A fun blog bataround idea which I first saw from NPB Card Guy. “What’s your oldest sports card” is a simple-enough prompt but, as always, once pre-war cards are involved the answers aren’t always so simple. So I’ll go through a handful of cards/sets here which can all work as answers to the question.
Since I’ve blogged about all these before I won’t go too much in depth here. In other words, definitely click on the links and read more about whatever seems interesting.
We’ll start with my oldest trading card. The Arbuckle Coffee History of Sports and Pastimes of all Nations is definitely a sports card but it’s also so generic in what it depicts that it also doesn’t feel quite like a real sports card. Still, it deserves to be mentioned because it features both baseball and cycling.
The Ogden’s Tabs set is huge and features all kinds of subject matter. The sporting subjects are definitely sports cards so the first three samples here—especially the shot put and horse racing cards—are probably the best answer to the prompt. But I also have to give a shout out to RG Knowles who, while not depicted as a baseball player, kind of is.
I’m including this Murad College Sports card because it’s the oldest card I have from a set dedicated to sports. Of course, my sample doesn’t actually depict anything which would count as a sport nowadays.
Moving on to oldest cards depicting specific sports, this card in the second Players’ Cigaretes Polar Exploration set counts as my oldest soccer card though it doesn’t come from a set at all dedicated to sport.
My oldest baseball card which functions the way that modern cards function in how each card is dedicated to an individual, named player is this Zeenut featuring Johnny Couch. One of these days I’ll work my way into T205s or T206s and move this date back another handful of years.
And finally, my oldest soccer cards which depict distinct players are these John Player and Sons Footballer cards. I could do other sports but the 1934 Gallaher Champions set takes care of most of them and the ones it doesn’t (namely basketball and gridiron football) don’t have very exciting examples.
One of the things that’s difficult about collecting pre-war cards is that I can’t ignore the content and context behind a lot of the cards. I mentioned that my South African cards, as beautiful as they are depict a state that was in the process of implementing apartheid. Things like the Garbaty cards meanwhile were printed right after Hitler took control of Germany and almost every single actress I look up has a section in her bio which details what happened to her during World War 2.
Of the Garbatys I got in my last batch, many, maybe even the majority, feature an actress who refused to collaborate with the regime. Some detail actresses who had to grapple with their continuing to work for the Nazis. A few though feature women did more than just continue to work.
We’ll start with the worst card in my collection. Yes I own Curt Shilling and Aubrey Huff cards but neither of them are literally the First Lady of the Third Reich. Hanna Reitsch is a close number two on this list since she remained a confirmed Nazi after World War 2 and totally overshadowed all her aviation accomplishments in the process.
Part of me feels guilty for even scanning these cards and wants to burn them immediately. It’s not like I would feel comfortable selling these to anyone and as much as the Ted Cruz chain letter was funny these are a step beyond that. But another part of me wants to keep them as part of the context of the set itself and the way that everyone it depicts had to make a choice and live with the consequences of that choice regarding what they did about fascism.
I would never seek these cards out specifically but the fact they came as part of a random lot of 100 cards is part of their context in my collection as well.
Leni Riefenstahl is probably the most-complicated card I have. Like my Hindenburg card, she simultaneously represents the Nazi state but also sort of transcends it. She was also extremely skilled as a filmmaker and Olympia is worth watching today as a sports movie.
I also recently grabbed this 1936 Muratti card of the 1934 World Cup Champions, Italy from one of Anson’s Twitter sales. This is a card which is both from a fascist state and depicts a fascist state. It also features a damn good soccer team with players like Guiseppe Meazza and Giovanni Ferrari who would go on to win an Olympics gold in 1936 as well as a second World Cup in 1938.
Since I explicitly purchased this card it’s obvious I’m much more lenient on cards like it. The political background of the World Cups is part of their history and as a soccer fan I’m especially interested in cards depicting the early years of the international game.
I don’t know the histories of the individual leagues well enough and the nature of card production is vastly different in each country. But the international stuff which can center on the World Cup is something I can handle.
One of the best things about pre-war cards is how they reflect earlier ages of human knowledge and interest. Sets like the Peeps into Many Lands and Wonders of the Past serve as a way of discovering cultures abroad in a time when the world was still big but getting smaller and more interconnected. Others such as Romance of the Heavens capture the extent of our knowledge about the space in the 1920s.
My favorite trading cards though are the ones that reflect their age of knowledge/interest while simultaneously commemorating current events. Whether it’s a set built around how fast people can go or one summarizing the cutting edge celebrity state of airflight the idea that cards reflect what just happened is something that we still expect from the hobby.
