About a week ago I received a small bubble mailer from Marc with the usual assortment of Giants, Stanford, and other cards that he thinks I’d be interested in. Marc has a good track record here both in terms of having a lot of cards from products that I’ve never actively acquired and being one of the only guys out there who keeps track of a lot of the players in my Stanford checklist.
I’ll start with the oldest Giants cards. This first batch is mostly cards I could have collected as a kid and as such are definitely the years where I could conceivably have everything covered. As it turns out though the only ones I had are the ones from after I stopped collecting. I only have O Pee Chees that work as Traded cards so these are both new and welcome. I only have a handful of 1992 Leaf Black Gold cards. And I didn’t have any Giants from 1992 Bowman or 1993 SP.
Also the 1963 Al Dark buyback deserves a special mention. The 50th Anniversary stamp says this is from 2012 and suggests that Topps is up to its usual shenanigans where 2012 is the 50th Anniversary of something that happens in 1963 while 1951–2001 is “50 years of Topps.” Anyway while I have this card already, buybacks are definitely one of those things which are interesting to add to the binder even though the only way I’d seek one out is if it were cheaper than the non-buyback version.
The next group of cards are the more-recent Giants. Victory is definitely a set I don’t see much and the Bill Mueller is the kind of card that sneaks past any checklist checking since it’s not technically a Giants card. It is fun to add cards of guys still in the uniform to the binder though.
The Matt Cain relic is very cool. I’m not the hugest Ginter fan but I appreciate that their relics are thin enough to binder. Also the construction of the framed cards is pretty neat. A couple shiny Logan Webbs are also appreciated. He was a revelation last year and had another good season this year. Hes been a lot of fun to watch him emerge as a legit pitcher.
A good mix of Stanford guys including some early-career Shawn Greens to supplement all the Dodgers that I got from Night Owl. Also a few Jeffrey Hammonds cards I needed in here. While most of my Topps searchlist is complete* there are a lot of non-Topps cards from the 1990s and 2000s which I don’t have and haven’t even looked up.
*Aside from current year cards and grey areas like Green I think I’m just missing the 1962 Doug Camilli Rookie Parade card which I’ll never be able to justify the expense for and the 2013 Tampa Bay Rays Sam Fuld card which is impossible to find as a single and which I haven’t felt like spending $10 on the team set for.
And finally a pair of Scott Ericksons as well as a cool photo of Orel Hershiser and one of Marc’s customs. I should probably put an Erickson checklist together at some point but I’ve only been super passively collecting him recently. The Hershiser is indeed a fun photo; you only get light like this at rare moments during the season. And Marc’s custom is a menko design he’s been working on which I may consider stealing at some point.
*Yeah I know at some point “a couple” turned into five and I don’t know how 2020 feels a decade ago while 2017 feels much more recent.
Then a few weeks ago* it seems like he realized that he should offering lots to team collectors, etc. and clear out the storage space that the photos were taking up. I don’t normally pursue photos but for the right lot and the right price (in this case basically just covering shipping) I’ll happily slip them into the binder. Early last week the package arrived and I got to see them in person.
We’ll start with the New York photos. The one that caught my eye is the aerial photo of the Polo Grounds. Turns out that it’s a photo of a halftoned image but you can only tell if you look closely. I like the image because it puts the Polo Grounds in location among buildings that are still there today.
The other four photos—Bobby Thomson, Eddie Stanky, Al Dark, and Hoyt Wilhelm—are all very nice photo prints from, I’m guessing, the Photofile/TCMA archives since I recognize a lot of the images from the various all-time greats cards I grew up with in the 80s and 90s. Nice to see them big and nice to have some good prints showing the details of both the home and road New York Giants uniforms.
There were also eight San Francisco photos. The first four are photo prints of a much more mixed bag of quality. Matty Alou and Mike Aldrete are great-looking portraits of players who you don’t expect to see prints of.* Vida Blue and Juan Marichal meanwhile are the kind of stars you expect to see but the prints are of much lesser quality with Marichal fading badly and Blue looking like it was enlarged too much from a copy negative.
*I was seriously surprised by the Aldrete and have slipped that into my Stanford album.
