people getting surplus cards out of their house and into the hands of people who’ll appreciate them. This year’s examples fall into that category.
The first PWE was nine John Elway cards from Johnny’s Trading Spot—basically the Elway version of the Giants I got in my first batch. I have a few Elway cards in the Stanford binder but it’s a pretty random selection or whatever was cheapest. These don’t make it less random but do flesh things out a bit. I especially like the Pinnacle Idols card as well as the 2013 Topps Archives using the 1976 design.
My two favorite cards though were the Spanish Pro Set card and the Game Dated highlight. I love Spanish-language cards released in the United States. They’re one of the things I collect casually and it’s great to add them to the Stanford album. I also just like the wider-angle horizontal photo on the highlight card. I’m not used to seeing images like this on cards and it’s a nice change of pace.
I also got a pair of 1989 Donruss cards from HayMay who’s no longer on Twitter but is part of our Discord “Card Twitter in Exile” community. As one of those sets where I’m at the point where buying lots makes zero sense (due to duplication issues) and buying singles makes even less sense (due to just not being worth it financially), every bit of progress toward set completion is fully appreciated.
The Bo is admittedly a bit weird. A bit larger than it’s supposed to be and for whatever reason it wasn’t trimmed fully on the bottom so the corners got torn off. The Eck is nice though. Always fun when the A’s cards are in the team color gradient too.
And finally a Christmas trade with Clearush, a new trading partner who’s also on the Discord. He had a bunch of off-grade 1953 Bowmans including one I needed. I had a handful of 1974 Topps cards he needed for his set build. PWEs were dispatched on the weekend and by the following Wednesday I had card #1 Davey Williams in hand.
Yes there’s some tape. And yes I was advised of this beforehand. It doesn’t matter though. A lot of the Williams cards I’ve seen are misregistered and this one is sharp. Plus most of my 1953s have some kind of major damage whether it’s tape, creasing, or a hole punch. It takes a lot to detract from the quality of this set though. Only two more left for the team set now!*
*Leo Durocher and Whitey Lockman (plus Bill Rigney and Hoyt Wilhelm for the Black and White set)
Thanks guys and Happy Holidays! It’s always fun to get this kind of Christmas card instead.
About a week ago I found a PWE from Mark Hoyle in my mailbox. Mark’s been selling a bit on Twitter over the past month or so* and he’d had a card that no one was claiming but which I had been tempted to claim many times. When I finally claimed the card he told more me not to worry about it and sent it to me anyway.
*Presumably to both finance something amazing and to clear up some space. I’d previously gotten the McCovey Stand Up from him.
The card I’d claimed was actually another standup, this time John Brodie from 1968 Topps Football. Brodie is part of the massive mission creep on my Stanford project and, while I’m not trying to get all his cards, it’s a lot of fun to get the weird ones as I build a type collection of sorts of vintage football and basketball cards.
Mark tossed in the 1971 Topps card as well even though I didn’t claim it. I only had one card from that set and it’s nice to add a two-color border version of the design to the all-blue Gary Pettigrew that I had.
This takes me to eleven John Brodie cards. The Stand Up goes really well with the Topps Game card from 1970. Most of the base designs that aren’t present here are in other parts of the binder (Chris Burford, Steve Thurlow, and Gene Washington) but Brodie could cover almost all of them just by himself. He even has 1961 Post and Fleer cards which would be fun to add for variety’s sake too.
Brodie’s an interesting player to learn about too. He’s kind of forgotten despite having played the most games as a 49er quarterback but I suspect he’s overshadowed by the guys on both ends of his career since YA Tittle and Joe Montana are both big name QBs.
Brodie is also one of four Stanford guys to quarterback for the Niners. He and Frankie Albert were both the starters for many many years, Jim Plunkett had the job for a couple of years, and Steve Stenstrom had a few starts in 1999. I didn’t think of him much Sanfordwise either but that’s a combination of Plunkett and Elway becoming the big names as well as how, for me, I didn’t really learn any football history which pre-dated the Super Bowl when I was a kid.