In 1911 and 1916, Player’s Cigarettes released two sets of cards about polar exploration* which are kind of the best example I’ve seen so far for capturing he appeal of pre-war cards. The Age of Polar Exploration at the turn of the century is possibly the last age of heroes going off into the unknown** until we started sending people into space and as a result, is something that I’m not alone in still finding somewhat fascinating.
*Don’t worry I’ll get into the significance of these dates as I get to the cards.
**I’m willing to consider Mt. Everest here but part of that is really just due to the George Mallory disappearance.
The first series is split between North Pole and South Pole but treats each pole very differently. In many ways each pole feels like a distinct set. We’ll start off with the North Pole which consists of 16 out of the 25 cards in the set including a handful of cards which just describe the area.
These cards give a sense of the set. Polar regions, by being mostly ice and snow, are a challenge to illustrate—it’s not easy to keep the ice white while also giving it depth. The pictures as a result aren’t the lush saturated colors that I’m used to with other chromolithography but I find myself appreciating the control in the art and how well it uses the ink it’s allowed to use.
The backs feature some nice design details around the border and provide the usual paragraph of interesting facts. It’s interesting to me how the Aurora Borealis card references European cultures as well since they’re not just visible to the Canadian Arctic.
Aside from the colonizer term, the Inuit cards are surprisingly not too cringe. In fact, given the subject matter of the South Pole cards in the 1916 second series, the content of the Inuit cards is tragically prescient.
Most of the North Pole cards though consist of individual cards which detail the results of various polar explorers. There is a lot of tragedy in this group with Andrée’s balloon and lost Franklin expedition being two of the most prominent.
As the back of the Andrée card shows, at the time of printing no one had any idea what had happened to the three explorers aside from the fact that they had never been seen again. It was only in 1930 when their bodies, logs, and all of Nils Strindberg’s photographs were discovered that the world learned what had happened. While the balloon only flew for three days, the three men survived for three months on the ice—kind of an amazing feat all things considered.
The Franklin expedition is a similar sort of mystery. While the card suggests that the story of his fate was completed in 1850, we only found the graves of many of the explorers in the 1980s and in fact discovered the ships only in the past decade. The coolest part of the ships discovery is how Inuit oral records helped in the search and that while the expedition was considered “lost” but the West there were clearly records of it kept in Inuit culture.
I’ve included some of the more-striking cards for this section. Unfortunately Peary’s card is not particularly interesting. Eric the Red and John Cabot are kind of wonderful artwork and the Hudson card is probably the most tragic looking of the entire set.
Not much to add about the backs of the North Pole explorers except to note how far back in time they go and how polar exploration and the Northwest Passage are linked. Where the South Pole is a distinct achievement in its own, the North Pole was clearly related to other goals.
The back of the Scott card confirms how this set is either a late 1910 or 1911 release since it’s written in present tense. Given what how we know that those tractors were mostly a disaster, using them to represent the entire exhibition was indeed an omen.
Aside from the one Scott card the other eight South Pole cards in the set were dedicated to Ernest Shackleton, in particular the Nimrod Exhibition. These at first appear to be similar to the generic North Pole cards but instead depict specific locations and events from the exhibition.
I enjoy the backs of these and how they both tell the story of the expedition and suggest that the images are related to the scientific mission of the expedition. Googling around suggests that these may be adaptations of George Marston’s paintings—the Aurora Australis one in particular looks very close to both his painting and the cover of his book.
There are also three non-landscape Shackleton cards. One striking portrait and a group picture at the South Magnetic Pole which is taken directly from the photograph. The diary card though is possibly my favorite of the set since it’s distinct among all the pre-war cards I’ve seen.
The back of Shackleton’s portrait contains a nice summary of his exhibition which contrasts wonderfully with the specificity of his diary entry. I also enjoy the idea that his expedition formally added Antarctica to the British Empire because they planted the flag there first.
Anyway that’s the first series. Post-Peary with Shackleton an emerging hero. Scott’s exhibition is underway and with him as the last card of the set it’s clear that Player’s was planning a triumphant second series.
That triumphant second series of course never materialized. It however feels wholly appropriate for the period to release a set which basically commemorates the heroic sacrifices that Scott and his men made. While Scott became a national hero in 1913, this set was released in the middle of World War I and yeah, I can’t imagine a more-appropriate framing for this futile sacrifice on behalf of King and Country.
The back text is clear about the framing of this set with its glowing epitaphs to four of the men who perished. This isn’t just about what they did, it’s about making them into brave, noble heroes who other military men should try and emulate.
The images of the exhibition are more tragic to me since, as with the tractor card in the first series, they show all the stuff which didn’t work. Ponies which couldn’t handle the snow. Dogs which the men got too attached to. Man-hauling sledges. It’s kind of amazing that everything that the cards show was sort of a disaster.