One of the reasons why I don’t normally grab photos like this is because I have no idea how to account for the fact that they’re modern prints of old photos. They’re a great option for autographing when you can’t get a card* but never feel like they’re part of anything bigger.
*Something I did when I was a kid with Jim Davenport since I couldn’t find a card of him. No not even his 1985 Topps Traded.
I’ve decided to sort these all by about when the photo would’ve been taken and mix them in with the res of the cards. But I can also see yanking them all out and keeping undated photos like this in a separate album too.
The four 8×10 “set” though is not photo prints and as such I actually like more. I have a set of these from 1989* and 1990** so I’m guessing these are from 1991. These came as photo packs from team souvenir stores and while they aren’t cards™ they function in a way that feels much more similar to that world than the individually-ordered 8x10s do.
*Will Clark, Kevin Mitchell, Robby Thompson, and Rick Reuschel.
**Robby Thompson, Jose Uribe, Matt Williams, and Will Clark & Kevin Mitchell
They give me a sense of who the fan favorite players at the time were and I immediately relate to them better as objects. I also have zero problems mixing these with cards and they offer a fun alternate timeline in how they connect to Ticketmasters and Jays Publishing photos from the past.
Marc being Marc slipped a bunch of other cards into the envelope even though he’d just sent me a package. The first batch were a small stack of well-loved 1985 Fleers and a large stack of well-loved 1989 Donruss. 1985 Fleer is a set I’ve decided to build. Why? Because that’s what my first baseball card ever was. Do I have a searchlist yet? Not at all because I have maybe three dozen cards total so far.
1989 Donruss I’m closing in on. Under 100 cards left. I haven’t updated the need list yet since I need to do a good look through for condition/photo upgrades. 1989 Donruss has probably the single most variance in printing of any set I’ve seen. I can have four copies of a card, one will be great, one will look sunburned, one will look 4 stops underexposed, and one will be miscut. It’s wild. Anyway I’m happy to have the slots full but suspect I’ll be working on this one for a while despite being close.
A handful of Giants cards. I actually already have a 1979 OPC Halicki already but it’s an even worse miscut than this so I appreciate the upgrade. Marc also continued his streak of sending my my first copy of a card from every non-flagship set. In this case these are both my first 2022 Bowman and my first 2022 GQ.
The Bowman is a Bowman card and looks like every other Bowman card I’ve seen in the past decade. I swear Topps has an AI designing these because they’ve got too much going on to be this boringly generic.
GQ* meanwhile sure is something. The HDR tonemapping look has bothered me for a long time** but I appreciate that it went full steampunk this year. Not convinced about the 3D effect for the team punch card but having designs go over the top weird is much better than playing it safe all the time. A version of these with black borders, foil-stamped photo corners, and a sepia duotoned image would be something amazing.
*I’m honestly shocked that no one’s given Topps shit about using a racist slur in this product name.
**A shame since the photos are often better than Flagship’s.
Some random craziness. I love the Xavi card since at times he’s my favorite player of all time. It’s always nice to add a Stanford card as well. But the real story here are the customs. Marc made a great set of Houston Manager cards based on the 1960 Topps manager design. I’m jealous of his local print shop and the paper he’s able to use since these feel wonderful in hand especially when compared to the flimsy stuff I get from Magcloud.
And finally. Marc sent me a couple 1990 Donruss factory set variations. I didn’t scan all of them but I did scan the two Stanford guys and combine them into gifs with their pack-pulled cards. The speckle changes are a little too subtle for me to really care about* but it’s nice to have a couple pairs and see how different the entire lockup can be.
*My line appears to be between this and the 1991 Donruss variants which are similarly subtle but feel more intentional than just being a background speckle pattern.
One of the interesting things about 1990 Donruss is that the script names are not fonts and each card has different letterforms and a different angle to the text. Donruss clearly left things loose as can be seen on the Buechele text jumping all over the place.
This is a reminder about how this kind of thing was all done by hand back in the day and as much as the lack of consistency sort of drives me nuts I also enjoy seeing the printer’s hand in the final product.
Cool stuff Marc. Your Chacon should be arriving any day now.
Found a nice PWE from Marc in my mailbox last week. School is over and summer has officially begun so it’s nice to start it off with some cards in the mail.