While I’ve been unable to find cards anywhere locally, Ebay is doing this thing where good deals on weird shit keep popping up. Previously it was Zeenuts and Venezuelans. This time it’s Diamond Matchbooks.
Diamond Matchbooks came out in the mid-1930s and are pretty cool. They feature a player* on one side and text about him on the other and, when printed well, can look pretty nice. I’ve featured a pair of them earlier but this time I’m getting them with intent.
*Not just players, I’ve seen non-sport versions featuring cities, etc. too.
Aside from being neat little items, the matchbooks are affordable ways to collect vintage* cards of a player. Ernie Caddel has only one “real” football card and, as a beautiful National Chicle with that dreaded Rookie status attached to it, it runs in the hundreds of dollars. This 1938 matchbook, while not as nice, runs a couple orders of magnitude less and serves as a great addition to the Stanford album. It’s also nice that the text mentions Stanford plus the silver printing is pretty cool.
*I frequently use “vintage” to mean “playing-days.”
Caddel is an especially nice addition to the album because he actually went to Stanford on a baseball scholarship as a pitcher and only started playing football once he was on campus. I can find articles about him in the Stanfrod Daily archives but unfortunately can’t find any statistics for his time as a player.
I also don’t have a lot of Stanford pre-war so it’s always great to add another. I think I’m up to six cards now.
I also found a great small lot of baseball matchbooks. I wouldn’t have gotten this just except that Carl Hubbell was one of the included cards.
The whole group is fun though and it’s very nice to have an assortment of colors. The Hubbell and English cards are from the 1935–36 “set” which makes this my oldest Hubbell card.* I love the back write-up which discusses both his 1933 and 1935 seasons as well as the fact that this essentially dates the card to releasing when Hubbell was at the height of his powers and in the midst of wining the National League MVP award.
English meanwhile only references 1935 on the back so it’s possibly from an earlier-printed group of these. It’s hard to call these a set of cards since they weren’t really cards. There was clearly a matchbook collecting ecosystem going on at the time though but I have no idea if there was a “collect them all” mentality or if it was just a living set of ephemera being printed on an otherwise disposable object.
I do like the amount of uniform detailing visible in English’s photo with the piped placket and wishbone C around the bear cub. The Jordan book also has a decent amount of uniform information in the photo albeit of a Braves uniform and not the Bees.* Kind of fun to have a card dating from the the five years they were the Bees but a shame that the photo still depicts the Braves.
And that’s the latest Diamond Matchbooks news. I have six of them now including three Giants and one Stanford. They’re currently in Cardsavers and 4-pocket sheets but I can totally see switching to 6-pocket sheets if I come across more.
What I didn’t cover in my 2021 wrap-up is all the mission creep that has happened to my Stanford project. There’s been A LOT of it. While the bulk of the project is baseball, I’ve found that I really enjoy using the alumni thing to pursue vintage cards from all sports. I’m not trying for the same comprehensive one-per-year-per-player thing I am with baseball. But it’s been a lot of fun to get samples for the sets from all the sports.
It’s especially fun to go into pre-war and get the few Stanford guys who show up there. I already have a Pete Desjardins 1934 Gallaher and this 1935 Godfrey Phillips Lawson Little is a great addition as well. I’m only scanning the back of this one card since it’s the only pre-war I’ve added here.
The bulk of my additions were football. Mostly vintage stuff but I did get a few autographs. It’s weird to see Stanford get called a “football school” in old movies, like Double Indemnity but there’s clearly something there since there are Stanford players in football sets going back to the 1930s (the 1935 National Chicle Ernie Caddel is one of those cards I’d love to add but LOL at the price, maybe I should try for a Diamond Matchbook).
Nothing surprising in the autographs. Gerhart and Gaffney are actually baseball players who never played pro baseball. I really like the Plunkett though with the photo that could be either New England or Stanford.