The artwork in the second set is a bit higher contrast than in the first set with an emphasis on the men instead of the landscape they’re in. There’s also a kind of wonderful thing going on with the borders getting a light color which allows the white portions of the image to really pop. There’s also a great sketchy quality to the portraits.
The text on these cards though doesn’t suggest anything went amiss aside from the humor in the dogs eating penguins. Even the crevasse card which shows a man falling in handwaves away the danger of the situation. This seems especially wrong to read now since we’re pretty sure Edgar Evans died as a result of a head injury sustained during such a fall.
Eighteen of the twenty five cards in this set are devoted to the Scott expedition. Compared to the Shackleton cards in the first series though the Scott cards feel like imagined scenes. As much as cards like the the soccer game are fun, they don’t look like the images that document the trip. This is a bit of a shame since Herbert Pontings’s photographs can be spectacular and would’ve made for great cards. Edward Wilson’s watercolors* are also quite nice** and would’ve similarly been nice to see on cards.
*While the idea of photographing in sub-zero polar weather seems insane to me, the idea of making watercolor paintings seems even crazier.
The seven non-Scott cards consist of three cards depicting penguins and seals and four cards dedicated to the successful Amundsen expedition. Looking at the Amundsen cards reminds me of the North Pole cards in series one which describe the Inuit, their dog sleds, and use of animal hides for keeping warm. It may be that the cardmakers wanted to contrast the native technology with the tractors and other British technology but seeing how things turned out it’s clear that the Inuit methods that Amundsen’s group followed were superior.
We’ll wrap things up with two more portraits. The first is Teddy Evans who’s credited on some sites with being in charge of the artwork and writing on these cards. His portrait is the only one in the set which doesn’t have the sketch quality.
And of course I have to include a portrait of Roald Amundsen whose successful navigation of the Northwest Passage is worthy of inclusion in the first set. It seems a little wrong to dedicate more than four times as many cards to Scott than to Amundsen but there is something evocative even now about the Scott tragedy.
All in all a very fun pair of sets despite the amount of death and loss that they describe. These take me back to a different age of humanity more than any other pre war sets that I have and I love the way that looking at them and reading the backs allows me to travel back in time.
Catching up on a few small mailings that came in over the past couple weeks. Trade volume has been low recently but I was busy last month.
First envelope was a manilla one from Chuck Van Horne (@CHUCKVANHORNE) who’s one of those collectors who seems to steamroll through vintage sets and is always posting amazing deals. He’s a great trader in the vintage realm but I unfortunately have neither the volume nor the quality of cards to trade here.*
*It is what it is. I buy on the cheap, am content with beaters, and try to avoid spending on bycatch.
He did however come across a big lot of junk including a couple cards that had my name on them because I’m apparently one of the only guys who’s interested in them.
The 1994 Upper Deck Would Cup set is one I’m passively keeping an eye out for. It’s not something I’m building* as much as it’s one I just like accumulating cards from. Why? Because it’s the World Cup I attended and a lot of the players in the set remind me of that summer.
None of these nine players remind me of that summer* but just seeing the uniforms is enough to bring me back. The Adidas Equipment stripes were the same design my high school wore and even the silhouette of baggy shirts and short shorts is the look of soccer that I grew up with.
*Though Brian Quinn would go on to play for the Clash.
I also enjoy tat the backs of these cards are bilingual English-Spanish since I watched as many games as I could on Univision. In many ways, that summer of watching soccer helped my high school Spanish just as much as any teacher did.
It’s clear that the lot had one pack’s worth of cards inside. Nine base cards and an insert. The insert was Brian Laudrup, a very good player who unfortunately didn’t get to play in the 1994 World Cup because Denmark didn’t qualify.
Upper Deck apparently went to press before the teams were set. I can understand not getting all the players right but it’s weird for me to see teams get included that didn’t compete.
Anyway Laudrup was great in the 1998 World Cup and that game against Brazil was something special to watch.
Another mailing came from Paul (@phungo2008) whose blog goes off on all kinds of weird tangents* but also blogs with me over at SABR. Paul’s based out of Philly so one of these days once it’s safe to travel again I may finally meet him.
*Including in the art direction making Paul and me some of the only baseball card bloggers out there tackling this interesection.
Mussina and Amaro are of course Stanford guys who I received returns from a couplemonths ago. And Murakami is one I got last month. That I got all three on my own customs may explain why Paul decided to send some of his. Custom cards work best when you make them for yourself with your own particular reasons for the checklist creation. As a result it’s always fun when your checklist overlaps with other people’s.