This isn’t the usual fare but as we’ve all stopped ripping new cards and sort of filled in the obvious collection items, I think we’re all casting about for other stuff to send each other. In this case, Marc has come into a good-sized lot of 1979 Topps cards and remembered that I had’t put together my Candlestick page for that set.
Being an Astros collector means that Marc has a decent number of cards feature The Stick in the background. These seven 1979s definitely complete my page and the 1980 Andujar doubles the 1980 Candlestick cards I own. Og these I like how the Lemongello shows off the black hole in center and how Cabell captures the left field bleachers and scoreboard.
All seven didn’t make my 1979 page but four of them definitely did. Once I get more than nine cards I try and spread things out to get different views and I definitely like how that page looks now.
The early-1980s needs work but I’ve not yet gone looking for cards here. It’s nice to have a complete page though even if it spans 1980–1985.
Marc also included two 1979 cards form the Jean-Michel Basquiat checklist. I enjoy the connection to the “real” art world and it’s a fun mini-PC to put together. Rather than digging through the comments of my SABR post I’ll list the checklist here.
Joe: Steve Henderson
Jerk: Bob Randall
Hot Dog: Steve Kemp
Wally: John Matlack
Bus Pass: Ed Glynn
These are the first two I own from that theme (I had a Steve Henderson but sent it out TTM a couple years ago and it never returned)
And yes even though we’re not ripping product Marc apparently is still. A handful of Donruss cards is very much appreciated, especially the Camilo Doval card since for whatever reason Topps isn’t featuring him. I’m not keen on this design but a least it’s very Donruss™ without being derivative.
Oh and the Diamond Kings card looks like a Diamond Kings card. I’m assuming it’s this year but I can never tell.
For a while I was considering only buying Donruss cards this year since boycotting MLB-licensed stuff is about the only way I can make a statement as a fan. But then I don’t buy anything anyway so it doesn’t really matter.
A couple Match Attax Barça cards. No idea where these are sold or if anyone plays the game but they’re a fun add to the non-baseball sports album. Ansu Fati in particular is on the cusp of becoming something great and I hop he realizes his potential. That #10 shirt is really heavy and, while I think they gave it to him too soon, the fact he wears it now says a ton about how he’s perceived in the team.
And lastly a Safe Hit Texas Vegetables crate label. Marc got a big batch of these and has been selling/distributing them. Not the kind of thing I actively collect but with Marc being in Texas I totally understand why he jumped on this.* It’s a cool image with a local angle and even the concept of “Texas Vegetables” evokes a weird combination of the Texas Leaguer with a Can of Corn.
*I’d be much more tempted if I came across a Best Strike Apple label since Watsonville is borderline Bay Area. But even then I try really hard to to get sucked into too many different collecting interests.
I also had the weirdest reaction to this piece as a physical object in that my gut felt that it was fake but there’s jut enough going on that I can’t trust that gut reaction plus I don’t know a thing about how labels like these were typically printed. The thing is that my gut wants the text to be nice and crisp and it’s not. No crisp edges anywhere. The blacks and reds are screen mixes. All of these things are frequently tells that something has been photographed and reprinted.
But if the entire label including the text was painted as a single piece, this is exactly how it would look. Especially if printed slightly out out register the way this one is. Plus the small vertical “INC” in the bottom right corner is printed as linework which suggests it was added in after the original artwork was photographed for press. And there’s no sign of being rescreened anywhere on here.
Also, the paper, while slicker than I expected, is only slick on one side. Definitely doesn’t feel like paper you’d get today and is probably way cheaper than what you’d get from Vintagraph.*
*Worth noting that this version of the label has been restored and I suspect has had all the type re-set as linework so it prints crisply.
Very cool stuff Marc. I was half expecting a Shawn Chacon custom for Trenton but it’s great to fill out more Candlestick pages.
I guess it’s not officially baseball season until I get a mailday from Marc. Not only has he been pointing out Ebayauctions he’s also still coming up with cards despite going on two years of product being impossible to find.
While the bulk of the package was my usual collecting interests (Stanford and Giants) we’ll start off with this 1965 Topps Stan Williams. Cleveland purchased his contract on March 30 1965 and as a result, Topps clearly didn’t have a photo of him in an Indians uniform. Even though this is a fifth series card and came out later in the season (probably July) it was still too soon to get an updated photo.