I didn’t scan all the cards, just enough to show the variety that every player and set offers to the binder. While scanning, I did find that I have a soft spot for the pre-merger cards, especially the ones from the 1950s when football feels like a completely different sport to me.
It doesn’t hurt that the cards from that era are kind of awesome. I love the old Bowman designs in particular but 1960s Philadelphia and Topps designs aren’t bad either. Heck many of the Topps designs through 1987 are wonderfully distinct too.
After 1988 the “vintage/junk wax” line sort of kicks in as more companies get involved. I’m using this project a a way of acquainting myself with the older designs and when we get multiple companies using the same designs in all sports I’m not nearly as interested.
Stanford’s tradition in basketball is not nearly as strong. There are a few guys from the 50s and 60s* who have cards but most of those are kind of spendy mainly because early basketball releases seem to be pretty uncommon.
*Howie Dallmar, Jim Pollard, and George Yardley
I did get a bunch of autographs since they were super cheap. Was especially nice to get many of the guys who I watched when I was a student and who remind me of that improbable era when we went to a Final Four. Stanford is not a basketball school but for a decade there it kind of was.
As with football, I’m mainly using this as a way of getting samples of the vintage designs. This means I didn’t scan the cards of the guys who I watched as a student. It also means that Stanford’s lack of influence on the ABA/NBA in the 1970s and 1980s is on full display by the fact that I only have 8 cards here. Thank god for Rich Kelley giving me a reason to get cards from 1977–1981. And yes that is a 1952 Wheaties card of Jim Pollard. I’d love a 1948 Bowman but LOL.
I took a different tack with the women since women’s basketball cards have been an inconsistent thing as the WNBA has taken a long time to really take off in any shape or form. Really interesting how cards only show up in certain brief gaps of history and then disappear again. Is nice that many of them happen to cover the years that players I watched when I was a student ended up in the pros.
Kind of the holding area for all the other Stanford cards. I’ve written about some already but everything non-football, non-basketball is in here right now.
Two autographs. Both good ones. Mendoza is arguably a baseball card since it came out of Topps Archives.
Everything else is kind of a wonderful pile of randomness. I didn’t even scan all of them here either but they all make the binder that much more interesting. I’m going to have to really investigate the Olympicards set though since that Sanders photo is killer.
A quick round-up of a couple recent small maildays. As the card supply dries up, there’s less stuff out there in everyone’s collections that needs to be redistributed.
The first mailday was a couple of cards from Andrew who found a bunch of cards on the sidewalk one day and recognized that one of them was a Stanford guy. This is a little beat up but still a lot of fun to add to the album. I didn’t yet have a Jim Plunkett card either so it was good to take care of that as well.
The second mailday came from The Shlabotnik Report (@Shlabotnik_Rpt) and contained a Giants team set of 1990 Topps Mini Leaders. I always liked these cards since they were similar to the base Topps cards but featured gloss coatings and white paper. The mini size was also a lot of fun. While the Giants had no cards in the 1986 set, by the time the run ended they were up to six league leaders.
There were a half-dozen other Giants cards in the envelope. Four I had but these two were new. Always fun to add some Pro Debut since it’s a set I don’t ever come across. The gold Longoria Big League meanwhile is fun in the exact opposite way since I very much enjoy this set and while I don’t seek the parallels out they’re always welcome.
I’ve only been blogging for nine years but ending the decade feels like a good time to look back on where this blog has been and how it’s changed from being about photography, museums, and sports to a lot more card collecting.
I still like photography and museums, I’ve just been in a bit of a rut ever since I moved to New Jersey. I need to get out more but I also need to be back in time to pick up the kids from school and I honestly just haven’t been inspired by my surroundings despite being here for six years.
Anyhoo, highlights from the past nine years of blogging. I made it to WordPress’s Discover (previously known as Freshly Pressed) twice. The first time was for a 2013 post about looking at photography which is really about dealing with the proliferation of any media. The second time was for a post about Atlee Hammaker and how, as a kid, I didn’t realize that he shared the same multicultural background I did.