The Cain and Lincecum is unfortunately not a signature I have. I suspect however that it’s one of the few Giants cards in Paul’s sets. Turk Wendell though is probably a direct response to last month’s returns and how I got the card of him brushing his teeth signed. This Collector’s Choice shows him doing his customary leap over the foul line and has me tempted to send to him again. I miss having characters like this in the game.
It feels like I wrote my previous Barcelona post over a year ago but it was only February. Right when I was trying to get back in, Covid hit and then the resulting restart of the season reared up with all the same problems and reminded me why I’d drifted away. A team and club going through the motions, content to lean on their superstar and milk the resulting cash cow.
Normally I’d feel upset about my team’s best player wanting out. Not at the player himself but at the fact that he’s leaving. In this case, in addition to believing that Messi can ask for whatever he wants, I’m finding myself feeling relieved that he feels as disgusted with the club as I do.
I want him to go. Even though it will damage the team. Even though he’s brought an immeasurable amount of joy to my soccer fandom over the past fifteen years.
This isn’t like Xavi or Iniesta where it was time for them to go and their leaving hurt because it recognized that they were no longer the players they used to be. That’s an expected part of being a fan. Players get old and the game moves on. It sucks and it hurts but it’s inevitable.
Messi though is different. He’s got a couple more years in the tank and the only reason he’s leaving is because the club itself has mismanaged things so badly. I’ve drifted away enough already that I’m hoping for a monumental house cleaning to reignite my fandom. I can only hope that he wants the same.
Of course there’s a possibility he’ll be there next season. Barcelona is digging in its heels and looks prepared to make this even worse than it’s been so far. That though would be the worst possible scenario. Messi would be miserable but more than that, it would signify that the team is still stagnating and refusing to deal with the future.
And that’s really that this is about. Messi walking away forces the club to confront the future—something it should’ve been doing for at least the past five years. I’m looking forward to seeing a new club. A young club. An interesting club playing interesting soccer again.
I guess I’m going to just be blogging every week about pre-war card pickups. No set this time just a couple I’ve grabbed that I had my eye on for a while.
The first pickup is a 1909–11 Murad T51 Stanford card. Aside from being relevant to my collecting interests, I’ve especially liked that it features forestry as its sport and depicts on its artwork what looks like a giant redwood forest.
This is like 65 years before the Stanford Tree mascot. The fact that it depicts what would become the school mascot takes it from being cool just because it’s old (only 25 years after the university’s founding) to sort of predicting the future.
Also the artwork itself is pretty nice with its gold border ink and sense of scale in the giant redwoods and tiny horsemen. We don’t see any of forest canopy we’re just among the tree trunks. Which really is how it feels to be in those forests in California.
The second pickup is from Anson over at Prewarcards. He was clearing out some excess and one of the cards in his clear out was this Origin of Football card from the 1923 Sarony Origin of Games set. I’ve loved this card ever since Anson showed it off on twitter not just because I’m a soccer fan but because it appears to show a form of Calcio Storico.
Anson included a second card in the envelope too. This is from the 1925 Turf Cigarettes Sports Records set and depicts sprinting and its record times. That the card is a British issue means it shows the 100 yard time instead of 100 meters so I can’t compare it to a historical record progression.
It is however an interesting comparison to the 1939 Churchman’s card of Jesse Owens which lists a speed of 9.4 seconds for the 100 yards—.4 seconds faster than the record of 9.8 seconds depicted on the 1925 card (Owens’s 220 yard speed is .9 seconds faster).
Digging into my backlog of pre-war sets to write about. Might as well start off with some soccer to fill the some of the hole that’s resulted from cancelling sports worldwide.
These are from the 1934 Player’s Cigarettes Hints on Association Football set. They have very similar artwork to my 1928 cards but depict generic footballers instead of specific people. As a result this set is super cheap since it’s not about the players but is instead a more thematic checklist.
Since thematic checklists are something that I love about pre-war cards* I was not deterred by the absence of any real players. Plus as a soccer fan I love just seeing the artwork and reading the backs as a way of learning how the game looked and how it was played 85 years ago.
Many of the cards feature routine actions that soccer players are expected to be able to make. Kicking, tackling, saving. etc. In many cases, such as not kicking with your toes, the advice is as valid today as it was back then. In other cases such as not knowing how a ball swerves, it’s clear how far the modern game has come.
Most of the cards are vertical but there are a handful of horizontal ones. I especially like the horizontal artwork since it offers both a wonderful depth of focus in the composition and the player’s-eye perspective of the field is fantastic.
Flipping those cards over shows that three of them describe still-relevant tactics. The card describing the outside forward cutting in feels like it could still be describing the modern inverted winger. As someone who came of age with inverted wingers being described as a modern development to the game, I love seeing the idea described in the 1930s as just regular tactics.