While they didn’t touch the Yankees uniform, Williams’s cap is a much different story with the NY logo being blacked out. Sloppily blacked out. The further upstream you can do these fixes the better and this fix is about as far downstream as you can go with a black NY that looks like it was scribbled on to either the black film separation when burning the plate or the actual plate itself during printing.
The tell in this case is that the NY is 100% black. If it had been done before doing the color separations it would be some kind of four-color mix. Instead it’s solid black which is why it looks so weird on the card.
Moving to the Stanford section of the mailing with a nice selection of guys who are currently active as well as a few non-baseball options. A decent number of new cards to me here, especially the non-Topps options like the Mosaic Edman and minor league Helling. I also hadn’t added that Bob Mathias card despite having other Olympic cards.
With Heritage being increasingly boring it’s nice to see that Lowrie and Hoerner got interesting examples this year with Lowrie’s horizontal card being one of the better ones in the set. Also it’s always fun to add a couple Elways to the collection.
The last Stanford card is a very cool signed Adam Keefe. Marc apparently got this TTM a couple decades ago and decided it didn’t fit his collection anymore. I’m very happy to add it to mine. Keefe wasn’t a star but he put together a decent NBA career and I enjoyed his years in Utah as the “Garbage Man” to Karl Malone’s “Mailman” who was responsible for cleaning up the boards and and putting trash shots back into the basket.
Moving to the Giants and starting off with a selection of junk era cards. I almost missed the most interesting thing here but three of the 1995 Flair cards are in fact missing the silver foil stamping. Those cards are so shiny it’s easy to overlook that the player and team names are missing.
What’s cool is that you can see a ghost image of where that foil was supposed to go. While this could be intentional so that the foil doesn’t pick up any of the textures on the card, given the difficulty of registering foil stamping I almost want to suggest that something went wrong, the stamping ran out of silver foil for a few sheets, and the resulting ghost image was an inadvertent almost deboss.
Last batch of cards are current-day Giants. As with before the non-Topps cards are always welcome. The Topps cards meanwhile will go into the for the kids pile. Well except for the foil Archives “Big mini” or “mini Big” Buster Posey. That’s staying in my collection in part because I’m a Topps Big fanboy but also because I’m fascinated by Topps’s choices for which parts of the cards would get opaque white ink and which parts would let the foil impact the image. Definitely not the choices I would’ve made but they say a lot about what parts of the card Topps considers to be important .
Very cool stuff. I’m long overdue on a reply mailing but I’m also long overdue on buying cards in general.
Earlier this week I found the fattest PWE I’ve ever received in my mailbox. USPS’s maximum thickness where an envelope becomes a package is a quarter inch and I’m pretty sure Marc Brubaker hit that thickness right on the head. A lot of the thickness was the stiffening cardboard but it also had 23 cards inside which I think is the most I’ve ever gotten in a PWE.
It was the usual eclectic mix I expect from Marc but we’ll start off with the Giants cards. I’m very happy to get another copy of this Pablo Sandoval because it means I now have enough to give each son one of them. I don’t think they need identical stacks but a 3D card of on of their favorite players is extra cool and definitely the kind of thing that would cause some sibling friction.
The Pacific Paramount Stan Javier is a typical foiled-out Pacific design (sadly not in Spanish) with the typical 1990s problem where the foil covers the bottom half of the photo. It is however very much of its time and I appreciate that. The Joey Bart is another one that’ll go on the kids’ pile and, hopefully in a couple years they’ll be very excited to have his cards.
There was also a handful of 2021 Heritage cards. Most of these will also go in the duplicate pile for the boys although I’m not sure any of them will be excited by the Justin Smoak.* The Joey Bart card on the other hand means hat one can get the Opening Day and the other he Heritage.
*Who shouldn’t even be in the set since he was literally released by the Giants before the 2020 season ended. Topps does this kind of thing way too often though where players who have no business being in the set end up on the checklist.
The Willie Mays Award card though is one I didn’t have. I hadn’t included it as part of the Giants team set because it’s not. But it is Willie Mays and so I have no problems sliding it into the album.