I also had a moment of semi-virality in 2013 when I dashed off a quick (it’s always the quick posts that get you in trouble) post about “white guy photography” which took on a life of its own. I had to follow that up with some clarifications. That was an interesting ride and I’m not sure how people deal with that level of scrutiny and seething anger on a daily basis. I also shudder to think about what would’ve happened if that post had gone viral in the last half of this decade.
Another popular post was in 2014 and forshadowed my return to the hobby when I recognized that my childhood autograph collecting and current photography practices had a bit in common in terms of that push/pull between the process and the result. That reminder to enjoy the process rather than fixating on the result is possibly the single most important thread in my blogging. I don’t seek viewers or an audience, this is for my enjoyment and I just like the writing. That I only average, at most, one view an hour is still a lot more viewers than I ever expect to get.
For a blog where I wrote about sports a lot, I don’t have many sports posts listed on here and that’s because while I started out writing a bit about sports and fandom, the general theme on this blog has involved me drifting away from The Olympics, football, and Barcelona. Yes there are some posts in there which I liked but it’s been weird to chronicle and revist my abandonment of a lot of things I used to be a fan of.
Earlier this week I found the dreaded USPS plastic bag in my mailbox. I didn’t even need to read the note to know that the contents were a mangled package. In this case it was a half-ripped envelope that had clearly been folded in half despite the big DO NOT BEND writing on both sides. Ulp.
I opened it anyway and found a nice note from Scott Berger which referenced three cards. There were still three cards in the envelope so it appears everything came through unscathed. Moral of the story? Assume your envelope will bend and just make sure that you give it an obvious place to bend that’s not a card. Scott did this by having two toploaders side by side. The toploaders were fine and the envelope folded right between them.
Anyway enough about the packaging. Scott’s an Arizona State guy who watched a bunch of the same Pac 10 baseball players in Tempe that I did in Palo Alto. When he comes across Stanford cards he thinks of me. When I come across Arizona State cards I think of him.* There aren’t a lot of us doing college collecting projects so the company is nice to have.
*My end of this bargain has mainly been on Twitter since, unfortunately, the only Arizona State card I’ve come across in person is a card of Jacob Cruz which talks about him being drafted by the Giants.
The first card is a 2008 Donruss Elite card of Sean Ratliff. Ratliff played after I graduated but when I could still attend a decent number of games at Sunken Diamond. He wasn’t what I’d call a star of the team but he was always one of the more consistent players and it was no surprise to see him get drafted. He doesn’t have a lot of professional cardboard out there so it’s always nice to add a new one.
Ratliff’s been the hitting coach in Brooklyn for the past couple of seasons now. I might have to whip up a custom to send his way if he’s still there next season.
Bryce Love is a product of Stanford’s recent resurgence as a Football School™. I’m so done with football that I haven’t paid attention although my understanding is that things have reverted so Stanford Football is back in its traditional spot of propping up the table and no longer being the hot ticket on campus.
Still, it’s nice to add some variety to the album. Most of the football players I have are guys who played baseball but I’m gradually fleshing out the album with non-baseball-related cards. Not looking to be a completionist here like I am with trying to get all the Stanford Baseball Topps cards, it’s just nice to have some different designs and looks while I flip through the pages.
And the last card is just a wonderful Gary Carter Archives card. On the Expos like he’s supposed to be. With that pink color that’s a perfect choice for the Expos uniforms. In that fantastic 1959 design that I should dislike except for some reason it feels like the most-distinctive Trading Card™ design off all time.* I just wish that Topps had centered the names correctly.
When you think about dentist offices and their decor, calming colors and framed prints of subjects that are pretty—and pretty forgettable—come to mind. The idea is to be relaxing while you flip through an old magazine and try not to think about what’s coming up.
My childhood dentist was different. In 1990, in the midst of the baseball card boom, every wall in his office was suddenly covered with framed cards. Nothing fancy—each frame featured a different 1990 release*—but very different than the standard dental office.