The “‘W’ Formation” card meanwhile continues to be super-interesting since it describes the development of the “M” component of the formation in the centre half dropping back into the middle of a three-man defensive line. I grew up with 4-4-2 as the default formation everywhere and while I’ve learned about the evolution of tactics and formations, I also haven’t ever seen a primary source like this which describes an earlier standard.
Some more cards I just love. The goalkeeper’s cap is awesome. “When not to shoot” makes me laugh since it’s probably the most-relevant card for any youth coach. The kickoff card though is a great follow-up to the W formation one since it shows the five-man forward line before the two inner forwards drop back behind the center forwards and the wingers.
Also, with the modern game* allowing you to pass the ball backwards immediately from the kickoff, seeing three men in the circle instead of only one (or the two I grew up with) is also a huge change in how the game actually looks.
*As of 2016!
On the backs of these cards, I love that letting the ball run is presented as a specifically-Scottish strategy but it’s the goal kick description that really jumps out a me. Most of the cards describe what usually happens in a game and, by extension, what players should learn to do. The goal kick card though suggests strategy despite it not occurring regularly in games.
Rather than kicking it long the card suggests that keeping possession and passing it shorter to a teammate might be a better course of action than the standard procedure. As a Barcelona fan who believes that teams should keep possession and try and play out the back, this makes me very happy .
Some more tactics cards which show that the game is still very much the same as it was then. All of these are about passing or seeing the potential of space where a play might develop. There’s something especially wonderful about the empty green field that these cards suggest which reminds me of the abstraction in Richard Swarbrick’s Gareth Bale animation a decade ago.
There’s a lot more field out beyond the edges. These cards suggest the promise of that empty space and the potential to just run into it. It’s that space and the collective gasp by the crowd when a perfect ball is played into it which is what captures a soccer fan’s imagination.
I’m intrigued that the passback card doesn’t mention the goalie picking up the ball. In many ways this description, while a bit more conservative than the modern game, suggests that the pass backs were originally much closer to the way we use them now than they were in those dire years when you could just kill time passing back and forth to the goalie.
I also need to point out how the triangular movement card mentions the change to the offsides law. In 1925 the law was changed to reduce the number of defenders between an attacker and the goal line from three to two. I’m not sure why this would make certain plays harder unless perhaps this card represents a tactic that’s re-developing after defenses had adjusted to playing a newer offside trap.
The rest of the cards are similarly cool with great artwork and colors. It’s a great set and a lot of fun page through and read.
Football has moved on, but we haven’t. And on social media, on Barça Twitter, we bicker and squabble, more worried about being right than what any of it means for the team. It’s wanting Valverde to lose so that he could be fired so that a new, more correct coach could be hired. It’s harassing players on social media, and turning every post by the official club account or any club official into a shit trench of bile. Everything is wrong. What we aren’t stopping to acknowledge, maybe, just maybe, is that it won’t be right again until we understand what is possible now, what the game demands from its champions in the here and now.
I haven’t blogged about Barcelona and soccer in a long time. A long long time. I’ve still been following the team but it’s not a priority like it used to be. I used to follow streams and conversations during matches. Twitter was awesome. I wore jerseys all the time. It wasn’t my life but I was as die hard a fan as you could be in the United States.
Then five years ago I just sort of stopped. Some of this was baseball taking over but it was really a combination of things. Kevin’s post covers a lot of it but at the most basic level it wasn’t fun anymore. It got harder to find clips. Discourse about the team went into the toilet. Everything became about trying to reclaim an impossible ideal rather than acknowledging what was possible with the team at hand.
This wasn’t even about winning or not. It was about a team going through the motions with one foot in the past and the other unsure about the future. It was about a fandom that was vicious and cruel about tearing down anyone and anything that wasn’t “good enough.” It was about a club operating as a business fully content to milk a cash cow as long as possible.
I didn’t want a piece of any of that. Not something I want to associated with nor something I wanted to have to weed through in order to get my soccer fix. Which is a shame because I miss soccer an awful lot. It’s one of my favorite sports to watch and I love how it connects me to a global community.
Compared to my conscious decision to drop football I just passively stopped following soccer. For whatever reason Kevin’s post was a bit of a wakeup call. I’m not stuck in the past but I also haven’t made a decision about anything. Listing so much of what’s made the sport not fun also means I can consciously try avoiding just those things rather than aimlessly casting about like I have been doing.
So I’m trying to get back on top of the schedule and standings and be more aware again of when there’s a game and who’s playing who. It’s not turned fun yet—the team is indeed sleepwalking—but I’ll give it some time.
Last week Kenny gave me a heads-up that he’d sent me a package. I was expecting a small bubble mailer or something and kept an eye out…especially after we realized that the package had been sent to my old address. Then on Friday though my old neighbor gave me a call and said that a box had arrived for me.