On to the weirder stuff. The Scott Erickson Ultra Pro card is wild. I don’t think anyone is doing the corporate jersey thing anymore* and this one is such a generic jersey that I wonder why they even bothered. It’s not a great card but it’s weird and that’s always welcome in the binder.
The Buechele meanwhile comes from Marc’s apparently-infinite supply of stickers. There aren’t many cards of him with the Pirates though so that part’s pretty fun too.
More weirdness. I passively collect Barcelona cards. Very very passively. Love adding them to the album. Can’t be bothered to even search for them and the idea of buying them doesn’t even cross my mind. I’m not exactly sure why this is but it means that I very much appreciate each and every one that gets sent to me.
And finally, Marc, as a member of the custom card crew, included a bunch of his customs that I’ve been seeing him working on over the past year.* Is great to see these in the flesh and I’m kind of jealous because Marc has a good copyshop that he prints these at while I’ve been getting mine online at Magcloud. I have no complaints about Magcloud—it’s exactly what I expect and the quality is great—but man the paper Marc uses is so much nicer and thicker.
*The Bernie card is a fun joke which I didn’t get at first since I’m not that familiar with 1982 Fleer.
I’m especially liking the Dan-Dee inspired Dusty Baker. I’m always a fan of classic-feeling customs and the tweaks to the Dan-Dee are exactly the kind of thing I enjoy. But there’s a lot of good stuff going on in the Castro—I really want to see Marc try making the logo into a burned-in brand feel—and the Mays design is one which Mark is turning into a generic custom design for various fun photos and seeing its versatility has been awesome.
The last two cards are actually my designs. I was screwing around with creating a Ginterizer a couple years ago and sent a bunch of files to Marc ages ago since a bunch of them were of his Vintage Base Ball team. Marc went ahead and got them printed and they’re fantastic in hand. He actually ent me a couple different paper options (where not all 23 cards are depicted in this post) but the one I like best is the uncoated stock since it just feels right.
Super cool to see these in person and thanks for the PWE Marc!
It’s been a while since I got a trade package. This isn’t surprising. It’s been a long while since I sent anything out. Which also isn’t surprising. I haven’t really purchased any new cards in over a year. Cards haven’t been available to purchase anywhere for over a year unless you’re willing to reward all those assholes who buy up all the retail or online stock and try to resell it at ridiculous markups.
So it was quite a pleasant surprise to find a couple envelopes in my mail last Friday. Amusingly, they both came from Houston.
The first came from Commish Bob and is a response to a comment I made on a recent post of his about 1962 Post cards. I’m passively acquiring Giants from the 1960s Post cards* but because my passive acquisition means jumping only on the cheapest of cards when I encounter them, I only have one Hall of Famer in the entire batch.
Unbeknownst to me, Bob had ended up with a duplicate McCovey and when I admired his acquisition he offered to send me his well-loved duplicate. Very very cool. This is now the oldest McCovey in my collection.
I’m sure I’ve mentioned it on here before but I’ve come to love these Post cards. They manage to fit everything you want on a card on one side of the cardboard. Stats, bio, photo, card numbering are all there. You don’t really need anything more. Factor in the use elements and how these were lovingly chopped out of a cereal box by some kid sixty years ago and there’s not more I could wish for.
The second envelope came from Marc Brubaker. It had the usual mix of this and that but I’ll start off with my first Heritage High numbers. I saw neither sight nor sound of these. I don’t think they were released to Target and it doesn’t matter anyway since my Target no longer carries cards.
In some ways it’s probably just as well. These continue the weird fake trapping and bad trapping effects from Heritage and now make the photoshopped backgrounds look a lot more obvious. There’s also some weird yellow/magenta fringing on the photos—only the players not the backgrounds—which is kind of distracting.
The worst thing though is that it’s clear that whoever put the checklist together did not look at the checklist for Heritage. Tyler Beede for example already has a card in the set. It’s things like this which frustrate collectors since it suggests that Topps can’t be bothered to do the bare minimum of quality control in the product.
Marc somehow also came across some Chrome last year. As usual these scan like crap but jazz up the binder a little. I still don’t get this set though my youngest does enjoy them* As a print nerd and mechanical engineer though I do have to admit that I appreciate these more as objects than as cards.