*Topps, Bowman, Donruss, Fleer, Score, and Upper Deck. Leaf was either too expensive or hadn’t yet released when he redecorated
As a baseball-card-mad kid this was very cool. My dentist liked to talk a lot while he worked and I got to hear about baseball and try and mumble responses while he was working. I think he even gave kids a pack of cards in addition to a toothbrush.
His office stayed like this for the next three decades. Not just baseball cards on the wall, the same cards year after year. Since he was my family dentist I continued to see him until I moved out of the state in my mid-30s. By then the cards had faded and none of us were as into the hobby as we had been. There was however something comforting seeing those frames full of 1990 junk wax where even the bright red Donruss design was trying to turn that sun-bleached cyan color.
Last summer he retired. Since my mom had apparently told him all about my reintegration into the hobby and how I’ve hooked both kids on it, she found herself with a bunch of frames as well as a big box of cards.
My mom took it upon herself to take all the cards out of the frames. The cards turned out to be glued into place so in addition to the sun damage the backs are all torn up. Besides the six 1990 selections there was also a frame of 1987 Fleer.* And there were a couple other frames that I was not familiar with.
*That cyan gradient on the 1987 Fleer design makes the cards look hella trippy when they fade since the gradient stays strongly cyan and just the photo fades. My brain ends up trying to substitute in more color to the gradient.
She sent me a photo to show me what she was dealing with. One of the frames nearly broke my heart. It was full of Red Man cards that had been faded beyond all hope. I took a closer look and figured they were reprints. Thankfully they were.
No idea when this reprint set was issued but it must have been around 1990 as well. The main tell, beyond everything having tabs, is that there’s a black border around each card. This border didn’t show up really well in the photo my mom sent me but once I received the big box of cards it was clear that these weren’t the real deal.
Still, as with all the sun-faded junk wax with ruined backs, these will go into the pile of cards for the boys to play with. Yes play. While they collect, they frequently also play games with the cards, comparing stats and other bits of trivia on the backs. If I knew the rules of 1960s card flipping I’d teach them that as well.
Not all the frames were sun-damaged though. There was one frame full of Giants postcards that survived the decades in decent shape. The backs are bit dinged but the fronts are almost all good.
Eleven of the cards are from 1983. This is the first year the Giants wore the uniforms I grew up with and the players here represent a team in transition. There are young guys like Bob Brenly and Chili Davis who’d help usher in the Roger Craig years. And there are a lot of older guys like Jim Barr and Johnnie LeMaster who symbolize the team of the 70s.
The Brenly photograph is fantastic—a classic catcher pose but also much better than the usual catchers poses. I love the Minton photograph which shows so much of the Candlestick stands. Also I’m not used to seeing Kuiper look so young.
The other nineteen cards are from 1988 and I recognized all the guys here without even having to think. Despite being all action images, these cards are photographed by the same photographer, Dennis Desprois, as the 1983 set and published by the Barry Colla company.
Desprois was the Giants photographer for a long time. He’s also credited for the photos on the 1979 and 1980 KNBR SFPD sets* and the nature of the photos on here has me wondering if he and Barry Colla worked together on the Mother’s Cookies sets.
These thirty postcards are probably the highlight of the dentist collection but there’s another couple thousand cards that my mom ended up sending to me so I’ll touch on the rest of the highlights.
As expected, much of the box was 1986–1994 junk wax. Too much to document and nothing really worth highlighting individually. Highlights are a near-complete 1991 Score set* and a sealed wax box of 1992 Topps.**
*Something I’m going to try and complete with my youngest son since his older brother just completed 1991 Topps earlier this year. We’ve finished sorting and while the set was missing two dozen cards I had most of them in my dupes box. So we only need four: 397 Rickey Henderson All Star, 403 Eric Davis Master Blaster, 412 Bo Jackson Rifleman, and 417 Nolan Ryan Highlight.