A box? That was unexpected. So last weekend I popped on by (we only moved down the street), said hello, and picked up a medium priority mailing box filled with a lot more than just Yankees prospect cards.
Assorted vintage and junk wax. I love the 1975 Len Randle and am looking into other Len Randle cards now since his 1978 is one of the best of the set. The more I see of 1981 the more I like about it even though I really dislike the floppy caps still. But the bright, solid border is great and the photography has character.
A pre-A’s Dave Stewart is always fun and I’m very happy to have the giant glove Mickey Hatcher. I don’t have all the classic fun Fleer cards* but every one I do add makes me smile.
*Still missing the 1984 Hubbard and Johnstone cards among others.
I’m also never going to be upset to add another Topps Gold card and while Collectors Choice was a set I barely collected due to 1994 reasons I like it more and more each time I see it.
Some more-modern cards starting off with a great photo on the Mark Bellhorn and then moving into more-expected territory with Yankees and Mets cards. Nice image on the El Duque card and it still weirds me out to see Derek Lowe as a Yankee.
A bunch of 2016 Archives in the 1979 design. Nice to get a couple Giants. Brandon Drury is also appropriate since I saw him rehab at Trenton. These cards all have pretty nice paper too, they just have some slightly weird photo processing especially the Billy Williams and Maz cards which feel like the backgrounds have been messed with a little.
It’s especially instructive to compare the Archives cards with the big batch of over 60 real 1979s in the mailer. Archives does a decent job at mimicking things but can’t quite get the photography right. This is partly because there’s been a standard Topps portrait setup used for all of Archives and Heritage recently and, while it’s fine for what it is, it’s not trying to capture the 1979 look either.
Some of this is the poses (the hands over head pitching posed windup is a thing of the past now). There’s also the slightly lower angle which, results in lots of sky-dominated, if not sky-exclusive, backgrounds. But it’s really cards with candid shots like the Garry Templeton which just no longer exist now. They’re not super-common in the 1979 set either but they’re there and tend to be my favorite shots of the set.
I still don’t like the 1979 design but it’s growing on me. Very photocentric and the splash of color is great. The fact that it’s the base card for Basquiat’s anti-product baseball cards is an added bonus.
Some more 79s. Larry Cox is a great catcher card. Clint Hurdle has a wonderful cheekful of chaw. I will never understand why the Cubs team cards were the way they were in the 1970s with all those floating heads. Mike Lum is a key addition to the not-yet-official Hawaii-born players project I keep telling myself I should start. And Nino Espinosa is an addition to the Candlestick binder.
Almost done with the 1979s and I have to admit that the Ken Landreaux stopped me cold when I was flipping through the stack. I joked on Twitter by calling it Vermeer lighting but in all seriousness I’ve never seen a baseball card lit like this before.
Indirect windowish light is not a situation that occurs that often in baseball as it is. The fields are exposed. Dugouts are usually open. Photographers are usually shooting into dugouts or out into the field. So getting a side shot of a player looking back from an open window? Even if it’s just a grab shot it’s one of those moments and lighting situations that makes the photographer side of me look closely.
Last handful of 79s includes another Candlestick card with the Jamie Easterly. I’m slowly putting together a page from each set showing just cards taken at the Stick. No specific searchlist, just pulling cards as I come across them This batch took me to five 1979s of Candlestick and also pushed my non-set-building accumulation over 200 in general.
Kenny included a few Giants and Giants-related cards. The Panini Joey Bart is especially nice. It doesn’t look like I’m going to get to see him in Trenton since he’s projected to end up at Sacramento but I’m hoping he’ll start the season in Richmond and only move up after they visit Trenton.
Chrome Suarez is cool and I know that Yastrzemski is an Orioles card but it just looks like a Giants card to me. The bunch of Pence cards is also fun. It’s weird to see him looking so clean cut as an Astro and I’m glad he regained some form with the Rangers.
Moving to Stanford guys. I don’t actively collect relics but this is one where I can see why people do. Not just a half-inch square of material, this is instead a big swatch which shows off how well-done Stanford’s ink/fabric color matching is. The photo is small but legible. The autograph is on-card. I don’t like the red uniforms but the color really pops here.
I’m not super-collecting Quantrill but he’s the one guy who debuted this year who got a bunch of cards from Topps. As a result I’ve picked up a lot of them and this is arguably the nicest of them all.
Three more Stanford guys in the mix. Bleich is also a former Trenton player and I’m not sure Kenny realized Ramos and Osuna were Stanford. that Osuna card is fantastic though.
Girardi on the other hand is a Spanish-language card and so fits with another of my mini collections. I’ve written about this set before and while I only have a handful of these total it’s always great to add a new one.