*He was briefly excited to find that Chrome had released just in time for National Baseball Card Day last year until he found out that they cost $10 for a pack of 4. Very typical of Topps to make sure that their kid-friendly promotion coincides with product releases that kids can’t afford.
One thing that amazes me about Marc’s mailings though is the amount of stickers he comes by. I never got into the Panini sticker albums when I was a kid. I remember seeing them all over, usually with movie tie-ins,* but never felt the appeal.
*For some reason a Temple of Doom album is the first that comes to mind.
More often than not though Marc’s mailing seem to have stickers. From all ages. And since I’ve never collected them they’re always new. Which is pretty cool. I have no desire to put them in an album but they remind me of a branch of collecting which is never on my radar.
These are from 1996 and so also represent a year in which I didn’t pay much attention to baseball at all. Looking back on things I’m a bit sad to have missed the Deion Sanders era.
And finally a handful of Stanford cards. Marc managed to go five for five here too. Flair is one of those sets which I couldn’t dream of buying as a kid. While it’s sort of peak-90s now they’re always fun to encounter. The Just Minors Hutchinson is great because most of my Hutchinson cards use the exact same photo. One Piscotty is a border variant and the Platinum is a nice shiny change of pace from the usual cards in my Stanford binder.
Thanks Marc! One of these days I’ll buy cards again and end up with some Astros I can send you.
A new year and some new trade envelopes rolled in. Not as many as I was expecting to receive (some appear to be stuck in the eddies of the USPS backlog) but with my local Target completely dropping cards from its inventory it’s nice to get a card fix from somewhere.
The first mailing of the year was a PWE from Marc Brubaker containing almost a dozen cards. The oldest ones are three 1983 stickers which include a couple fun photos in the Milt May catcher action and Al Holland sporting a fantastic warm up jacket. As for the Matt Williams card, I have no idea what kind of release it’s from but it’s wonderfully odd.
The rest of the cards from Marc were newer ones including a bunch from retails issues that I refuse to purchase. Bowman Platinum remains a product I don’t understand. As does Topps Gallery. As always it’s nice to include a sample in the binder for variety’s sake though. I can’t imagine looking through pages of either of those but a couple here and there makes things interesting.
A week or so later I received a bubble mailer from Robby which contained a bunch of more-recent cards. I’ll start off with a half dozen inserts from the past couple years. These are again, the kind of thing I don’t chase but enjoy sliding in to the binder. I have mixed feelings about the design re-use but I much prefer seeing such things done in inserts rather than as complete sets.
The #1 Draft Pick Joey Bart is a particularly great use of an old design since Topps can’t do draft picks in flagship anymore. I’m be curious why Topps hasn’t done draft picks as inserts in other Topps sets though.
The rest of the mailer was a bunch of 2020 cards. A few Updates, two Diamond Kings which I didn’t have, a decent amount of Big League and Donruss which finished off my team sets. Highlights here are the orange Big League parallels and the Gold Star Flagship parallels.
I’m not a huge fan of colored parallels but the Big League oranges look great with the Giants cards. If we could dump the whole rainbow of variants and just have a single team-color parallel set then I’d probably like them.
The Gold Star parallels meanwhile are one of those things that dissuaded me from buying a factory set this year. I don’t want to pay marked up prices for a chance at a bunch of parallels I don’t desire. Getting a team set in the mail though is completely different. Since these are the kind of thing I actively avoid it means that they’re the kind of thing that I never have in my albums. I’m perfectly happy sliding them in as an example of what kind of things were going on in the hobby that year.
A surprise bubble mailer from Marc Brubaker arrived last week. I’d sent him a bunch of the Astros from Jeff’s mailday and those have now been transformed into Giants and Stanford cards I didn’t have. Not a lot has been going right hobby-wise this year with cards becoming impossible to find in the store* but thankfully card twitter is doing its thing and circulating cards until they find their forever homes.
*In a somewhat ominous sign my kids are no longer saving their allowances for baseball cards.
Marc has obviously had better luck than I have in finding cards in the wild though he also clearly isn’t as picky about what packs he buys. The four releases here are all things I don’t purchase but which add a bit of variety to the binders.