**Which will go in the pile of cards to rip on a rainy day after the boys have done their chores.
Outside of the junk wax though was a 400-count box of more-interesting cards. Much more interesting ones.
The oldest card in the batch was a 1961 Topps baseball card of Wes Stock. Not much to say here except to note that I seem to attract extremely-well-loved samples of 1961 Topps. This one fits in perfectly with the rest of my collection.
While the Giants postcards are the highlight of the collection because of how they fit my interests, the most exciting part of this box was finding a stack of over sixty 1966 Philadelphia Gum football cards.
I’m not a football guy. Yes I was a 49ers fan when I was little but I never really learned about the history of the league beyond the Super Bowls. I never even collected the cards. As result I had to Google around to figure out what these were. That a few of the names in the stack jumped out at me made my Googling easier. That a couple of those cards ended up being Hall of Fame rookie cards made things exciting.
Even though it’s not something I collect there’s a giddy thrill in finding things you know carry a bit of potential value. Thumbing through the stack and finding Gale Sayers and Dick Butkus was quite the surprise. I didn’t recognize these as rookie cards but I could tell that they were super young.
I found myself appreciating the action photos in the set. 1960s baseball cards only had action photos for the World Series highlights and those were often black and white up into the 1970s. To see full-color photos from regular season games is pretty cool stuff. It made me wonder why the team photos are black and white.
1966 is historically an interesting set too. That’s the year of the AFL-NFL merger and the season of Super Bowl I. It’s also the first year of the Atlanta Falcons franchise and instead of a team photo and highlight image the set had two Falcons logo cards.
I was surprised to discover that Philadelphia Gum had the rights to the NFL teams and Topps had the rights to the AFL times. It’s weird for me to think of different leagues and different sets. That even after the merge the two different sets continued for a couple years with Philadelphia Gum continuing to print cards for the Colts, Browns, and Steelers—three teams that switched conferences—is especially interesting.
Aside from the two 49ers cards* the only card that’s definitely staying in my collection is the Alex Karras. Not something I’d seek but I can’t let a card of Mongo go.
*I don’t seek or collect them but if they cross my desk I’ll snag them out of respect for my youthful fandom.
There were a dozen 1967 Topps football cards. No cards as cool as the 1966s but a fun design which I’ve seen a few people try and convert into customs. This set is just the AFL teams and it’s nice to see those Raiders and Chargers uniforms.
There were two 1967 Topps Who Am I cards. I have mixed feelings about them being scratched off. Part of me likes the ridiculousness of the unscratched defaced images but the other part prefers being able to see the full portraits.
Non-sport cards aren’t something I seek but I also like being reminded how much larger the trading card world is beyond sports and pop culture. Historic “great man” sets are always particularly interesting since they represent a window into who we celebrate culturally. The artwork presenting Ike as President while placing him in front of D-Day is also a reminder of a different age of the Presidency.
There was a couple dozen 1968 Topps baseball cards. The Don Drysdale is the best one in the batch but there were also a couple A’s cards for my collection. 1968 is the first year the A’s were in Oakland and I’ve been putting together a page or two of those to demonstrate how Topps dealt with the Oakland move.
Sanguillen meanwhile is a fun photo and demonstrates Topps’s image handling for the card backgrounds. He’s clearly in front of a stadium but Topps has effectively turned it into sky by stripping out almost all the Magenta, Yellow, and Black from the background. This is something Topps did a lot in the late-60s and early-70s but usually only in the sky portion of the image.
By 1968 Topps was making football cards for the whole NFL. There were only a dozen of these, no big names, but I love seeing the 1960s team logos. This is such a different design from the 1967 set. I like that it has the some typography as the 1968 baseball set.
There was however a 1968 Topps poster. Nicely folded and in great shape without any tears. It’s a wonderful vibrant photo of the Chargers uniform in all its glory in front of an equally-colorful stadium. You wouldn’t design it like this today but I totally understand why people say that this is what Football should still look like.