Speaking of non-English cards, Kenny sent me a couple Japanese cards as well. From what I can tell on his blog, Kenny visits his family in Japan and comes back with all kinds merchandise, much of which he’s generous enough to send out to other people.
God help us all if he starts bringing back mid-70s Calbee cards since these Kanebo and Card Gens are cool enough as it is. The Kanebo Bonds card is a massive improvement over the regular 2003 Topps design* because it’s deleted the Topps logo. The logo is often intrusive as it is but in 2003 it’s doubly annoying because it’s bright red instead of being reversed, black or, as is the case today, foil stamped.
*Also it uses the Opening Day photo.
Sega Card Gen is something that really intrigues me because it’s part of a video game that really has to be seen to be believed. The card itself is pretty neat too: stiffer than a regular card and rounded corners. I actually have one on my Stanford Wantlist because San Fuld’s only 2012 card is a one of these but never expected to actually get one. Very very cool to have a sample in my collection.
Looking at the back of the Kanebo card is pretty wild. I appreciate that they translated his height and weight into metric. I also recognize that the team name is listed as “Jaiantsu” instead of “Kyojin” and am noticing the connection in voiced and unvoiced katakana syllabic pairs (in this case the BA in “Barry” and PI in “Pirates”).
Sticking with Japanese issues, There was a huge stack of close to 80 Japanese Panini Soccer cards. Even better, many of them were from 2010 to 2012 and so cover the years in which I was most interested in the game.*
*I’m still a fan but ever since Suárez came to Barcelona I’ve found myself less interested. Plus the inequality in the game itself has gotten worse and it’s become increasingly difficult to actually follow what’s going on as even highlights are going behind paywalls.
The biggest highlight in this batch is a Messi card from 2005–2006. Not technically a rookie card but pretty damn close. Messi debuted in 2004 and so probably only shows up on commemorative Campions Lliga type sets from that seasn. 2005–2006 would be the first time he’d be included from the beginning and what a season that was. A good time to be a Barça fan.
Two early-career Cristiano Ronaldo cards are also very nice. I also like seeing Keisuke Honda and Guiseppe Rossi. And even the Real Madrid and Atletico Madrid guys bring back good memories of that period of time.
More Soccer. Another Rossi. Diego Forlan. Bojan Krkic. Gianluigi Buffon, Shinji Kagawa. So many players who I watched play in Europe and int he World Cup. They won’t all make it into my album but it’s going to be difficult to cut things down to a couple pages.
Last bit of soccer takes us into current-year cards and stickers. These don’t resonate as much although Mathieu and Vidal are both players who’ve played at Barça. Rodrigo Taddei is also a former AS Siena player. I used to follow Siena when they were in Serie A but after going out of business and restarting in Serie D it’s been much harder for me to follow them. I do know they’re in Serie C now and doing well while not competing for promotion.
Also it‘s worth nothing that these cards are all mini-card sized and feel like the B5 equivalent to regular cards A4/letter size. I haven’t compared them to the classic Calbee size yet but it’s close and feels similarly satisfying to handle. Like the Card Gen cards these are part of a game and have backs that detail each player’s strength number within the game.
Okay now we’re getting into Kenny’s wheelhouse. Mostly Yankees. Mostly minor leaguers. These are from nationally-released minor league sets and as such I don’t really recognize many of the names. Jim Walewander may be the only one actually since the Melky Cabrera and Mike Stanton are part of the Major League side of Bowman.
A few more-modern Minor League issues with some Major Leaguers mixed in. Not much to say here except to note that while I like these Bowman designs they’re also some of the designs that I have the hardest time telling apart.
I also need to comment on whatever Topps did in that 2013 Heritage 1962 design. Design looks good but the photo processing looks like the black plate just didn’t print. At first I thought some of these were blackless variations but they all have the same look. It really weirds me out.
Sticking with minor league releases, Kenny included a dozen cards of guys I might see in Trenton at some point.* Most of these guys were in Tampa last year and can reasonably be expected to be in Trenton this year. The big name is Florial who I’m hoping won’t jump Trenton after a couple years in Tampa.
*Assuming there’s even minor league baseball in 2021 and beyond.
Another dozen or so cards related to Trenton. A handful shows guys who pre-date my time as a fan including three more which show the weird photo processing. Always fun to expand the Thunder collection though.
The rest show guys who I saw last season. Kyle Holder might be back though I expect him to move up to AAA.* It would’ve been nice to have had that Bowman card last year though. Same with the Jeff Hendrix although the fact that Hendrix was released early last season means I didn’t miss out much. Jhalan Jackson is another guy who didn’t make it through the season. And Casey Mize isn’t a Thunder player but was part of Erie’s excellent pitching staff which was impressive whenever I saw them play.