The top row of Archives is actually kind of fun. The Piscotty in the 1974 design looks pretty nice and they chose a very 1955 Bowman photo for the Hoerner.* The 1955 TV design is one I really didn’t like but it’s grown on me a lot.
*The backs of these 1955 inserts though are professionally embarrasing. I’m annoyed at how relics/autos have useless backs which just state what’s on the front of the card but at least those still serve as a certificate of authenticity of sorts. And I can excuse online-only releases as a “jam them out as fast as possible” cash grab. But doing these half-assed backs in a retail product is inexcusably offensive to me as a designer. As is the fact that multiple people laso signed off on it. Peak milking a cash cow and zero professional pride.
This year’s Panini/Donruss/Optic design isn’t half bad either. They’re still operating on the “let’s evoke late-80s/early90s Donruss” wavelength that makes their products look mostly indistinguishable year in and year out but they’re gradually doing a better job with team colors. Would be nice to see them really lean into the team color thing and use two colors for each team sometime.
And this is also my first 2020 Bowman in hand. I should get more of these just in case we have games at Trenton next year since it’s a nice simple design that’ll look good signed.
Marc also included a bunch of Allen&Ginter including one of the only cards I was actively going to look for. I don’t like Ginter as a baseball card set. I do like the non-baseball subjects and this year Brianna Scurry was one I really liked.
Most of the time Ginter’s fake-paint, fake-stipple photoprocessing looks pretty bad. This year though the photos look surprisingly good. Is a shame that the design is doing this weird double shadow thing where the drop shadow on the photo is coming from a different light source than the drop shadow on the brand name. This isn’t as obvious in the gold minis though so that’s pretty cool.
Beyond the new cards, Marc included a bunch of random coolness, none cooler than these three 1968 Dexter Press cards. These are nicely-printed glossy postcard-sized cards. Colors really pop and there’s lots of nice detail.
I especially like the Jim Wynn with the spring training outfield fence in the background but the John Bateman and Ken Aspromonte show off the Astrodome logo patch better. No idea why Aspromonte is wearing his batting glove on the upper hand though.
1991 Donruss is one of those sets where there are two different versions of each card,* one released in packs and one in the factory set. The two Bud Black cards here show both how the borders can be different and how unless you know there’s a difference you can totally miss the fact that there are different borders.
*Three actually but I don’t care at all about “INC” vs “INC.” in the small text on the backs.
Marc apparently came into a factory set of these, decided he just wanted the Astros, and figured that sending out team sets to various team collectors would be fun. For me he also included a few of the Stanford guys in the set as well. The Stanford guys look nice paired in the Stanford binder but it took me a while to figure out how I wanted to display the two different variants in my Giants binder.
I eventually settled on having alternating pages of set/pack cards so I can flip back and forth and see the differences. There are a few empty spots for cards that don’t have multiple versions (eg the Gary Carter Highlight) but I’m happy with the result.
A few more random cards including a pair of Mother’s Cookies cards I didn’t have. The Joe Niekro is from 1986 and is part of the all-time Astros All Stars set. Mother’s Cookies also did a set like this for the Giants in 1984* as part of the All Star game at Candlestick that season so it’s only fitting that the Astros got one when the game was at the Astrodome. The Nolan Ryan goes nicely with a card I pulled out of a bag of Iced Animal Crackers** three decades ago.
*Albeit with more of an Allen&Ginter style design.
Two 1993 Fleers I didn’t have. Steve Reed isn’t exactly a Giants card but he’s wearing the uniform so I have no problem sliding him into the binder. A couple Just Minors cards from Marc’s recent break which I now feel a little bad about not entering except that I really don’t actively seek minor league cards. They’re fun to add to the binder but I’ve never sought them out. This design though is an interesting one with the bar across the middle of the card and the photos sized and cropped so as to place the player’s face in the section above the bar. I don’t like it but much to my surprise I don’t hate it either
A 2012 Jed Lowrie which is some fun color but also fills a hole I didn’t realize I was missing since I didn’t have his 2012 flagship in the binder yet. A fun diecut of Mark Appel. And finally a pair of 2018 Stickers which feel so underwhelming now that Topps has switched to card-sized stickers.