Two 1969 Topps football cards. Not much more to say about these except that this is a solid design layout with the white stroke around the logo. I’m not a huge fan of the painted out backgrounds but I do appreciate the pop of color and the simplicity of the type.
Back to non-sport. There were a dozen or so 1969 Donruss Odd Rod stickers. Odd is the operative word here. As someone who was brought into the hobby via Garbage Pail Kids, these definitely feel like an ancestor to that kind of thing, sort of a step from Basil Wolverton to GPK.
Only three 1970 Topps Baseball but I scanned all of them. I love the backgrounds of the 1970 set and this is my first World Series card. I guess the black and white photos are intended to evoke newspaper and TV imagery but I do wish they were in color.
Another highlight from the box was a near-perfect 1970 Kellogg’s Don Sutton. Color is good. There’s like no cracking. I love stuff like this.
A dozen 1977 Topps baseball cards included a wonderfully mis-trimmed Grant Jackson first year Mariners card. I don”t like this design but I’m finding myself enjoying the photo selection. The portraits are frequently interesting and I love how Topps doesn’t care about the horizons being level as long as the player himself is framed well.
1981 Topps is another design I’m not too keen on but which I like a lot of the individual cards and photos. Only a dozen of these and Don Sutton is the only real star. The Rick Dempsey is an example of what the set does best. Multicolor caps which looks like the game caps. A bright contrast-colored border. And an interesting casual candid photograph.
Three Hall of Famers in the dozen 1985 Topps Baseball cards. These cards were the border between “old” and “my” cards and as a result I still don’t know how I feel about them. It’s not a set I collected as a kid. Nor is it a set that felt special to find in repacks. Which is a shame since the set itself is really interesting with a lot subsets that would become a bigger deal as the decade progressed.
Topps Glossy Send-Ins though are something I’ve always liked. These two from 1986 doubled the number of Hall of Famers I have from that year. For the decade when non-glossy cards were the standard glossy stuff like this was special and the checklists were always a who’s-who of the important guys that season.
The only junk wax I’m scanning is the near-complete* set of 1991 Pacific Senior League cards. A decent number of recognizable names but not a lot of star power. In some ways the recognizable players who aren’t big stars are the most fun but yeah it’s nice to see some Hall of Famers continuing to play.
*For whatever reason I’m missing cards 1–18.
This set has a lot of double-player cards with a special emphasis on siblings and father-son combinations. It’s a peak-Pacific design but it’s bright and colorful and we didn’t have a lot of cards like this in other sets at this time.
Not sure if these count as cards but there were a half-dozen Bradex Plate slips. I guess these came with the plates? To be honest I like them better than the plates since the idea of storing and displaying those never made sense to me. But slipping these into a 4-pocket sheet is totally something that appeals to me.
There were also a couple more-modern cards in the mix. This 2000 Pedro Martinez is a jumbo oversize card. Not much else to say about it except that as an oddball of sorts, a Hall of Famer, and as one of the best pitchers of all time I’m happy to slip it into my album.
This 2002 Topps Nestle is another oddball. It’s one of the few Topps-issued card sets that isn’t licensed to use Major League team logos. It’s comforting to see these existed into the 2000s actually since design-aside this is a very 1980s thing to do.
And in addition to all this there’s a half-opened box of 2013 Series 2 to go through. No idea if the autograph or relic has been pulled but it wouldn’t surprise me if it has been and the remaining packs are what’s left after discovering the hit. Those packs though will go with the 1992 box as a stash of stuff to rip with the boys.
Whew. That was a lot of cards. I’m impressed my mom managed to get through them all.
1980s oddballs reflect the retail environment where chains were just going national but hadn’t taken over everywhere yet. So you could have a large area of coverage across multiple states but still be effectively a regional thing. So we had malls and chain franchises and things that could show up as monoculture in TVs or movies but for a lot of us those brands only existed on-screen.
For me, stores like the Circle K and chains like Fantastic Sams were in this realm where I was aware of them but not through any first-hand experience. They just didn’t exist in my region and so they were as fictitious as 555 phone numbers.