*Unlike Trevor Stephan who struggled with injuries last year and so I wouldn’t be surprised to see him at least start the season at Trenton.
It wouldn’t be a proper zapping from Kenny if there weren’t a bunch of Yankees minor league team set cards. I never properly appreciated how long he’s been Yankees prospecting but the first cards here are from 1992. I don’t like these cards individually but there’s something about seeing the progression of designs and the increased production quality which I find fascinating.
The 1992s are full bleed but the typesetting is an afterthought and the paper is super thin. By the time we get into the 2000s the cards feel and look like proper cards. I don’t know if the designs are used across all the different minor league teams the way that TCMA designs were consistent across all the teams in the 1980s but they increasingly look like national releases.
These show the 2000s and 2010s designs which are much less loving-hands customs and much more professional looking. They still don’t pass as Major League cards in part due to the print quality but they’re not bad. The stock and finish is much much better now though.
The last items in the box were three mini-binders. I’ve been intrigued by these for my Mothers Cookies sets since the four-pocket pages are perfect for 28-card sets. Unfortunately Ultra Pro seemed to have discontinued these right when I started looking. This is also probably part of why Kenny decided to dump these. I know he’s trying to condense his collection but these are a nice way to have some things on display without taking up too much space.
These came with pages inside too so that makes them perfect for me to give to the boys. They have plenty of big binders but I can see the small ones being great for the cards they want to show off the most.
It’s a good thing I opened the binders too since there were a dozen autographs in there. Bobby Brown is the big one and now forces me to make a decision about my Stanford Project. To-date I’ve not included him because he was only at Stanford for a year before enlisting in the Navy and finishing his education at UCLA and Tulane. Part of this is me preferring guys who ended finished off their collegiate careers with Stanford* and part of this is me not wanting to pay the Yankees tax on Brown’s cards.
*Or, in the case with Bill Wakefield, Stanford graduates who didn’t play college ball.
At the same time he’s in the Stanford Athletics Hall of Fame so it’s clear that he kind of should be part of the project at some level and I’ve added this to the binder to reflect that.
The rest of the autographs are all guys from the 2004 Battle Creek Yankees. I’m going to assume these were TTMs and, since none of these guys made it to the majors, Kenny’s willing to include them in his clean-out. Battle Creek was a low-A level team in the Midwest League and so demonstrates how hard it is to predict who’ll make it to the majors at that level. Only seven guys on the entire team made it al the way with Melky Cabrera the only real success story.*
*For my interests Stanford-wise, Jason van Meetren was also on this team but I’m not intentionally going into Minor League team issues for this project unless it’s the only way to get a card of a guy who eventually played in the majors.
Wow. That was a lot of stuff to get through and a lot of fun to look at. Thanks Kenny! I’m going to have to touch base after Spring Training as I prep for the Trenton season.
I’ve only been blogging for nine years but ending the decade feels like a good time to look back on where this blog has been and how it’s changed from being about photography, museums, and sports to a lot more card collecting.
I still like photography and museums, I’ve just been in a bit of a rut ever since I moved to New Jersey. I need to get out more but I also need to be back in time to pick up the kids from school and I honestly just haven’t been inspired by my surroundings despite being here for six years.
Anyhoo, highlights from the past nine years of blogging. I made it to WordPress’s Discover (previously known as Freshly Pressed) twice. The first time was for a 2013 post about looking at photography which is really about dealing with the proliferation of any media. The second time was for a post about Atlee Hammaker and how, as a kid, I didn’t realize that he shared the same multicultural background I did.
I also had a moment of semi-virality in 2013 when I dashed off a quick (it’s always the quick posts that get you in trouble) post about “white guy photography” which took on a life of its own. I had to follow that up with some clarifications. That was an interesting ride and I’m not sure how people deal with that level of scrutiny and seething anger on a daily basis. I also shudder to think about what would’ve happened if that post had gone viral in the last half of this decade.
Another popular post was in 2014 and forshadowed my return to the hobby when I recognized that my childhood autograph collecting and current photography practices had a bit in common in terms of that push/pull between the process and the result. That reminder to enjoy the process rather than fixating on the result is possibly the single most important thread in my blogging. I don’t seek viewers or an audience, this is for my enjoyment and I just like the writing. That I only average, at most, one view an hour is still a lot more viewers than I ever expect to get.
For a blog where I wrote about sports a lot, I don’t have many sports posts listed on here and that’s because while I started out writing a bit about sports and fandom, the general theme on this blog has involved me drifting away from The Olympics, football, and Barcelona. Yes there are some posts in there which I liked but it’s been weird to chronicle and revist my abandonment of a lot of things I used to be a fan of.