Last batch of cards in the envelope were these Twilight Zone and Star Wars cards. The Twilight Zone ones are from this year but there’s unfortunately no Mighty Casey card that would allow me to sneak a post onto SABR. They’re still pretty cool though. The Twilight Zone is my favorite TV show of all time and seeing these imagined episode posters is pretty neat.
The Star Wars cards are from 1996 which is definitely a long time ago in a galaxy far far away now for that franchise. This is before the Special Edition rereleases let alone the prequels when the only expanded content out there were things like Shadows of the Empire. These cards were part of that multimedia blitz which were intended to prime the pump for the Special Editions. I don’t remember them at all though I do know that people were hyped for the movies to come out again.
I received a nice card from Marc at the end of last week with a handful of cards inside. No Giants this time, just Stanford Alumni but all from sets that I’ve never purchased.
First one in the stack is a Simone Manuel 2018 Sport Kings card. Aside from a Sports Illustrated for Kids card this was the only trading card of Manuel until this year.* I’m assuming this is related to her being an amateur (there are no non-SI cards of Katie Ledecky either) and that if we’d actually had an Olympics this year things would be different.
*She’s in 2020 Goodwin Champions.
Is a shame though. Manuel is especially worth celebrating for her accomplishments in 2016 where she became the first African-American woman to win an individual swimming gold medal.
The Sport Kings design and artwork is intentionally retro. Looks a bit weird to me to see it in modern card size instead of the more-square size of the 1933 set but it’s a decent homage and the kind of set I’d like to see more of nowadays with its mix of athletes.
A couple Topps Stickers. One of Nico Hoerner showing the front sticker design and one of Stephen Piscotty showing the sticker back design. Is interesting what Topps is doing with these. I appreciate them being card-like even if these designs are doing things that cards don’t usually do. The stickers feel like they need some of the album context and the backs are a nice way to make something from the throwaway portion which feels kind of like an insert.
Definitely a fun product though at the same time the sticker album is only like four cards per team and this is the kind of product that to my mind should feature way more players. But then I’m kind of expecting something approcahing the gigantic Panini World Cup albums.
Last card of the batch was a 2020 Diamond King of Nico Hoerner. Actually this is an Artist’s Proof though I have no idea what that actually means in trading card world. I didn’t notice this with my previous Diamond Kings but the difference in white points on this card is super obvious.
It makes for a nice contrast between his leg and the paper color but it also calls out the artifice of printing a cream color on the paper stock. I don’t mind it when companies do this (I’ve done it plenty myself) but I’ve never understood why you’d do this and then call attention to it.
Catching up on a handful of small maildays. Most of these involve 2020 Big League and so are especially welcome because I’ve hit my local Target all of once since last March and when I did the card aisle was completely bare.
The first one though is this small PWE from Mark Hoyle which contained two 2019 Bowman Chromes. Not the usual thing I expect from Mark at all to the point where I was curious how he encountered these since he never rips any new product.* They’re appreciated here though. I’m being optimistic about in-person autographing being something that will be feasible in the future and accumulating Giants prospects in case they come through Trenton with Richmond is part of that optimism.
*Turns out they were bumper cards.
A nicely-stuffed PWE from Marc Brubaker brought a bunch of cards from sets I never rip in addition to a few Big Leagues. That Posey is fantastic* and the design is a nice throwback to simpler days which works perfectly with the non-gloss paper stock.
*I don’t collect colored parallels but I’m tempted to make an exception this year with the orange ones since the orange Posey looks even better.
I love the feel of the Diamond Kings. They’re still some of the most satisfying cards to just handle. I just can’t tell the years apart, and I don’t mean in terms of just associating cards with years, it took me a long time to realize that there were two different years of cards in the envelope.
I also received a small package from Cards on Cards with a Big League box panel. I like the box card sets but with blasters doubling in cost those cards have become a lot harder for me to get. He included a bunch more Big League cards which, between Marc and some other mailings, has meant that I can supply my kids with enough Giants to keep them happy.
The Evan Longoria caricature was a nice surprise. I don’t chase those but they’re nice to add to the binder. Gypsy Queen and Prism also fall into this category. Neither is my thing but I enjoy having an example or two in the binder anyway and I’m glad people are happy to send them to me.