This kind of “everywhere except not” corporate nature resulted in kind of the perfect distribution for baseball cards. Always things to find out. Always things to talk about. Rewarding to find stuff when you travel or have family elsewhere in the country. Even today guys find things that are surplus in their neck of the woods but which others of us have never even heard of decades later.
These Fantastic Sams discs are like that for me. Not only had I not ever encountered a store, the idea of including baseball cards with your haircut is a tie-in I have never encountered.
The 20-disc checklist seems incredibly optimistic for a single-year release. Unlike with food issues where the temptation to buy another pack of beef jerky or sunflower seeds or to visit McDonalds yet again is a plausible impulse, how often are you going to get your hair cut?
Especially for a tiny unlicensed photo of a player with a single line of stats on the back. Oh well. I think they’re pretty cool now.
Scott was hoping to get a full set with his batch. Instead he found four different cards and a ton of duplicates. So he sent me a batch in a plain white envelope. I’m going to keep the coupons attached (if I can, they’re super brittle) and put these in a four-pocket sheet so having four samples is the perfect amount.
Scott also included a few Topps Archives Giants cards. The 1981 designs are nice-enough. Not my favorite design but there’s something comfortable about it.
The 1959-designed Clark meanwhile is this close to being a great card but I can’t get over the off-centered name. A shame. 1959 Topps is kind of a wonderful design to update and repurpose. Something about it just screams “trading card” and featuring Clark’s signature makes the whole thing pop so well.
The final card in the envelope is a Stanford Football card. I’m not actively collecting non-baseball Alumni but I’ve been putting the ones I do come across into my Stanford Albums* and this one fits in just right there.
*Yes I’ve been coming across others too.
Thanks Scott! I need to go through my duplicates and really see who deserves to be on your ASU pile.
A semi-surprise mailday from Andrew (@earthtopus). He’s a Tampa Bay fan/collector who focuses on the Bucco Bruce Creamsicle era. It’s no surprise that his plain white envelope was a bit of silliness and a bit of trolling.
I’m not a football card collector nor am I really a football fan anymore. But these are all from the era when I did care, sometimes a lot, about the 49ers and it’s fun to be reminded of that part of my youth.
1987 Topps Steve Young. I totally missed “the ”Now With 49ers” when I opened the envelope and thought this was just meant to be an amusing look at Young as a Buccaneer. Seeing that minuscule “traded” stamp makes it even funnier as this is technically now the first card of Young as a 49er. I don’t remember much about him in those first seasons with the Niners beyond never feeling comfortable when he had to sub in for Joe Montana.
But the Young card makes a nice pair, of sorts, with this 1982 Topps card. Andrew just had to remind me of Matt Bahr 15–49ers 13. While that wasn’t how I remembered the game (Roger Craig’s fumble hurt me more), I never really put together that that was also Montana’s last real 49ers game too. Which means it also marks the beginning of the Steve Young era.
LOL this is hilariously dire. I appreciate that Fleer included Tampa in its 1978 set of football action but the dig on the back about “finally broke into the victory column” makes it seem like it took them three seasons to finally win a game instead of the 0–26 record they had before winning their first.
The 1981 Topps Sticker of Doug Williams wasn’t meant to be silly. As with seeing Steve Young as a Buc, it’s also weird to see Williams as one since we’re all used to him with Washington.
What the hell is going on in 1992 ProSet? Is that a fake bottle of rum and a plastic child’s katana standing in for a dagger? And putting a glossy spin on there being two Steve DeBerg eras? Sheezus. I may not like Malcolm Glazer but I’m happy for any Tampa fans who stuck with the team through thin and thin until that Super Bowl.
This spanish-language 1991 ProSet card on the other hand has me jealous that there weren’t any real spanish-language cards for baseball at this time. Googling around lead me into discovering Pacific though so now I have a potential new collecting lead to run down for baseball cards. And I get to indirectly thank Andrew for that rabbit hole.